4 year old Henry engaged fully with thick applications of watercolor and oil pastels. He said it was a stormy sea with a small boat. This was at the onset of the pandemic, when we were all a bit uncertain and confined to our homes. I was reminded of an insight by Kierkegaard written in the early 1800s: “When the sailor is out on the sea and everything is changing around him, as the waves are continually being born and dying, he does not stare into the depths of these, since they vary. He looks up at the stars. And why? Because they are faithful – as they stand now, they stood for the patriarchs, and will stand for coming generations. By what means then does he conquer changing conditions? Through the eternal: By means of the eternal, one can conquer the future, because the eternal is the foundation of the future.”
Soft pastels on pastel mat. I got a set of pastels as a birthday present, so I had to try it. It's quite different from working with ink. I like the colors but I am searching for a better way do do the eyes and the horns.
Really enjoying experimenting with soft pastels. This piece was the first time I used Pastelmat. It's an amazing surface to use with pastels as it takes loads of pastel, the colour stays vibrant, and there's minimal dust
Combination of traditional and digital art. I actually hand painted this on some very textured paper with oil pastels a while back, so to 'tidy and clean' it I had to employ digital means. The background was done with alcohol inks, the 'flow' of it I was particularly proud of :).
The tables were covered in white paper. Crayons, pastels, and smooth sticks waited quietly. Then came Lucy’s glittery purse—her 8-year-old hands had filled it with stones to pass along, one by one, to the strangers around the table.
We traced them. Pushed them. Held them.
Then we let the colors lead:
-Red for emotion.
-Yellow for curiosity.
-Blue for memory.
Each color came with music, with story, with space.
At the Museum of Wisconsin Art, we made marks not for meaning but for presence.
Thank you to Ann Marie and MOWA for the invitation and trust. And thank you to the participants—some new friends, some old students—for showing up and making lines that listened before they spoke.
In late 2018, after some time not doing any artwork, I really wanted to get back into it. I fancied doing something different and invested in some soft pastels. This was my first go with them and it was a hell of a learning curve about how they adhere to the paper, and how they blend. I'm not really sure the pastels I was using were soft enough for the look I wanted, but I like how loose this one turned out.
Cute weather forecast ☁️/☂️
First trial and errors with oil pastels!
I bought 4 sticks to try the new medium and I'm having so much fun making cute little doodles
