"Industrial Timeout" presents a meticulously rendered scene of solitude and tension within a utilitarian setting. The composition is split between a vast, empty white space and a tightly constrained, detailed industrial corner. In the foreground, a single, unassuming cardboard box sits on a pallet. It is labeled "FRAGILE" and "M.P.C." (possibly a reference to 'Minimum Package Content' or a similar industrial acronym), suggesting a precious, yet standardized, cargo awaiting movement.
This was one of dozens of daily sketches I did in a small book for my daughter's Christmas present a couple of years ago. Love the wacky gulls. So many in my area.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
This portrait is the darkest in the series, examining the internal malice that persists even when communication is restricted, illustrating that evil doesn't require a loud voice.
* Visual Focus: The mask's mouth is horrifyingly held closed across the center by surgical thread and a needle, which only covers half of the wide, unnerving smile. The stitching reveals a set of sharp, feral teeth underneath. Disturbingly, a pair of prominent horns protrude from the top of the mask's head.
* Symbolism:
* The Stitched Mouth: Represents the idea of selective silence or the censorship of truth. The fact that the stitching only covers half the mouth highlights the "half-done" nature of modern morality. The revealed sharp teeth suggest that even in silence, the capacity for vicious, cutting, or "devilish" speech remains barely contained. Showed directly on the piece by the date being misleading.
* The Horns: A classic, unambiguous symbol of the Devil or pure malice. This is the figure's core identity—it suggests that even while hiding behind a neutral mask and being partially silenced, the individual's "tongue like the devil" and evil intent are still very much present, emphasizing the inherent corruption and hypocrisy behind the facade.
This figure explores how the relentless pursuit of monetary gain and digital distraction stifles genuine attention and moral listening.
* Visual Focus: The mask is equipped with a headphone covering a single ear. The headphone wire is visibly broken, frayed, and cut short, suggesting a deliberate disconnect or a failed attempt at communication. A small coin dangles conspicuously from the corner of the figure's mouth.
* Symbolism:
* The Headphones: Represent modern distraction and the ability to selectively "tune out" inconvenient truths or moral calls. The broken, frayed wire reinforces the idea of a failed connection to the real world.
* The Coin in the Mouth: Serves as a powerful, visceral metaphor for being "consumed by monetary means." It connects the act of speaking/listening to the theme of greed, suggesting that the voice and ear are functionally "plugged" or corrupted by the all-consuming focus on wealth. The refusal to hear moral guidance is dictated by the pursuit of money.
Imperfect Lines, Honest Presence
This sketch is not perfect—and that’s exactly why it’s alive. The bold figure, the dissolving hat, the tilted chair: all of it feels unfinished, fleeting, caught in motion. It’s what the Japanese call wabi-sabi—finding beauty in the imperfect, the impermanent, the incomplete.
But there’s something deeper here too. A quick sketch is not just what the eye records. It’s what the soul permits. To draw without fixing, without polishing, is to admit the world will not hold still for us. Life slips past. The lines break off. And yet, somehow, the essence remains.
When you sketch this way, you are not the master of the moment—you are its guest. The pencil does not carve permanence; it pays attention. The act of drawing becomes an act of being present, of honoring what is already vanishing.
So here’s a challenge: grab a pencil and sketch someone near you in sixty seconds. Do not erase. Do not perfect. Let the lines falter. When you finish, ask yourself: What truth did the imperfection reveal?
Perhaps presence itself is the real art.
Finding out why I wasn't able to properly draw something like this readily in pencil... This sort of styling is better represented in less-detailed styles such as paint, or even using just a marker. Pencils are highly detail-oriented, and... this is the "essence" that I have been trying to present behind the pencil medium...
A piece of a pencil drawing for Mahatma Gandhi on the center of the Indian flag as a background. The two birds represent the peace that Gandhi brought to India.
Got started on the classic show again and got the urge to draw out the greatest evil that ever crossed our screens. Though with the twist of showing the Great Evil in a more desolate, ruined presentation.
What do you guys think?
