"Parts Unknown," Acrylic on Canvas, 18x24 Some actions we will never know the reason behind, and, quite honestly, we don't always need to know the answer. Anthony Bourdain committed suicide on June 8th, 2018, news that was shocking for most to hear. People continue to speculate what could have caused him to commit suicide, some feel he had more to do, to say before he died. Personally, I find there's some feeling of closure or completeness to his death. I don't know what the feeling is exactly, but it's there. It feels like he left on his own terms, decided it was time. I wouldn't consider his death as him waving a white flag to addiction and depression. He said his shows were intended to tell other's stories, tell them frankly and truthfully. It's interesting how blunt and honest he could seem to be about himself, though he kept so many layers held within. Although we'd love to have a clear cut answer, explanation, reason, what would knowing that information change?
My first ballpoint pen person. This was a lot more time consuming than I expected, but I'm glad I hung in there and finally finished it. The reference for the drawing was a Getty Image.
This piece was done with watercolour crayons, crayons, fineliner, acrylic paint and a touch of posca. I was showing that love can be blind and sometimes almost arrogant and selfish, the arrow has hit the spot on the second attempt but the scars are still to be seen. Although the person playing cupid aint always an outside force. I enjoy playing with the titles and am constantly changing and thinking of what it will be called when doing the piece, but i do like my wordplay. this one was a play on horticulture and felt it all tied in to the final design :))
This is available as an a3 sized print.
Maia, one of two current German Shepherds was born here at our house ten years ago. She is a grand old lady with a big ears, a big ruff and a sweet personality. This drawing was done from a photo reference AND her sleeping at my feet. I used Pigma Micron Pens in black and brown with a little graphite smudging to add a bit of shadow.
An article/rant/annotation to an illustration. A #Hackney bar and its flies.
This picture is not as sad and blue as it might at first seem, I promise.
It is early in the week and the pub becomes the territory of the most outspoken drinkers. Raised somewhere between Churchill and Harold MacMillan, a night such as this is time for them to spin out a yarn of nostalgic fantasy. Encouraged by the lack of a crowd and with space to fill, statements start to fly.
In the opening rounds the barman athletically hits back with factual blocks and reality-check haymakers; statistics and personal experiences are given. Two histories cross examined, one where 1982 means Thatcher and the Falklands, the other renders Reagan and the AIDS crisis. Stoicism and national pride vs mental health and realism.
In the latter rounds the barman is fatigued, swaying on the backbar, glasses begin to stack up as form begins to drop. The older men seem stronger than ever.
The barflies come in close now, they scrutinise his generations work ethic and make wild political comments on poverty, immigrants and the minimum wage.
The barman is close to sheer bloody despair, he maintains his defence and focuses on breathing while maintaining his professional stance.
But at the end of the night the barman knows HE will ring that bell, they will politely leave and they will return again in a week and maybe, just maybe there will be a change, common ground or maybe at least polite silence.
But what these interactions have given despite the salt in the eye is community and an exchange between generations, culture and class of those participating. No home is ever straight forward, no relative without their good and bad traits and in a world where we often slide into echo chambers online or in our physical environments, the pub is still a place where society is family, face to face, pint to pint. Or maybe it's just a room with alcohol on tap?
Over a year ago, I finished my Robin Williams portrait, and I decided I wanted to create a series of different black and white portraits. So far, this is the happiest I've been with a piece in a while. There's no expectation, there's no real pressure on this, it's me falling in love with painting again. I've only been working on this for a week, so there isn't a ton of progress. I suppose I'll reveal who the person is later once more progress is made but for now, enjoy.
Here is one of 3 illustrations I made for customizable postcards, available for purchase at @cava.galeria
I wanted to use this green/bluish colour, plants, and a very curious human in this case.
What do you think the person is saying?
*The size is 15,5 cm by 11 cm
Limited number of postcards
When Rebelle 3 by Escape Motions came out I wanted to create something that really shows off its power. I normally draw in fountain pen first, but this was created entirely from scratch in Rebelle 3.
Digital art tends to be cold and impersonal, but Rebelle's watercolor simulation looks & feels like real paint... and you can undo! That's critical for illustration work, as clients often request changes... But even for personal work- it means an artist can achieve a watercolor look without being at the mercy of the medium. So the result is more true to his or her vision.
First OFFICIAL Commission! 8x10, Watercolor and Pen. Hey everyone! This time, I'm actually back. First off, let me say I was not planning to fall off the face of the Earth again. At the time I last posted, I had a little less than a month of school left and I had hoped I could wrap up all my final projects early and be done. I was wrong. My teachers assigned more and I had work due up to the day before school ended, but I survived! Since my last post, I do have some updates. 1. I did indeed graduate high school! I was very lucky my school not only had a ceremony, but it was at Soldier Field. (I'm very happy to say I graduated Summa Cumme Laude and with the honors of completing the Alpha STEM and the Arts program.) 2. I also got an Instagram! I'll be using it not only to post final pieces but also as a way to post progress. {@mapalomar.arts} With regards to this painting, it is my first official commission, past commissions were from people I knew (family or friends) but this one isn't. I can say I'm pretty proud of the end result, especially as a person who doesn't consider themself a watercolor artist, it's not too shabby. :) Anyway, I hope this piece will have a safe journey all the way to its new home in Massachusetts.
I had a wonderful time creating this commision for a Kansas City Personalities wall mural installed in a downtown KC apartment building. The wall measures roughly 12’ x 20’. These were all hand drawn graphite and charcoal drawings that I scanned into my mac and delivered digitally. The file was then enlarged and applied to the wall surface.
Casey the Puppet. This painting captures the essence of a puppet lots of older Canadians will remember. A strange genderless creature with a dog puppet companion. A puppet with an outspoken personality that I remember as a kid wondering how it got away with saying what it did. The painting has a Canadian stamp to commemorate the puppet's roots.
This drawing was done as a request for someone, the horse that I drew is an award winning show horse named Black Prince. This was my second attempt at realism using black fine liners and pencils, personally I think I didn't do too bad.
