This is a work I made as a reaction to a questionaire about suicide. I got over it, but I have been there, done that. Despair, the feeling of drowning, reaching out but never getting the help you need, deep dark depression, the grey-brown brainfog. Yet: there is some light, there always is, but I'm too scared to look at the light. I didn't varnish this pastel-drawing, just to accentuate the fragility of mental health. What you need to know it that I got out of this and so can you if you are this deep in trouble. I'm doing much better. January 2020, pastel on A3 paper.
Pencil sketch with colored pencil on sketch paper. I inadvertently sprayed this piece with spray adhesive before spraying down again with fixative, then added the color pencil. I thought it lost at first, but it turned out well in the end. The dancing mushrooms are there for the poor fairy's therapy after her harrowing ordeal.
Water color pencils in a monotone piece of shades of pink. This was pretty hard considering I didn't have any magenta or hot pink hues. I had to create them and it was a pleasure. This was inspired from one of the artist's Grimes cover art.
Ahhh I’ve been gone for a while- Sorry about that! Got swamped with work and school so... didn’t have much of a chance to post. I’m back though! And I have a RedBubble page now!! Come support me at raw-moon.redbubble.com
I saw someone else on Doodle Addicts doing really great bookmarks and I remembered that last winter, when I couldn't seem to do anything else creative, I made a bunch of bookmarks. It's a way of trying out things, and using fun media like these glitter pens I inherited.
This piece came out in an attempt to make sense of the world around me after discovering that I have autism and a few processing disorders. I’ve always had a hard time in relation to people and now it makes sense, but wrapping my mind around who I am and what people want is a challenge. Acyrlic paint. Layering Inspired by learning oil painting.
I live in a very small town, and one of my students is transgender. Her courage despite her struggles has inspired me. The lyrics in the second image are actually from a song she has written.
The first stage of clay is slip. Slip is watery clay; it is most often used to "slip and score", which I used to attach the features of the mug to the mug itself.
The second stage of clay is wet. Wet is moist, very plastic clay. Wet is the type of clay I love to use, just because it feels so fresh, and because it is moist enough that I don't have to soften it with water.
The third stage of clay is leather hard. Leather hard is the stage my mug was in after being left on the shelf for twenty-four hours or so. It is easier to cut but very difficult to sculpt.
The fourth stage of clay is greenware. Greenware is completely dry clay that is fragile and breakable. I would say that greenware is an overdose of leather hard for the clay. In other words, leaving clay out for a longer amount of time can turn leather hard clay into greenware.
The fifth stage of clay is bisque. This is the clay after its first firing. If it was grey clay, it is now white in this stage. It is now completely hard and no longer soft in any way. Bisque, luckily, is only one stage away from glaze...
The sixth stage of clay is glaze. This is the final firing and results in a smooth texture and a shiny look. I loved the way my glaze came out. While I was painting the mug, it was more of a ruddy red-brown but when it glazed, it turned out to be this beautiful spotted green.
