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SEARCH RESULTS FOR

process

OKAT OKAT Plus Member
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Trifecta

Your mind is a garden. Your thoughts are the seeds. The harvest can either be flowers or weeds. — William Wordsworth

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OKAT OKAT Plus Member
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Sharpie Skateboard
1/4

Skateboard deck for #iheartdecks exhibition in Wynwood.

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OKAT OKAT Plus Member
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These pencils have somewhere to be...
1/2

Handle with care

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OKAT OKAT Plus Member
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Another Post-it Plant from the series

Watch the video process on my instagram: https://www.instagram.com/p/CCcB1rLlMv1/

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Paola Lazo Solano Paola Lazo Solano Plus Member
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Process Skull

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David Terrill David Terrill Plus Member
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Sketchbook Fountain Pen Drawings
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Currently exploring image making with fountain pens: immediate mark making, no pencil, no eraser. I'm enjoying the discovery process and embracing the stray mark made with semi-blind contour and continuous line drawings.

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David Terrill David Terrill Plus Member
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Reportage Drawings of the Recording of a Jazz Album
1/5

Wow! I was invited to spend the day in the recording studio drawing the creation of a jazz album. I will be going back to my studio to create the album cover art for the project. Included are few photos of my process drawings from the session. It was an amazing experience to spend time with these incredible musicians. I will share the final results at a later date.

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Suzette Suzette Plus Member
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Staircase

This is the result of me getting my hands on graphite powder, a fun but rather messy process.

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Dean C. Graf Dean C. Graf Plus Member
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Self Portrait with Stormy Chromer

Vine Charcoal and Oil Pastel make for a messy, smudgy experience. A certain amount of messiness can make a process feel more real and human. When things aren’t perfectly polished, it reflects a genuine effort, imperfections, and growth. In personal life, letting go of the need for everything to be tidy can promote a more authentic existence. The hat is a Stormy Chromer. It also evolved out of a mess. More on that later. Peace.

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Chris Fraser Chris Fraser Plus Member
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Procession
1/4

A procession of different characters drawn ink ink with no pencil sketching.

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mary ann hanlon mary ann hanlon Plus Member
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Watercolor horse turned into a sticker

These horses were so much fun to draw. I used a Uni Posca marker with Daniel Smith watercolors. I was going to a craft fair and wanted to try out making stickers with Sticker Mule. It is a super easy process. The sticker is 1 inch in diameter.

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Dean C. Graf Dean C. Graf Plus Member
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On the drive.

Often I am given to making marks on paper that reflect the objects I see coming towards me as I gaze out the front car window. I do this exercise as a passenger of course. The goal is not the end product, but the process of connecting what I see with motor control. The product is an indication of movement and energy. Give it a try!

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mary ann hanlon mary ann hanlon Plus Member
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Horse Sticker #2

These horses were so much fun to draw. I used a Uni Posca marker with Daniel Smith watercolors. I was going to a craft fair and wanted to try out making stickers with Sticker Mule. It is a super easy process. The sticker is 1 inch in diameter.

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FRENEMY FRENEMY Plus Member
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Take A Look Its In A Book

Mural for Hayovel Elementary School in Tel Aviv. You can view a video of the process here https://www.youtube.com/watch?v=d_qfACOFD7o

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Annie Tate Annie Tate Plus Member
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Leaf Prints
1/3

Testing out new processes printing leaves using block printing ink.

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Annie Tate Annie Tate Plus Member
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Happy Birthday
1/4

My first attempt at a concertina birthday card. While simple to make, it can be a bit fiddly and getting the proportions and placement of objects right for each layer is important so that everything can be seen once the layers are overlapped. It reminds me of printing processes, where each layer is gradually added. It was quite an enjoyable process.

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FRENEMY FRENEMY Plus Member
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Youtube Painting Series

I started a new youtube series called Paint With Frenemy. Channeling Bob Ross in short painting videos. Check it out if you like and please like an subscribe! I'lll be posting new videos every Sunday 9am eastern time. This week video I paint a happy little taco with some stop motion animation mixed into the painting process. Link here https://www.youtube.com/watch?v=7Hfj3xBju_c

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Dean C. Graf Dean C. Graf Plus Member
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Drawing Their Own Way: A Tribute to Gibby

Years ago, I sketched Gibby at work—pencil in hand, bold strokes alive with motion. I caught them from over the shoulder: just the back of their head, the soft curve of their face, and that focused arm bringing something into being. They were 9 or 10 then, already showing the spark of creativity and concentration that pointed toward who they’d become. Now in their mid-20s, Gibby is thoughtful, insightful—quick to listen, slow to speak, and wired to process the world with care. Their path has been remarkable: two degrees in 2.5 years, no debt. That didn’t happen by accident. It took grit, German immersion schooling, 16 college credits earned in high school, and testing out of 24 more once at university. That’s Gibby—quietly determined, resourceful, and steady. But their story isn’t just academic. Gibby’s always been gifted with their hands—drawn to set design, locksmithing, welding. Trades they wanted to pursue early on, and still feel pulled toward. They’re at a bike shop now. It’s not the dream, but it fits: their hands know how to build, repair, and reshape the world. There’s been frustration—maybe even anger—that we didn’t let them follow the trade route right away. I get that now. Life veers, and sometimes the path chosen isn't the one imagined. But Gibby’s resilience—their ability to adapt and press on—is what I admire most. They’ve embraced their journey with honesty, stepping into their identity as a they/them person, unafraid to define success in their own terms. That takes courage. I’m proud of them—not for a résumé, but for who they are. This old drawing isn’t just a memory—it’s a thread connecting past to present. A reminder that the creative spark, the steady hands, the deep soul I saw back then is still shining. So here’s to you, Gibby: the kid who sketched with fire and the adult who still shapes the world with quiet brilliance. Your value has never been about the path you’re on. It’s about the person you are. And I’ll be here, cheering you on—every step of the way.

