Fun with gouache! While I was painting this, I learned that "scumble"/"scumbling" are words used to describe the action of dry brush painting, so my detective's name is Scumbles.
David Lynch (1946-2025)
I like things to be orderly,” Lynch told a reporter in 1990. For seven years I ate at Bob’s Big Boy. I would go at 2:30, after the lunch rush. I ate a chocolate shake and four, five, six, seven cups of coffee—with lots of sugar. And there’s lots of sugar in that chocolate shake. It’s a thick shake. In a silver goblet. I would get a rush from all this sugar, and I would get so many ideas! I would write them on these napkins. It was like I had a desk with paper. “
- From Daily Rituals: How Artists Work by Mason Currey
“I don't think it was pain that made [Vincent Van Gogh] great - I think his painting brought him whatever happiness he had.”
― David Lynch
Thank you for all your amazing art!
#dailyrituals #inktober #DavidLynch #goals @masoncurrey
Drawing black lineart does get monotonous at the times for me so I drew this for a change,A hen (my favorite bird)painting.It almost looks like a illustration you will find in a children's book except It was done by a complete amateur
little project of collage, about woman in their daily life at home, using primary colors. Here Penelope in her kitchen preparing herself a meal for lunch
collage, acrylic painting, colored pencils, charcoal
This is an ATC-sized (3 1/2” x 2 1/2”) watercolor. I’m practicing bolder strokes with heavier pigment. Big departure from my usual uber careful strokes
I'm hoping to finish off this children's book this year. It's a lot of work. Too many illustrations - so many the printing cost will jump, so I might have to find a publisher for this one, rather than self-publish. This is acrylic on paper.
Things have been so busy of late and my output has greatly reduced. However, I have returned to oil painting. I revisited this piece I started last year and put in a few more hours to finish it. The scene was from a few summers ago when I visited Pen Arthur forest for the first time. The piece takes me right back to that day when the late summer afternoon sunlight struggled to penetrate the canopy.
A quick group portrait I made to try making a timelapse of the process. The timelapse is posted to my instagram account. This time, I used brown and yellow bister ink on watercolor paper. Normally I paint the monsters themselfves, but now I used negative painting to create them.