I spent christmas holidays 2015 inking a very small children's book as a present to my friend's kids. About 20 pages or so. Here the main character of the story is tuning the instrument owned by The Strange Animal, with help from The Whistling Compass. A terrible noise from The Magical Forest was disturbing the night sleep of a local king and the problem was solved thanks to our protagonists skills.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
My brother passed in 2008 age 32. I got this tattoo to represent him because he was an MC/DJ. I felt that I represent this in this promt. Maybe gone but never forgotten. I love you bro xx
I got to drop into an outdoor class with my beloved teacher from the studio. A space had finally opened up two weeks before everything in SF shut down again. Well, it was good to see her and my fellow students and be in that setting on a beautiful sunny day. I was also negotiating my next job salary and getting phone calls during class, so I wasn't entirely present. The class topic for the day was palm trees. This is in front of the De Young, another place I was so glad to have visited indoors on another afternoon before the latest lock down.
Being the guitar geek I am I decided to draw one of my favourite fuzz pedals...Ladies and Gentlemen, may I present to you, the Electro Harmonix Big Muff!
Well friends just got done creating my new logo to represent my ministry. The design incorporates symbols that represent both writing poetry, commentaries, short humorous stories. This is represented by the quill pen. My fine art, commercial art represented by the painter's palette, and illustrative tools.
The colors running to the center of the palette to from the cross, represent my Christian ministry. Going to FedExs to have business cards made. Planning to use this logo for my art fair booth
"This digital artwork represents two snakes coiled in a helix, symbolizing the indissoluble union between physical and mystical life. The intertwined shapes evoke the structure of DNA, reflecting the fusion of science and spirituality and inviting reflection on how these dimensions are woven into the fabric of life."
Will it always be like this? Whenever he tries to love me, will it be just an attempt?
This feeling is what I try to represent with the drawing, the tallest and most beautiful flowers are the negative thoughts towards my body and my person; the withered ones are the positive ones, which drown before the greatness and strength of the others.
This time I designed a logo using a special style of Arabic calligraphy called "Al-Diwani". This style is distinguished by its flexibility and beauty. Besides its capability to represent and any shape that I want using any words; so I can illustrate and draw anything using this style.
Don Cutter (Full name Cookie Cutter) relishes in making their last name self evident. [This was done as a trade for a friend!!!! At present, she has no socials for me to link to, but I will update this if that ever changes!!!! (P.S. the name is *unofficial* but I am campaigning hard for her to canonize it!!!!)] P.P.S. this is the first image I am uploading of my (admittedly rather limited) backlog/body of work, so expect more updates in the near future [followed by a WHOLE lot of nothing for a while (I work SLOW ;-;)]!!!!
Water heals and purifies. It also kills and destroys.
Few symbols encompass both the life-giving and death-dealing properties of water as the sacrament of baptism, which represents both the passing of the old self and their rebirth as a new creature (Romans 6:3-11).
Here, the image of death & rebirth is also reinforced by a dragonfly motif; the dragonfly spends the first years of its life in the deep waters as a nymph, and is completely transformed into a new being as it rises to the surface.
Unlike butterflies, a dragonfly undergoes several molting processes after its emergence, showing that, while the creature is already made new, it is not yet perfected, and must grow in its new identity through what is called progressive sanctification.
The work's title refers to the Christian daimyo, Konishi Yukinaga, whose baptismal name is Augustine, and is the primary subject of this image.
I want to be inside the raindrop. I want know it. Feel it. Be it. Close containment. Single purpose One direction. The rush. The thrill. Careening towards the earth. Would be a death race. But the fall is the journey. The crash. The release. Is just the beginning.
This piece critiques the modern tendency to hide identity behind brands and consumerism.
* Visual Focus: The mask is partially obscured by a fitted baseball cap, with the bill pulled down to cover one eye. The cap itself is a symbol of brand identity and fast-fashion culture. The uncovered eye retains an unsettling, almost mechanical gaze.
* Symbolism:
* The Cap: Represents the societal practice of hiding behind brands and allowing consumerism to dictate self-worth and block out unwanted truths. The act of seeing is deliberately curtailed.
* The Mask: Emphasizes that the consumer identity is often a façade-a manufactured mask that prevents others from truly
"seeing" the individual, while simultaneously restricting the individual's full sight of the world.
This feather rests as a symbol of gentle guardianship. Light enough to drift, yet preserved with intention, it speaks to protection without restraint—something watched over, not controlled. It represents care that is quiet, constant, and strong precisely because it does not weigh anything down.