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Bleu Hope Bleu Hope Plus Member
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Sherlocking, June 2022.

As far as things that I can’t seem to shake off are concerned, it’s this fact that a place like Edinburgh where I live is akin to a village where everyone (artist folk in particular) seems to know everyone, and the patterns or quirks that emerge from this said thought process. In most collectives I’m a part of and/or are associated with, there’s what seems like an endless sense of crossover and overlap with fellow artists etc for lack of better words, which is lovely as it is insane... you know? All in all though, even if it drives me mad it does so in a strangely positive way and I’ve learned to live with that. So yeah, make of that what you will. :-)

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Dean C. Graf Dean C. Graf Plus Member
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Thinking incomplete

Quick sketches for the processing of incomplete thoughts. Everything is created twice, first in thought, second in form. I am still thinking and still forming and still being formed.

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Bleu Hope Bleu Hope Plus Member
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Thought Processional, August 2021.

August it seems brings out the sluggish side of me...whatever the case, I'm back at it for now folks! :)

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GROBO GROBO Plus Member
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Untitled

view more process shots via instagram https://www.instagram.com/g_r_o_b_o/

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Dean C. Graf Dean C. Graf Plus Member
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Five Chairs, Holding Space
1/3

Chairs are more than wood or iron. They are metaphors, quiet keepers of what it means to be present. They wait, as Wendell Berry might say, for us to “make a place to sit down. Sit down. Be quiet.” I draw them because they embody the humblest love—affection, as Berry calls it, that “gives itself no airs.” In their stillness, chairs hold the weight of relationships, the churn of thought, the grace of silence. They are where we meet, where we linger, where we become. These three drawings are offerings—sketches of chairs that invite connection, reflection, and the slow work of being. Each is a small sacred place, as Berry reminds us, not desecrated by haste or distraction, but alive with possibility. Drawing 1: The Coffee Shop Chairs Two wooden chairs face each other across a small round table in a coffee shop, their grain worn smooth by years of elbows and whispered truths. The table is a circle, a shape that knows no hierarchy, only intimacy. These chairs are for relationships that dare to deepen—for friends who risk vulnerability, for lovers who speak in glances, for strangers who become less strange. They ask for eye contact, for mugs of coffee grown cold in the heat of conversation. Here, sentences begin, “I’ve always wanted to tell you…” or “What if we…” These chairs shun the clamor of screens, as Berry urges, and invite the “three-dimensioned life” of shared breath. They are the seats of courage, where presence weaves the delicate threads of togetherness. Drawing 2: The Sandwich Café Chairs In a sandwich café, two wooden chairs sit across a small square table, its edges sharp, its surface scarred by crumbs and time. These chairs are angled close, as if conspiring. They are for relationships of a different timbre—perhaps the quick catch-up of old friends, the tentative lunch of colleagues, or the parent and child navigating new distances. The square table speaks of structure, of boundaries, yet the chairs lean in, softening the angles. They wait for laughter that spills over plates, for silences that carry weight, for the small confessions that bind us. These are chairs for the work of relating, for the patience that “joins time to eternity,” as Berry writes. They ask us to stay, to listen, to let the ordinary become profound. Drawing 3: The Patio Chair A lone cast-iron chair rests on a patio, its arms open to the wild nearness of nature—grass creeping close, vines curling at its feet, the air heavy with dusk. This chair is not for dialogue but for solitude, for the slow processing of thought. It is the seat of the poet, the dreamer, the one who sits with what was said—or left unsaid. Here, ideas settle like sediment in a quiet stream; here, the heart sifts through joy or grief. As Berry advises, this chair accepts “what comes from silence,” offering a place to make sense of the world’s noise. Its iron roots it to the earth, unyielding yet tender, a throne for contemplation where one might “make a poem that does not disturb the silence from which it came.” This is the chair for becoming, for growing older, for meeting oneself. These three chairs—one for intimacy, one for the labor of connection, one for solitude—are a trinity of relation. They are not grand, but they are true. They hold space for the conversations that shape us, the silences that heal us, the thoughts that root us. They are, in Berry’s words, sacred places, made holy by the simple act of sitting down. My drawings are but traces of these places—postcards from moments where we might remember how to be with one another, or how to be alone. So, pull up a chair. Or three. Sit down. Be quiet. The world is waiting to soften.

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Tammy Comfort Tammy Comfort Plus Member
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Caged
1/5

Caged is a collection of healing through deep inner journey work. Note: this is part of the process included while writing the final draft of my upcoming novel.

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Bleu Hope Bleu Hope Plus Member
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“All The Right Notes In The Wrong Order (But That’s Okay)”, December 2023.

My process in a nutshell?

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Dane Mullen Dane Mullen Plus Member
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Im Making a Comic!

I had to learn so many new things today just to get this done. It's a simple comic but the digital process is very different from what I'm used to. I love comics and I'm finally making my own.

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Dane Mullen Dane Mullen Plus Member
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Stitches

Fun doodle process

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Bleu Hope Bleu Hope Plus Member
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“Terraform”, September 2018.

A little thanks to the works of Ariel Pink for this one. If you’re anything like I am, grooves like his always get you through your creative process

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Bleu Hope Bleu Hope Plus Member
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“Whatnows”, January 2020.

My process in a nutshell, more or less!

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Tricia Clark Tricia Clark
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Flowers In My Sketchbook

Working on tan paper. If you'd like to see my process there's a video of me painting this over on my Youtube: https://www.youtube.com/watch?v=k9jc-09Sjzs

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