Some LGBTQ+ members of the community can’t openly love who they want to love, so the bars represent that barrier. The fabric, with all its complex folds and creases represents sensuality, desire and love. Love, in all its forms is a complex thing of beauty.-------------
The companion piece to my previous post ‘Ecstasy.’ Agony and Ecstasy were always meant to be a diptych. The issue for me is that there is a two-year gap between the completion of the two - there is a noticeable difference in the the way both were drawn.
Faber Castell pastel pencils, Black and White Generals charcoal pencils on 9” x 12” Strathmore Toned Grey sketchbook paper.
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Nobody puts baby in the corner Print by Barrie J Davies 2020 - unframed Silkscreen print on paper (hand finished) edition of 1/1 - A2 size 42cm x 59.4cm
Still playing with ballpoint pens. This time, I tried a “scribble” drawing, holding the pen way back on the shaft and making little circles and scribbles….then layering them over and over. It was actually very liberating and fun. I did this on a Canson sketch paper….which didn’t wear through, but did buckle a little towards the end.
Classical lighting setup. Finished piece derived from an initial sketch. Model: Meadhbh (Maeve).
H, 4B pencils and white Prismacolor pencil on 9” x 12” Strathmore Toned Grey sketchbook paper.
A portrait of my cat Linus, who has the sweetest nature, a lot of love for his brother cat Rex, and a lingering case of kitty gingivitis from his days as a stray. Derwent Drawing Pencils on pastel paper.
Our rooster was killed by a weasel while defending his hens a few years ago, so this fellow was referenced from various on-line photos. He's drawn with colored pencils on Strathmore 400 Smooth Bristol board paper.
The finished piece is 24 x 32 inches on 300lb. hot-pressed watercolor paper ~painted with watercolor and ink. There were a lot of components I wanted to incorporate in this piece. Then, the painting kept "going". It moved of its own accord in places I did not anticipate, and I kept going with it....people that I know/have known intertwined in my mind as I painted the tree branches. Overall, the painting took on so many meanings to me as it matured
Lead pencils F,B-B7, kneatable- ,normal-, pencil eraser, paper stomps, tissue on A3 bamboo fibre rag paper. Choose to draw her bald, for no particular reason. Zoom in for full detail. Photographed in the sunlight with the canon 28 mm f/1.8 prime lens. Photoshop for greysteps contrast-boost and cropping. Like if you dare. Or else post some critique. Just some try to imagine Christina bald. Realistic? Still doodling? Her eyes are like dominating the whole draw... kind of unreal, isn´t it?
I was gifted a pad of Yupo watercolor paper. The color vibrancy is unreal! Definitely a learning curb but the results are so fun. Plus this got me painting again. Working digital is such an easy fall back, but nothing beats a brush to paper.
I don't know why these all upload sideways, but here's my latest work for the sketchbook. I created the electric field pattern and printed it on photo paper then doodled these rainbow trout (at the suggestion of my friend Andrew) and glued them on.
