The guy who revived Jack, Dave, and Henry (DSaF 4 fan stuff) wears the Chica mascot suit, because he knew nobody else would wear it. Here he is, up on stage. Not while the pizzeria was open, of course --- the children would go nuts. He isn't wearing his mask he usually wears out-of-suit because it would be hard to keep the Chica head down. Uh, if you know what I mean. Two masks on at the same time = bad. Drawn with FireAlpaca. Also, the big says "Let's Cry", which is just for laughs. Something like that would work in a DSaF game.
New character I made for Taured. He can phase in and out of shadows: like, if he runs at a wall (or even walks), he can turn into a 2D shadow, which can travel at high speeds, morph into different shapes, and when he's done, he can just pop out whenever he wants to. His mouth is way bigger than normal; but for the sake of the rest of Taured's population, the government has sealed his mouth shut, side from a small section in the middle. The scars on his neck are not open and bleeding; they're just opening up to reveal a vibrant red energy within. Drawn with FireAlpaca.
I swear to goodness, If we had known DSaF 3 was going to end in such a tragic, tears-of-joy evoking way, none of us would have asked for it. Drawn with FireAlpaca.
Okay, I understand that comparing any real-life animatronic bands to FNaF is practically a sin, but I made this doodle subconsciously and I'm in love with it. Introducing Rock-afire Freddy. FNaF animatronics have many differences to real life animatronics, like how FNaF animatronics are made of segments, while real animatronics consist of one big fur piece, much more flexible. And that many of the animatronics from FNaF are completely able to walk around --- but in real life, the animatronics only have moving parts that are essential to their performance. This sort of also leads to another difference; FNaF animatronics from a specific generation all have the same endo, while real endoskeletons for animatronics have their own endoskeleton --- which have several differences from FNaF endos, like having upper jaws (which real endos don't), having teeth (real endos just have a plate which can move the mask jaw), being very bare and with few wires (real endos are very complex, and unlike FNaF where the animtronics are probably powered by electricity, real animatronics usually run on pneumatics). Anyways, enough of me rambling.
I began to draw my first series "Questioner" based , which was inspired by various bizarre questions on Quote. It must be the questions that is forever innovating in the world.
Giving it a go with artist colored pencils for the first time. Finding it challenging to keep a point on the pencils and anyway to recover if what should have been a white area gets too much color? Do most colored pencil artists use solvents to blend?
A suit I designed for a fantasy SWAT (TSWATT, or the Taured Special Weapons And Tactics Team). They have wings which can fold into themselves, so far that they cannot be seen unless you look behind the back. They have special long fall boots (sort of like the ones from Portal) that allow them to fall from great heights. They have special glass goggles that act as sort of a VR set, in which they can see through smoke and walls if the area they are in is mapped out. The little orange thing on their chest records everything they witness. Drawn with FireAlpaca.
As a small animatronic branch, BaileyTainment gained the rights to use Ringmaster's Altitone band members as their own. So, they altered some of the characters and created their own chain of the Altitone Band: Zero Days Until the Party. These are the band members of that restaurant: Elizabeth the singer, Preistor the guitarist, Lexibo the pianist, Altor the drummer, and Dexter the DJ. A cat, a rabbit, elephant, bear, and racoon. I got inspiration from
The Wolf Pack 5 --- a singer, a drummer, pianist, and a guitarist. The DJ thing is sort of its own thing, but inspiration could also be drawn from Rolfe DeWolfe (who was a comedian in The Rock-afire Explosion). Drawn with FireAlpaca.
