The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
I have been teaching myself stippling. This is a work in progress on a birch tree bark. I've always admired birches and have strong childhood connections with them. I am a keeper of some very fond memories of our summer house and three beautiful big birch trees in the yard. I could sit under them for hours: watching the delicate leaves dance in the summer breeze; watching them turn golden during autumn; feeling my way around on their uneven bark full of valleys and crevices.
Do you have your own workspace? Lucky you. So am I too :) Remember: surrounding yourself with positive things gives you energy. And one more thing: less is more :)
What inspired me with this piece was an enchanted forest. The purple trees and pinkish leaves plus the somewhat colorful grass (capturing it with my camera was a little tough but its a mix of forest and deep green with some blue) and the shrooms made me think of a kind of air of mysticism and fantasy. The Elk is one of my favorite animals and I feel has a regal presence almost in it. I thought about adding more vegetation but I was afraid of adding too much. What do you think? ^^
During this Quarantine I have had so much fun exploring what else I can create. Using this opportunity I am creating patterns & textures and trying to sell them on a few websites.
Lots of the on my hands during self isolation. Got me thinking about the power of nature over us mere mortals. With all our supposed wealth and intellect we are powerless by comparison.
Small and frail, one of "Grimm" tales, naively ignoring the safer vast dales. Preferring to go the way of the dell, luring a wolf with a delectable smell. But do not be fooled, nor be misled. For there's more to this story, whose main lead is Red.
A whimsical yet haunting reflection on the passage of time, From Time to Time imagines a fragile machine built to bend reality itself. The “Tempus Machina” stands as both invention and relic — humming with promise but tethered by a frayed cord and a warning: Watch Your Step. The cracked wall, warped floorboards, and distorted clock hint that tampering with time comes at a cost. Blending humor, nostalgia, and existential tension, Patmore’s work transforms a steampunk curiosity into a metaphor for our human impulse to repair, rewind, and relive what’s already slipping away.
私のパトレオンで利用可能な印刷可能で着色デザイン | Printable and coloring design available on my Patreon | Diseño imprimible y para colorear disponible en mi Patreón: https://www.patreon.com/posts/chu-yin-kitei-134803356
Hey everyone! This is my first upload to DOODLEaddicts and I start it with Nier Automata fanart. I hope you enjoy it! Despite using Procreate for this drawing I tried to preserve the traditional art approach, not using autofill for coloring. One might say it's very inefficient way of painting, but it helped me to concentrate on the process and enjoy it much more.
My latest illustration! I recreated my character Okimoto Manami (a computer graphics piece back in 2013) in a traditional Japanese setting. She is in a traditional house overlooking a garden that has a pond, a cherry blossom tree and a flower bush. She also has Ikebana (flower arrangement) peony piece near her. Theres also peony designs on her kimono.The kind of kimono she’s wearing is a furisode.I have advanced quite a bit in the past eight years and I prefer using traditional mediums these days! Colored pencils used: Caran d’ache luminance, Posca colored pencils, Faber Castell polychromos, etc..
