I can grow my own garden. I did this drawing in a stillman and birn alpha sketchbook with a kuretake bimoji pen (+ the posca paint pen for the background). Thank you for looking!
Introducing Remy Thompson, journalism major, murder club member, and professional introvert. When he’s not reading for his job, reading up on victims and criminals, or reading for school, you can probably find him at the library with his one and only friend, (his roommate) or in his dorm being jealous of Darling’s many friends.
Hi everyone! I am Cam. I like to make friends, and I am 18 and this is my OC of myself as a white anthromorphic cat. I am a Christian. And enjoy chatting in here.
Sorry that I haven't posted anything I just have been feeling like bleh. I can admit quarantine makes me a little depressed even though I'm an introvert, I guess it combined with the rain gives me an excuse to stay in my room and never come out... Okay so there is some really sad news for the wonderful people that follow and support me... I am leaving next week, I have to give my computer back to the school... I might come back mid summer.... I might come back during the beginning of the year... I might forget about this super positive platform (not likely unless I go back to Deviant art (also not likely)... I will miss you guys and I'm only posting 1 more time after this post... Thank you... all....
One of our most popular artists is Juan Jose Sanchez. He has a unique and recognizable style that is very aesthetically pleasing. Sanchez’s artwork can brighten any room and truly make you feel like you just stepped into the forests of the island.
Our Dining Room is my favorite room in the house. Every family meal we eat at home happens there - breakfast, lunch, and dinner. Meal times are our sacred family time to share our day, our thoughts, our struggles, our successes, etc. We do have a breakfast area. But aside from homework, projects, or reading the newspaper, the breakfast area doesn't get much use unless needed for overflow from the dining room when we have visitors.
Ms. Nathan was a play production teacher with flair and a big personality. She wore colorful clothing and loud socks that never matched. Her joyful, chortling laugh filled the room—or the hallway—wherever she happened to be.
Staff meetings and PD days have always been strong invitations for observational drawings. Over the years, I’ve found that there are many boxes to check in a wide variety of systems. I often created my own boxes—and checked them with sketches of my colleagues.
This one goes out to the colorful Ms. Nathan.
I take pride in experimenting with different photo exposures to bring out new dimensions in my creations. My work never feels complete, as there's always more room for exploration. I invite you to view my upcoming uploads from all angles as I bring them to life through my artistic expressions, such as dance, writing, or meditation.
Sometimes the quickest drawings hold the deepest truths. During an after-sermon discussion about understanding the love of God, I found myself listening with one ear and drawing with the other. Frank, seated across the room, made a natural model—relaxed posture, thoughtful presence, and a face full of character.
With a pen in hand, I traced his form in a quick contour line, following the folds of his shirt, the tilt of his jaw, the stillness of his hands resting in his lap. Contour drawing asks us to see more than just the surface—it demands patience and presence, a slowing down until the line itself feels like prayer.
Frank became more than a subject; he was a reminder that the love of God is often revealed in ordinary moments and everyday people.
In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin.
A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.
"Nowhere Fast" is a compelling still life that blends mundane domesticity with surreal, slightly ominous undertones. The scene is anchored by a wooden table where a spilled glass, a pack of matches, and an ashtray with a smoldering cigarette suggest a moment of interrupted pause or quiet, long-term stagnation. Dominating the foreground is an oversized, weathered cigarette carton boldly labeled "WARNING", its subtle but unsettling presence hinting at a consumption that leads nowhere.
In the background, a vintage RCA television set displays a stylized amanita mushroom, a recurring symbolic motif that adds a layer of psychedelia and altered perception to the otherwise drab setting. The earthy, muted color palette and soft lighting create a feeling of weary introspection, capturing a sense of being perpetually stuck in a cycle. The piece masterfully uses everyday objects to explore themes of vice, time, and the quiet, slow march toward an uncertain destination.
This is just an idea I'm playing with after I recently reconnected with an old friend. He's a painter but has this huge passion for mushroom collecting. I have few more ideas for a little series now.
