This was the best sketchbook I ever owned. It appeared mysteriously and within a year, was gone to the wind. These are the back pages where I was exploring different water and alcohol marker brushes and ballpoint on the amazing vellum-like paper.
Recent commission: How do women move forward when doors are continually closing in front of them? Doors that were open in the past are now being closed by those who think that you should live your life the way they do even though your life situation is vastly different from theirs. 2022, 13” x 19” Ballpoint Pen on Paper, Digital. Model: AmyM
This is the centre section of a cartoon I did back in my university days for the student newspaper. It was fun to do, but took a lot of time. I hope to put it into a collection of comics.
Pastel pencil study of the intertwined hands of the Ambrogio Borghi sculpture, Chioma di Berenice. Faber Castell pastel pencils, Black and White Generals charcoal pencils on 9” x 12” Strathmore Toned Grey sketchbook paper.
"Whirlwind 22”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature, and date in the back of the drawing. This drawing is the 22nd in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 22, 2020.
“Whirlwind 9”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature, and date in the back of the drawing. This drawing is the 9th in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 9, 2020.
Chromatography is used in chemistry to dissolve a mixture and place it into a "mobile phase," which allows the solvent to carry it and its components up the paper. It shows the layers, exposing deeper, hidden tones and colors, something only seen when a solvent of the same polarity is used. It's odd. Life feels a bit like that, and I'm seeing the colors separate for the first time. It's all there, everything that's been hidden in the inky mess for the past however many years. And now it's smeared. Bold. Clear. But blurry. What's on me and what's on you? Where do we go from here?
Running Late. The personification of the reaper running late for his next appointment.
10” x 15” Original ink and watercolor illustration on Strathmore 500 Series 4-ply Bristol illustration paper.
Signed by the artist. Unframed.
