Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
Réalisation du portrait de @Brigitte-Fanny Cohen dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.
Réalisation du portrait de @ Laurent Bignolas dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle. Laurent Bignolas est un journaliste, syndicaliste et animateur de télévision français dans l’émission Télématin sur France 2.
I decided to practice posing with a character that has a certain style. I also wanted to test a design for my artist logo. I will definitely be making a digital version of this character in the near future. Colored with Artify alcohol-based markers, and a white Gellyroll pen for highlights.
A 4" x 6" monochromatic portrait of Fear Factory's mighty frontman, Burton C. Bell. Honorably approved by the man himself. Prints for sale @ etsy.com/shop/DrawingsByLucia.
Here's a portrait of Yuko Shimizu that I'm working on for an IlloStories project (check the group out on Facebook).
I took her pose from one of her photographs, then used colours, patterns and textures that were inspired by her artworks.
This could be a front page for a book about her, or maybe a page for when her story reaches this point!
My lovely chocholate dapple dachshund. made in artrage and rebelle, both wonderful programs that allows you to paint very natural (and i dont even know how to paint with irl remedies:)
My fan art of Season One, Episode One of #NewGirl. I both miss and love the show so much and have probably binged watched it all the way through about 50x times or more. I believe I captured Nick's turtle face perfectly. Thoughts? :)
Beneath the wonderful realms of expression compose a vibrancy in relaxed waves into the dreams of limbs that enchant the viewers. Ability to portray kingdom of soothing pleasantness, yet a loud inspirational spirit that seems to flow within us all. By these imprints on eyes to the mind, what does one see here?
A creature happily roaming lands to question and feel the wonder in realms delightful. Eyes through trees, feathered expressiobs, loud poetic verses. Wood realms unveil an interesting reality here.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
