Red-legged honeycreeper, Cyanerpes cyaneus (Thraupidae), a cool generalist avian nectarivore. Colored pencils for training. More like this on: https://www.instagram.com/camilojulianc/
This study is for an upcoming painting about the life of Christ.
The drawing itself took about two weeks’ time of working on it off and on. The
research stage took about two months. This study is attempting to capture the spirit
of being out on the water, walking with Jesus during a storm on the sea of Galilee. I
hope the viewer can feel Peter’s anxiety as he is sinking into the lake as a fierce storm
drains Peter’s faith in his ability to walk on water through the ability the Lord gave
him. I wanted to show how compassionate Jesus is to quickly crouch down to rescue
Peter from drowning and get him back to the safety of the boat with the rest of the
disciples, which is outside of the illustration.
Some people feel that I should have Jesus’s feet visible above the water so people don’t
get the notion that Jesus is sinking in the water too. But if I’d done that, it would have
altered what it would really look like in the natural world, because even if Jesus’s feet
were on top of the water, this might not be visible to the viewer because the waves in
front of Jesus might block the view of his feet.
This illustration makes me think about trying to accomplish a task that the Lord has
called us to do by depending on our own strength instead of the strength of the Holy
Spirit. Then we find ourselves sinking instead of making headway, and we must call
on the Lord to rescue us and put us back on the right track.
(September 22, 2015
heelo:) i drew this along time ago, this was the first drawing i coloured in on my ipad. i started this drawing on the train, when i was travelling to france with people i really love. everytime i look at this drawing it makes me so happy, because i think of all the beautiful memories. on my waterbottle, cleo (yes, my waterbottle has a name), is a giraffe wich inspired this drawing. have a wonderful day :)
I don't know why these all upload sideways, but here's my latest work for the sketchbook. I created the electric field pattern and printed it on photo paper then doodled these rainbow trout (at the suggestion of my friend Andrew) and glued them on.
The Factions had become strong, but were not strong enough, they tried to help their areas, but establishing a new government in a post-apocalypse is harder than it may seem.
The Knights Faction, in its quest to slay the remaining dragons of the Fae Forest, and in an attempt to secure more supplies in the beautiful and bountiful region.
A force of knights, mainly human, staged a takeover, violently taking from the elven folks of the forest villages, shortly after the negotiations failed. The elves were sad to lose so much land to the war effort of the humans. Some elves joined with the modernizing society of humans, and others stayed and tried to fight back against the growing human population and demand for more land. Elven oppression became an issue to a few people, who now fought for Faere Rights.
A Lich Queen rose from the fallen elven lands and vowed revenge. She banned together the downtrodden races of Orcs and Goblins . Using intense gene meddling and tampering, the Lich Queen mutated the Orcs into a new breed of fighting beasts called Ogres. Alongside this, the Trolls were created. Trolls were an artificial life-form designed for battle, possessing great strength but being having very little brains.
War. Another war . The Great Faere War .
This is a drawing I have been working on when I need to slow down and turn my brain off for a little while so it's taking quite a while to finish but I am always happy to see it progress that little bit further every time I sit down with it. This is from my A3 sketchbook, I used to stick to smaller A5 and A4 sizes but I am certainly appreciating the extra space with this drawing.
Igor Stravinsky (1882–1971)
“I get up at about eight, do physical exercises, then work without a break from nine till one,” Stravinsky told an interviewer in 1924. Generally, three hours of composition were the most he could manage in a day, although he would do less demanding tasks—writing letters, copying scores, practicing the piano—in the afternoon.
Unless he was touring, Stravinsky worked on his compositions daily, with or without inspiration, he said. He required solitude for the task, and always closed the windows of his studio before he began: “I have never been able to compose unless sure that no one could hear me.” If he felt blocked, the composer might execute a brief headstand, which, he said, “rests the head and clears the brain.”
- From Daily Rituals: How Artists Work by Mason Currey
