Something I’ve been working on for fun, a project from illustrator Victor Beuren’s Domestika class “Search-And-Find Illustration in Procreate”. One of the rare Singapore-inspired artworks I’ve done, and I don’t think I’ve ever drawn so many human beings in one piece… but challenge accepted!!!
A horse with a gasmask was the photo that provoked this. I was imagining other animals so outfitted, and a fish was the craziest. Brown ink, colour pencil and whiteout.
Living, breathing, and creating with nature
When you wake up to the gentle sights and sounds of the pond, trees, plants, birds, bees, and dragonflies, inspiration flows effortlessly. So, when the owner asked for a menu design for @SarayaGoa Art Café, I thought—why not let nature speak for itself?
Using pen and ink, I captured the beauty of my mornings here—each stroke reflecting the lush surroundings that make Saraya unique. Instead of focusing on just food items, I filled the cover and inside pages with illustrations of the vibrant life around us. Dining here means eating among the green, surrounded by the diverse plants of our permaculture gardens.
This study is a tribute to the beauty that shapes every meal at Saraya.
Inspired by Stephen Gammell and Scary Stories to Tell in The Dark.
1. Graphite Powder
2. Charcoal
3. Charcoal Powder
4. Kneaded Eraser
5. Electric Eraser
Doodles, doodles, doodles. THIS IS NOT MY ORIGINAL DESIGN - I do not know who the original artist is but was inspired by some doodles I had seen on my Instagram feed. I definitely really enjoy these kinds of doodles, so relaxing and not so STRESSFUL as some of my charcoal realistic portraits can be.... might do some more :-)
Zoomed in shot of "I'll Sleep When I'm Dead". Created in 2012. Size: 22” x 30” / Micron Pens on Archival Paper. This piece was all drawn freehand - no rulers or measuring tools were used to create this artwork. 2019 kinda looked like this. It had a lot going on. Lots of changes. A close friend of mine predicted 2019 would be "The year of change", and she was right… at least up in my neck of the woods. Anyway, it has been full of good, fun and challenging things – all worth while. Excited to dive into 2020.
Practicing tone with different levels of pencil pressure I found very difficult to do because it requires an immense amount of patience and my hat is off to all of you who have mastered it. ⁀⊙﹏☉⁀
I first bought some cheap soft pastels back in 2018 and did a couple of sketches. I bought a nice set of Rembrandt pastels a few months later — didn't use them. I bought some pastel pads, none if which seemed right. September 2020, I bought a couple more sets of bargain pastels and tried a couple of pieces — no good, still couldn't bring myself to use them. Jess bought me pastel pencils for Christmas — I was too scared to use them. I even bought a pad of Pastelmat which is supposed to be THE paper to use for pastel paintings in January. I was too scared to use that as well!
FINALLY, after a few unsuccessful attempts at working with watercolour (brush issues), I cast aside my fear and thought I'd mess around with pastels. Some time later, and this was the result. I've finally broken through my pastel fear-barrier.
I've got to say, I love soft pastels and I'm excited about doing more pieces in this medium.
It's not quite September yet, but I finished my bullet journal sketch for next month a few minutes ago. "Come Down in Time" by Elton John, the second song on the first side of 'Tumbleweed Connection.' I'm not sure what to expect with the starting of school, with senior year as a whole, and what the end of 2020 or 2021 will bring. It feels like I'm hearing all this static and incomprehensible noise, but I open my eyes and see nothing else there, simply a dark open space.
Henri de Toulouse-Lautrec (1864-1901)
Toulouse-Lautrec drank constantly and slept little. After a long night of drawing and binge-drinking, he would often wake early to print lithographs, then head to a café for lunch and several glasses of wine. Returning to his studio, he would take a nap to sleep off the wine, then paint until the late afternoon, when it was time for aperitifs.
(One of his inventions was the Maiden Blush, a combination of absinthe, mandarin, bitters, red wine, and champagne. He wanted the sensation, he said, of “a peacock’s tail in the mouth.”)
From Daily rituals by Mason Currey
#dailyrituals #inktober #henriToulouseLautrec @masoncurrey
Ludwig van Beethoven (1770–1827)
Beethoven rose at dawn and wasted little time getting down to work. His breakfast was coffee, which he prepared himself with great care—he determined that there should be sixty beans per cup, and he often counted them out one by one for a precise dose.
From Daily Rituals : How Artists Work by Mason Currey.
#dailydrawing #dailyritual #beethoven #coffee #inktober @masoncurrey
