I don’t know, I doodled on my hand and took a photo of it and edited it. I personally think it looks cool but that’s just my opinion. -I have depression, and have been/am a cutter so that explains the words written.
I am continuing to try to paint without outlining in pen first - just starting with a pencil sketch. I used this awesome photo as reference: https://www.pexels.com/photo/chimpanzee-sitting-on-gray-stone-in-closeup-photography-during-daytime-33787/
Landschaftpark Duisburg-Nord, Germany. This abandoned steel mill is transformed into a industrial heritage centre and landscape park. It's a great location for photographers and urban sketchers.
Inspired by the wonderful tutorial by rafy A, you can find it here: https://youtu.be/JM-esQnGIhQ
Camera photo source: https://www.pexels.com/photo/aperture-black-blur-camera-274973/
Forest and child source: Unsplash.com
It's National Toasted Marshmallow Day so this painting seems fitting. What do you think will happen to this guy? About 14 x 14 inches, acrylic on wood board. Sorry not the best photograph.
Did a doodle sketch. Didn’t really know where this idea was going when I started it then it grew into a kind of cityscape sunset in the end. I was trying to sort of do a bridge around the buildings in an abstract unidimensional way. Well thought it was creative and different in the end.
I painted this doll with the face of a middle aged woman. I like how distressed she looks, and the glasses complete the look. I sew on hair, but it just made her look normal so I removed it.
Lead pencils F,B-B7, kneatable- ,normal-, pencil eraser, paper stomps, tissue on A3 bamboo fibre rag paper. Choose to draw her bald, for no particular reason. Zoom in for full detail. Photographed in the sunlight with the canon 28 mm f/1.8 prime lens. Photoshop for greysteps contrast-boost and cropping. Like if you dare. Or else post some critique. Just some try to imagine Christina bald. Realistic? Still doodling? Her eyes are like dominating the whole draw... kind of unreal, isn´t it?
Some of my friends got drunk and came up with this idea that my best friend was a god. For whatever reason they decided Hopsin and Billie are the other two major gods. So this is part of a joke we have been pulling on him. Could have worked harder editing it but it’s all for fun. Thought I’d share it.
The Super Bloom is still going in SoCal! On the trail are poppies, daisies, alyssum and now the mustard grass is in bloom. My process was an iPhone photo, then a drawing with color and then collage in Photoshop.
The Super Bloom is still going in SoCal! On the trail are poppies, daisies, alyssum and now the mustard grass is in bloom. My process was an iPhone photo, then a drawing with color and then collage in Photoshop.
The Super Bloom is still going in SoCal! On the trail are poppies, daisies, alyssum and now the mustard grass is in bloom. My process was an iPhone photo, then a drawing with color and then collage in Photoshop.
Inktense blocks. This is one of a whole series of portraits I've done of people's selfies with a galaxy background. My goal with the series is to show just how beautiful and powerful and Universal selfies are. Selfies are a valuable tool in self-love and self-acceptance. We take photos of all the things we love, but so often leave ourselves out. We all struggle to accept our own skins, and often give up, but as Carl Sagan said, "We are made of starstuff," and we are all worth photographing.
Here's a portrait of Yuko Shimizu that I'm working on for an IlloStories project (check the group out on Facebook).
I took her pose from one of her photographs, then used colours, patterns and textures that were inspired by her artworks.
This could be a front page for a book about her, or maybe a page for when her story reaches this point!
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.