Working on tan paper. If you'd like to see my process there's a video of me painting this over on my Youtube: https://www.youtube.com/watch?v=k9jc-09Sjzs
Wow! I was invited to spend the day in the recording studio drawing the creation of a jazz album. I will be going back to my studio to create the album cover art for the project. Included are few photos of my process drawings from the session. It was an amazing experience to spend time with these incredible musicians. I will share the final results at a later date.
I recently converted our garage into a studio space. The biggest construction project I've ever undertaken but I'm very happy with the end result. It's so nice to have a space made specifically for my creative process.
I’m often asked about my Bic pen drawings and how I do them. It starts with a good foundational drawing, the ballpoint pen part is just trying to colour within the lines. I try to do my best to explain the process, but the best way to show my progress is by posting my efforts to master pen drawings over the span of 3 or so years. I have been doodling/drawing with ballpoint pens as far back as I can remember - they were cheap, readily available and always lying around the house. It wasn’t until I was bored during a particularly long team meeting-conference call (around 2016-17) that I started to think about the possibilities of ballpoint pens as serious portrait illustration tools. My first experiments with full colour ink portrait drawings were rather crude, but that’s the point of learning new techniques—as long as the curiosity and the love of drawing is there, you can transfer that skill and passion into any medium. Remember, the most exquisite drawings and paintings you see didn’t materialise fully formed, they started out as failed experiments. Failure after failure after failure. It’s important to remember this when you get discouraged (I've failed spectacularly over the years). The only difference between the accomplished artist and the beginner is hundreds of hours of practice. Talent can only get you so far. It’s the hard work that you do behind the scenes that makes your work look effortless. Keep doodling. Keep learning. Stay curious.
"Retro 1" is a quick freehand drawing I created last year. Size of the original is 9" x 12". I used Posca pens on archival paper. Limited edition prints are available. Want to see a time-lapse video of the process? Check it out on my Instagram: https://www.instagram.com/p/CMNAQpjh-Jl/?utm_source=ig_web_copy_link
l dont have much to say since the character tells the whole story, so lets welcome John Wick
You can see all drawing process on Youtube / akinyaman art
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
Hey everyone! This is my first upload to DOODLEaddicts and I start it with Nier Automata fanart. I hope you enjoy it! Despite using Procreate for this drawing I tried to preserve the traditional art approach, not using autofill for coloring. One might say it's very inefficient way of painting, but it helped me to concentrate on the process and enjoy it much more.
This sends a message to all the women out there to keep on shining, keep blooming, growing and slay to whatever you do. I used sakura koi Watercolor, monologue watercolor paper, crystal gold fine tech and Tokyo Finds brushes.
Watch the timelapse process of this paintinf to my youtube channel.
https://youtu.be/V794zHpqisQ
This is a Giraffe sketch I did inspired by a photo I saw on the internet. If you want to see the recording and process of the drawing click on the link to go to my YouTube channel also please subscribe :)
It's been a while since I draw on kraft paper.
So, here is the result on the thinking process: How can faun shield themselves from sunlight if they can't put a hat on?
Answer: They tie branches to theirs horns.
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I should be the one shielding myself from the sun just so it can't kill anymore neurones.
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Ça faisait vraiment un moment que je n’avais pas dessiné sur du kraft.
Donc voilà le résultat de la réflexion: Comment les faunes font pour se mettre à l’abri du soleil s’ils ne peuvent pas mettre de chapeau?
Réponse: Ils s’attachent des branches dans les cornes.
…
Je crois que c’est moi qui devrait me protéger la tête du soleil, histoire que ça ne cogne pas trop sur mes pauvres neurones.
The form of Martial Arts introduced by Bruce Lee embraces `being formless’ as a central idea. Sharing this belief, my works do not start with an intention of what to make, but rather the process is to follow-through to what the works wish to become. In Jeet Kun To, the practice is to `be water’, to react and to blend. Instead of following the artist’s desire to direct the brush, I enhance, without an intention to change or render. The composition dropped from elsewhere as a message and is polished to shine.