Class assignment: draw a crowd with layers and overlapping. I took this class because it is my artist heart's desire to capture people in real life action. We did learn a technique for that, but we did it from video. It was so stressful, and I'm considering practicing that 10 min a day for Lent. This one was a compilation from photos my teacher provided. What are your tips for capturing people in action? For me, the challenge was deciding what the action was. I kept changing the action as I saw it because it is SO FAST. I felt like I couldn't "see" fast enough.
I have been listening to astrophysicist's broadcasts a lot this days. Few I like the most are Joe Rogans's with Neil deGrasse Tyson, Brian Cox, Sean Carroll. They talk about obviously space, extra terrestrial life but also religion, people, psychology. I realised that when you think at cosmos level or at subatomic level, the things we worry about in day to day life feel very less compared to the vastness out there or in us. So I think it is very important to get out of the city, to find clear sky and look at the stars up there. It gives a surprising energy which I don't know how to describe but feels powerful.
Finally indulging in the Knuckles mini-series over on Paramount Plus! I’m only two years late to that party, hahaha :-D
It’s influencing my creativity as you can see…
I'm compiling simple slapdash 5 min. drawings of people + sharing their story.
Book 1 = story behind your name
If u wanna be drawn plz get in touch
Dave +351969534520
https://artdavidmeehan.blogspot.com/p/7.html
Starring MGMT: Weekend Wars (2007). Let me tell you a story about reading about wars and craving for a future in peace. About the Beatles singing about a revolution to change the world. About people being too occupied with their own lives to "paint or write or try to make a change". Tricolor linoprint using one lino plate. August, 2020.
The Dark. How are other people finding time to draw with the schools closed and your four year old on top of you 24/7? There's a story by Lemony Snicket called The Dark. I really enjoyed making the closet shadow, so there you go. This actually started with my raincoat beckoning to me for many days.
Soo...This was actually supposed to be alot more happier and brighter. But I accidentally made a mistake with her face, and since I was using a pen, I couldn't fix it...so I decided to go with it fully and make the background behind her dark as well to fit the mood.
I'm still happy with how it came out :) it's just...way different then how I planned it in my head.
Once, my parents and I visited the zoo, I came here very often because my parents let me go out every weekend, as well as to let them relieve the stress at work. Every time I come, I visit the king of the forest. Its body is also very large, it is short, not as tall as zebras or antelopes, but on the movie channel we see that it can catch those horses. Why so? It is because they are so fast even though they are short that it does not become the tiger's limitation. Its whole body is covered with a beautiful plumage of black and orange, which looks very beautiful. The color scheme on that body is also very delicate. In places like: the neck, inside the legs… there are beautiful white hairs that look like cotton cream that I'm holding.Its fangs are very sharp like large, sharp needles. Every time people feed it, those sharp teeth come out looking really scary. It used those jaws to tear raw meat into pieces. The tiger's paws have very sharp claws, the very paws that help it grab food. I like it because it is a powerful and powerful animal. It is that curiosity that helps me get closer to it and see it in every position. And the weekend comes to see how it grows bigger and stronger.
Only took like 2 hours. Honestly, this is the hardest I have EVER worked on a digital piece. Surprised I even got this finished in one sitting because I have been pretty nauseous today. @Hirsch I hope I didn't mess up qwq. By the way, are we friends? Sorry if I seem weird for a stranger but I just need a quarantine buddy. It's ok if we aren't, I understand, I'm only a random kid on a platform of other strange people, so it's alright indeed. (P.S. I'm in a super good mood today because I got a new Furby :3 I'm so weird)
I drew this when I was tired of people not doing anything to help the earth even when some people put in so much effort, some people just don't do a thing because it might cause inconvenience.
This is part of my daily Sketchgrind day 14. That's how I see collaborating with other artist is like, its tricky to get all the aspects together but if you finally get stuck - that's it. I also made a mini animation https://youtu.be/7z4c4dtWUXg If you want to see more check out my Patreon Page https://www.patreon.com/uliunique
Sometimes the quickest drawings hold the deepest truths. During an after-sermon discussion about understanding the love of God, I found myself listening with one ear and drawing with the other. Frank, seated across the room, made a natural model—relaxed posture, thoughtful presence, and a face full of character.
With a pen in hand, I traced his form in a quick contour line, following the folds of his shirt, the tilt of his jaw, the stillness of his hands resting in his lap. Contour drawing asks us to see more than just the surface—it demands patience and presence, a slowing down until the line itself feels like prayer.
Frank became more than a subject; he was a reminder that the love of God is often revealed in ordinary moments and everyday people.
I love creating work that starts from a point in nature and develops into something more abstract, something that can be interpreted in many different ways. It’s interesting to hear what people see, what connection to their own life they bring when viewing a work.
