A quick group portrait I made to try making a timelapse of the process. The timelapse is posted to my instagram account. This time, I used brown and yellow bister ink on watercolor paper. Normally I paint the monsters themselfves, but now I used negative painting to create them.
I uploaded a version of this that I felt was kind of a throwaway. Just dinking around and trying to get a feel for techniques. In the end, while I was happy with what I learned, I didn't think much of it as far as a completed work goes. But I couldn't leave it alone so I took about another hour and fixed what I felt could be fixed short of starting from scratch. Because it's a process, right?
I recently converted our garage into a studio space. The biggest construction project I've ever undertaken but I'm very happy with the end result. It's so nice to have a space made specifically for my creative process.
It's crazy to think that we've been in a pandemic for a year or to think we could ever get used to this new way of life. March 13th, 2020 was the day everything stopped for me: it was the last day I went to school and the last day I went to gymnastics for 5 months. The promise of two weeks' time, something I somewhat desperately held onto. Going into this, no one knew what to expect, it was the first time many of us saw life as we know it stop. Quarantine has definitely taught me a lot emotionally, mentally, and how to reach out and work through (and what bad panic attacks feel like :) ). I think it also goes without saying that I got through most of this because of the people around me, and I can't say enough how grateful I am to be surrounded by such amazing people. So, here I am. Life is still pretty rocky, but it's a process. Thank you to everyone who's been along for the ride so far ❤
It's been a while since I draw on kraft paper.
So, here is the result on the thinking process: How can faun shield themselves from sunlight if they can't put a hat on?
Answer: They tie branches to theirs horns.
...
I should be the one shielding myself from the sun just so it can't kill anymore neurones.
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Ça faisait vraiment un moment que je n’avais pas dessiné sur du kraft.
Donc voilà le résultat de la réflexion: Comment les faunes font pour se mettre à l’abri du soleil s’ils ne peuvent pas mettre de chapeau?
Réponse: Ils s’attachent des branches dans les cornes.
…
Je crois que c’est moi qui devrait me protéger la tête du soleil, histoire que ça ne cogne pas trop sur mes pauvres neurones.
I’m often asked about my Bic pen drawings and how I do them. It starts with a good foundational drawing, the ballpoint pen part is just trying to colour within the lines. I try to do my best to explain the process, but the best way to show my progress is by posting my efforts to master pen drawings over the span of 3 or so years. I have been doodling/drawing with ballpoint pens as far back as I can remember - they were cheap, readily available and always lying around the house. It wasn’t until I was bored during a particularly long team meeting-conference call (around 2016-17) that I started to think about the possibilities of ballpoint pens as serious portrait illustration tools. My first experiments with full colour ink portrait drawings were rather crude, but that’s the point of learning new techniques—as long as the curiosity and the love of drawing is there, you can transfer that skill and passion into any medium. Remember, the most exquisite drawings and paintings you see didn’t materialise fully formed, they started out as failed experiments. Failure after failure after failure. It’s important to remember this when you get discouraged (I've failed spectacularly over the years). The only difference between the accomplished artist and the beginner is hundreds of hours of practice. Talent can only get you so far. It’s the hard work that you do behind the scenes that makes your work look effortless. Keep doodling. Keep learning. Stay curious.
For me, it's the process of creating - not really the end result. Once something is done, it's done and you move on to the next process. Life is the ultimate process after all. We don't hang around and admire the dead body once it has finished what it needed to do...On the other hand, the end result of someone's process can be felt through what they have left behind. I hope this is what will eventually happen with the art I create.
Essentially what this "Secret Sketchbook" project is, is a sketchbook that I use for my Patreon, that I make doodles in for my patrons, then once I have enough pages, I make it into a zine! I'm currently in the process of getting the very first secret sketchbook printed now, and starting on the second one which will be more exclusive until it's complete!
Hello! This is a splash art I've created for the Catacomb Crawlers game. It was a lot of fun and I really enjoyed the process. Hope you'll like it too!
A cartographic representation of the experience of moving to a new city in a foreign land. This work, dubbed as 'Introspectionism', provides the viewer with a snapshot over time of the inner workings of the process of the strange becoming slowly more familiar and the foreign becoming Home.
These are 5 out of 12 images I did while processing the necessity of healing from life lessons. Heartbreak is prevalent throughout all the levels of tragedies in our lives. At times, the mourning period feels forced-- I never really want my wounds to heal because I feel they're the last of the love I carried for that "thing". The process feels like gold pouring into my gapping heart and I can only scream as it sears through my veins. It hurts to heal. It hurts that it has to happen.
Dmitry Shostakovich (1906–1975)
Shostakovich’s contemporaries do not recall seeing him working, at least not in the traditional sense. The Russian composer was able to conceptualize a new work entirely in his head, and then write it down with extreme rapidity—if uninterrupted, he could average twenty or thirty pages of score a day, making virtually no corrections as he went.
But this feat was apparently preceded by hours or days of mental composition—during which he “appeared to be a man of great inner tensions,” the musicologist Alexei Ikonnikov observed, “with his continually moving, ‘speaking’ hands, which were never at rest.”
Shostakovich himself was afraid that perhaps he worked too fast. “I worry about the lightning speed with which I compose,” he confessed in a letter to a friend. Undoubtedly this is bad. One shouldn’t compose as quickly as I do. Composition is a serious process, and in the words of a ballerina friend of mine, “You can’t keep going at a gallop.” I compose with diabolical speed and can’t stop myself.… It is exhausting, rather unpleasant, and at the end of the day you lack any confidence in the result. But I can’t rid myself of the bad habit.
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #shostakovich @masoncurrey
This piece was heavily inspired by the amazing designs of Ian McQue and it was one of the very first test-drawings on my remarkable 2 e-Ink tablet. So I was still in the process of adapting to this new tech :)
hello :) my boyfriend and i did a trip to costa rica. it was fantastic, chaotic and adventurous and a mix of emotions. we are in a longdistace relationship and i am so grateful that we finally saw each other again there were times on the trip when i felt stressed, because things didnt go the way we planned. Drawing this really helped me to process all the different emotions. And i had so much fun drawing :)
thank you so much for reading, wish youu a wonderful day!!:)
Hello everyone! My new OC is finally finished! Her name is Lunaria and she is a forest guardian. I also got hugely inspired by Yasuo art from League of Legends. Timelapse process https://www.youtube.com/watch?v=7tdbkctDr7M
