This is the 5th piece that I painted during my train journey. I painted this scene after passing so many bridges, i was wondering how the people from below might see us when the train is crossing the bridge. A group of girls ( students ) got excited when I showed some of my paintings. So I gifted one of them this (●'◡'●)
This is the 4rth piece that I painted during my train journey. I painted this scene after getting mesmerised by the view from the train window. It was Day 1, evening, 4 pm. We were passing through mountains and lakes. A group of girls ( students ) got excited when I showed some of my paintings. So I gifted one of them this (●'◡'●)
This is the 2nd piece that I painted during my train journey. I painted this scene after getting mesmerised by the view from the train window. We just passed by a lake which had flowers on the riverbank. A group of girls ( students ) got excited when I showed some of my paintings. So I gifted one of them this (●'◡'●)
This is part of a beautiful moment that was created as I was painting on these mini watercolour sheets. During the journey, I painted around 5 paintings. This is the first painting I painted during my train journey. A group of girls ( students ) got excited when I showed some of my paintings. So I gifted them this. More on the way ....
This is an acrylic painting that I made for someone I was close to. We would often take turns of one of us being overly affectionate and the other being playfully annoyed. I tried to capture this dynamic in the painting of these two owls. This painting was an experiment in portraying animals, something I don't do often, and using my paint knife as a tool in my paintings.
Sometimes, a good goodbye is also a fresh hello.
As we wrapped up our "Sacred Spaces" paintings, I asked our student teacher to design a one-day project—something playful, earthy, and engaging to ease the class into her care. She brought mud. Literally.
Using mud and simple stencils, students pressed images—flowers, insects, wings—onto the sidewalk behind our school. There's something timeless about making marks with the ground itself. It felt ancient and immediate at the same time.
These prints won’t last long, but maybe that’s the point. A fleeting image, a shared laugh, a new hand guiding the next phase of learning.
Art is about making marks. Not all of them need to be permanent.
Artist @asherbingham.fineart initiated a project offering free paintings of homes lost in the recent Los Angeles fires. Since announcing this on IG, she has received over 1500 requests and enlisted volunteer artists nationwide to assist. This is one of 35 homes I've painted.
The Watermelon Folk is an Acrylic painting on canvas measuring 61 x 61 cm. It is an intuitive painting. I practice Raja Yoga Meditation .which is an open eye meditation; so while I am painting I am in a meditative state. What appears on the canvas is straight from my inner being. If I like what appears I will let it live but if I don't like it , then it needs to go, and I will paint over it. My paintings go through many lives before they are complete.
Recently I saw beautiful Van Gogh exhibition. I really enjoyed movement of his brush and vivid colours. It was more about energy and feelings than realistic details.
I am always gravitating towards realism and always want to spend more and more time perfecting paintings like they are never really finished so this time I decided to challenge myself not to do that.
Capturing the spaces in between and amplifying them with a play on exposure and contrast to bring forth the beauty I see within the layers. This particular play is a flower I saved from a very special event I attended. I then dried the petals of this beauty. These special petals make their way to various projects, including oil and acrylic paintings and resin on canvas. More to come :)
Cont. to work on BnW illustrations, I wanted to focus on making the reflections have a realistic quality. I struggle with clouds, but I felt I was most refined here. My BnW's seem to have so much more life and expression than my paintings. I'd love to hear your thoughts.
My first drawing in the new Rebelle 7 by Escape Motions. Go wild with the new metallic paint or turn it down low for a subtle sheen that adds interest to simple paintings.
Hi just joined the community and i watch alot of digital paintings and I'm a big fan of this digital painter who goes by the name of samdoesart and want to adapt his style into my work so some help with the colouring would be greatly appreciated. Thank you!
I made a Zine called "Famous Bottoms" - it's a quiz with 12 watercolour paintings of famous bottoms (painted by me). This one is #8 and I assume most people will recognise it! But how many of the others would you know? If you'd like a copy of the Zine, you can buy it at https://LindsayBakerArt.square.site for $AU8.00 plus shipping :)
After forcing myself through some long lasting 100 layer paintings, just doing a quick two day one feels refreshing. I will hang this one on the wall, but for the bigger version im gonna make a more natural looking fox cub.
You know when you start a picture, get sick long enough to get out of the flow and it now feels like an never ending project? Im so done with this one, it doesent help how many flaws im gonna spot when i get better, im SO DONE! If anyone wonder about the motive, its about making sure cinderella dont get poisoned before her wedding. All the paintings done in this style is gonna be about keeping cinderella alive.
The idea is to show a figure crossing over two ` scripts’ with a bilingual suggestion. By standing in between worlds, we see opposing viewpoints.
Many artists have incorporated typography as symbols in their paintings since the 60s, but no one has attempted to approach lines in this `written’ manner. How different it is are the two writing styles of the East and the West; one with angular lines while the other in a smooth flow! This work juxtaposes the symbolism of cultures – script. At the same time, it questions the need to grasp the full meaning of the script to appreciate the aesthetic flow of calligraphic lines.
The painting im working on is taking a lot more time than i expected, so here is one i painted last winther. I love Beatrix Potters paintings where the animals look realistic, but they wear miniature clothing and behave humanlike.
Since the dawn of l’automatisme, the floating shapes of Miro and Klee were praised as musical suggestions. Unlike the Masters, my groundwork of flowing lines speaks melody and rhythm from a musical score perspective. The flow of lines ties the art elements into a composition. It also reflects a concept from Chinese paintings, which says, ` as a line moves into the invisible, the idea continues.’
