It's National Toasted Marshmallow Day so this painting seems fitting. What do you think will happen to this guy? About 14 x 14 inches, acrylic on wood board. Sorry not the best photograph.
Side Face Sketch by Oz Galeano
Instagram:
https://www.instagram.com/arte_ozgaleano/
Buy your custom Portrait:
https://www.fiverr.com/s/6WzyVL
Donations:
https://www.paypal.com/paypalme/ozgaleano
Youtube:
https://www.youtube.com/@OzGaleano/videos
Patreon:
https://www.patreon.com/Ozgaleano
Shop:
https://www.inprnt.com/gallery/ozgaleano/
TIK TOK:
https://www.tiktok.com/@oz_galeano
Behance:
https://www.behance.net/ozgaleano
This is the second lino cut print I made using motifs from my surroundings here in Vienna, Austria. I enjoyed learning this when I was in Art College in Australia back in the day and my passion is now re emerging for it.
Jung here. Done with lead pencils on 11x17 bristol paper. One day I was flipping through Frrank frazetta art book I had and one of his painting inspired me, so I close the book and started to draw and this image came about. Original art is up for sale $90 (shipping fee will apply) USD email me jungmeister4@yahoo.com
Also I have my 2023 Wall calendar up for sale $19.95 with my artworks through Artwanted.com art community website. Click or copy / paste the link below and would be appreciated if you can support me on the calendar
https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=Calendar
A penguin. Digital watercolor base with oils overtop. I wanted to try to paint it like those traditional animal paintings from ages ago. I gave them an ear piercing for the challenge and kept it at that. They're stuck up; they don't need much. ;P
I generally make marks on something every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
Recently I saw beautiful Van Gogh exhibition. I really enjoyed movement of his brush and vivid colours. It was more about energy and feelings than realistic details.
I am always gravitating towards realism and always want to spend more and more time perfecting paintings like they are never really finished so this time I decided to challenge myself not to do that.
Another piece from my vernal pools/treescapes studies I have been working on in correlation to my interest in local creature found in our woodlands.
I adopted the use of a circle one night, wanting to frame out an idea/sketch and a wine glass happened to be close by. Since then I have used it often, loving the circle aspect.