This is a small piece of Copper-rumped Hummingbird drawing, Amazilia tobaci. Graphite on paper. Follow my art on IG: https://www.instagram.com/camilojulianc/
A piece that coincidently fits the prompt for InkTober Day 27: music. An anxiety notebook doodle based on a song that I cut up out of frustration. It ended up looking better, in my opinion, now that it's rearranged.
I think I kind of cheated by adding a bit of yellow and gray, but I do like how it turned out. I usually don't make many pieces like this, and there wasn't much of a plan going into this. It was a bit refreshing to do this.
PLaying in the studio with watercolour paints and inks - created a planetarium of textural ideas - had great fun doing this and now plan to use some these effects in my next piece.
Due to financial/logistical reasons, I can't do literal linocuts as often as I'd like, so I draw my illustrations in reverse, flip them digitally, have them printed, and then color them in by hand. The result is basically an "artist's print". I only make one of each. These were watercolor, but I've recently discovered gouache, so keep an eye out for future pieces that incorporate that.
So I wanted to play with lights and shadows with this piece. (sorry I literally could not figure out how to set post it straight and I tried all I could think of, it didn's work out. Please if you have the same problem and you know how to solve it tell me, thank you).
This is a piece I did, based off of a prompt in a daily creating group that I am a member of on Facebook. The theme was Polka Dots (If the title wasn't obvious). Looking forward to trying out DoodleAddicts!
I've been getting questions about how I create my art here, so I figured I would upload some progress pieces. Here's the first one! I was listening to the Westworld season 2 soundtrack which always makes me want to draw Harvey (for some reason). I wasn't really practicing anything in particular, just doodling. It was fun to just let my hand wander, though I think the sketch was much better than the inking I did.
Canvas mounted on wooden frame. Size: 25 x 30 cm Materials: acrylic, Chinese ink, brush, pen and marker. Is sold the original piece. For this reason, there may be slight differences from one piece to another.
This is a concept sketch that i might use on a bigger piece, it has a bit more to the design that ive added on to the top of the sketch as i was playing around with different ideas and angles to look at things. i love playing around with different symbols and markings that are quite tribal and almost mystical giving a depiction of mother earth or something shamanic also playing around with the vines and branches in the hair was a cool concept.
(Black biro on a 139mm x 89mm postcard). Another dreamscape piece that uses automatic drawing techniques to produce random imagery. I was going to call this one "bloodlines" due to the shaded central areas which developed, but the lettering in the bottom-left corner began to take shape and so I highlighted them and used them as the title.
This piece was part of a collective show at Giant Robot Store in Los Angeles celebrating the Year of the dog. More details on my website: https://wolfcatworkshop.com/index.php/portfolio/hexagon-dog-for-giant-robot/
I am an art teacher with a master’s degree—trained by brilliant professors who believed that art could do more than decorate walls. I offer safe spaces for teenagers to grow—nourishing soil where their imaginations can take root.
And yet… I am assigned to hallway duty.
This is compulsory education, after all.
So I sit—posted like a sentinel—watching young lives stream past.
“Get to class,” I say with a smile and a nudge.
The system wants attendance; I’m hungry for presence.
Armed not with a whistle or clipboard, but with a pen—
my scribble’s soft insurgency.
The hallway stretches out like a geometric hymn.
Columns and corners chant structure.
Teenagers swirl past—half-formed galaxies of limbs and laughter—
their orbits chaotic, their gravity pulling time forward.
I begin to draw.
Not their tardiness, but their motion.
A shoulder. A blur of sneakers.
A tilted head chasing freedom.
Feet flickering like seconds.
Each mark a pulse.
Each smudge a breath.
My paper becomes a seismograph of seeing—
trembling gently through the mundane.
This isn’t about making art for a frame or a feed.
It’s about refusing to leak away in the fluorescent hum of obligation.
It’s a quiet mutiny against the clock.
I do this on long car rides, too (passenger side, mind you).
Letting the lines grow wild, jagged, and unapologetic.
Not for polish—
but for presence.
This is how I remember I’m still alive.
Still growing.
Still watching.
Still choosing to see.
Because sometimes mental health looks like
a piece of scrap paper,
a moving pen,
and the simple, sacred act of
marking time with wonder.
This piece is inspired by Mental Health Awareness Week that’s just left us.
Belated and as cryptic as things might be (as usual) here in Bleu’s world, better late to the party than never right?
A landscape that I did about my father while he was alive. He was a sheep farmer and he planted tress on his hill farm.This is done in memory of him as he died from cancer.Its a finished piece and based on sketches I did. Its an acrylic painting and 1/10 in a body of work.
I've been thinking about this for some time now. I possess a plethora of incomplete artworks, and I ultimately chose to push through the countless pieces in development and stumbled upon this one. I can't believe this one went unnoticed.
This is Taffy, a mixed Shih Tzu, Bichon Frise, and Terrier known as Shichon Terrier.
Please kindly show him some affection!
#doglovers #dogportrait #dogportraits #dogsketch #dogdrawing #dogart #dogartist #cutepuppy @bampidraws
A vibrant exploration of color and line, this piece captures the ephemeral beauty of red plum blossoms in a textured, contemporary sketch style. Perfect for those who appreciate the intersection of traditional botanical themes and modern, expressive artistry.
A quiet study of restraint at altitude. Framed through an aircraft window, the world below drifts by while the interior remains still—objects worn, familiar, and waiting. Subtle distortions in perspective and muted tones emphasize the tension between motion and pause, progress and endurance. This piece captures the discipline of waiting while suspended between departure and arrival, where patience is not passive, but practiced under pressure.
This is the 5th piece that I painted during my train journey. I painted this scene after passing so many bridges, i was wondering how the people from below might see us when the train is crossing the bridge. A group of girls ( students ) got excited when I showed some of my paintings. So I gifted one of them this (●'◡'●)
This piece continues my ongoing tool series, focusing on objects shaped by use, precision, and repetition. The speed square—an essential instrument of measurement and accuracy—is rendered with attention to wear, markings, and subtle imperfections left by time and handling.
Isolated against a minimal background, the tool becomes both subject and symbol: a quiet reflection on structure, angles, and the human need to measure and make sense of the physical world. Like the others in this series, it honors everyday labor and the overlooked beauty found in functional objects.
