Costume design for a Beauty & The Beast painting project. The mask is inspired by Baroqu-era gargoyles and grotesques. Had the pleasure of this image on my phone scaring the hell out of my favorite bartender, whose voice is usually low enough to be the voice of God...usually. XD
Charcoal is a new medium for me. This is violet szabo an agent in the s.o.e during ww2. She was shot as a spy in a concentration camp on Hitler's orders.i like to draw portraits of people with interesting stories to their lives. The picture is created without lines and only with the use of shaded areas. Thanks for looking.
my new work! - Here he is, he comes! - Pepe Fajgl said, pointing at the top of the hill.
The environment was typical for the territory of a mortician: valleys overgrown with low grass, and with some high ground. Pepe Fajgl and I left the corpse Henri de Functa at the foot of the hills and watched the Mortician as it approaches the dead body at a uniform speed, his beautiful eyes were fixed to the deceased.
"It's wonderful," I said to Pepe, - it is certainly longer than 20 meters. -
The Morticians are the beings that all the inhabitants of the World of Fantasies respect and love, since they have appeared, the precious earth is no longer polluting with graves and cemeteries, number of burning corpses and then a terrible smell almost came to zero, pollution of the lake and the sea throwing the dead into the water stopped. After Mrs. Death takes life and the soul went away
in the wheel of the final verdict, it remains only material, dead, a bit valuable part once alive being, the meat that becomes a problem for family and community.
Mortician comes to the dead body of the late Henri, its enormous mouth silently sucked corpse, he turned, and dignity went behind the elevation, the problem was solved forever.
A 3 format
The Super Bloom is still going in SoCal! On the trail are poppies, daisies, alyssum and now the mustard grass is in bloom. My process was an iPhone photo, then a drawing with color and then collage in Photoshop.
