"Mask Up" by Ty Tatmore (2024) is a powerful and unsettling piece of contemporary social commentary. This work throws the viewer into a scene of post-apocalyptic anxiety where an individual, wearing a striking conical hairdo and a defiant "MASK UP" t-shirt, sits amidst the wreckage of a dilapidated room.
The artist uses dark humor and surreal imagery to explore the cultural tensions surrounding public health mandates and personal responsibility. The sign "CHOOSE WISELY!!" acts as a stark warning, while symbols like the gas mask and the Scream mask and also wearing a mask suggest a spectrum of survival and fear. The massive explosion breaking through the window is a haunting, almost surreal symbol of the unstoppable outside forces impacting daily life.
With its raw, graphic style and intense atmosphere, this painting is a memorable and thought-provoking statement that captures the isolation, uncertainty, and dark irony of living through a moment of global crisis.
What inspired me with this piece was an enchanted forest. The purple trees and pinkish leaves plus the somewhat colorful grass (capturing it with my camera was a little tough but its a mix of forest and deep green with some blue) and the shrooms made me think of a kind of air of mysticism and fantasy. The Elk is one of my favorite animals and I feel has a regal presence almost in it. I thought about adding more vegetation but I was afraid of adding too much. What do you think? ^^
I've been really busy lately. I took a break that was supposed to be a 10 minute doodle break, and this was the result. Well, its the inks of the sketch result. I have no idea if the colors will work the way I intend, but I'll post those after they're finished.
This was a little colouring experiment. I used a different method from what I usually do, but it turned out great.
The result is pretty satisfying for me, considering this only took me about two hours :)
There's certainly room to improve, but that's what I am here for ^-^
Please enjoy! - Crypto
Toadsworthy! If a Toad like Toadsworth became a Bishop, Lol. So a "Toad" is one of those mushroom guys from Super Mario Bro's if you can't tell. I saw toadsworth and and thought if he was in medieval times of something he could probably be a bishop or something. Then you'd have Toad priests and Paladins n stuff! You could totally make a D&D campaign with Toads and koopa's n stuff! Yeah! ... lol my imagination is weird like that.
#toad, #mario, #supermario, #toadsworth, #bishop, #dungeonsanddragons, #priests, #paladins, #medieval, #catholic, #christian, #SuperMarioSunshine, #supermariobros, #papermario, #SuperMarioRPG, #mushroom, #Mushroomkingdom
Sometimes wisdom comes in a joke,
and sometimes laughter carries truth.
Brian spoke like a sage,
Mike answered like a friend,
and together they held the room.
We draw to remember.
Not only the lines of faces,
but the presence of goodness,
the gift of voices that echo
long after the chairs are empty.
An exuberant, almost psychedelic take on a magical mushroom. The bright chartreuse cap is adorned with striking magenta spots that pop against a textured, almost chaotic background. The bold, black outline gives the subject a playful, cartoon-like presence, while the energetic brushwork suggests movement and a sense of wonder. Signed and dated by Ty Patmore, 2025.
Happy Sunday everyone! I saw my grandparents picture of the good shepherd in their living room today and got inspired to make my own version. Jesus, our good and merciful shepherd! Have mercy on us and we love you! #Christian, #jesus, #goodshepherd, #catholic, #sketch
Jury Duty, June 2013
Fifty of us sat in that room, each one staring at a phone or scribbling in a notebook, killing time. The lawyers asked their questions, picking us off one by one like a slow game of dodgeball. I wasn’t chosen, so I drew instead—earbuds, slouched shoulders, the hum of waiting caught in a few quick lines.
In this memory-driven piece, Patmore reconstructs the bathroom from his third-grade elementary school, capturing the sterile brightness, the tiled repetition, and the institutional reminder to “WASH YOUR HANDS.”
But the scene is not pristine — a leaky sink, an out-of-order stall, and a taped-up sign reveal the quiet decay behind childhood places we assume were orderly and safe.
Patmore blends nostalgia with unease, transforming a simple restroom into a study of what it means to grow up: how the lessons we learn early (“hygiene,” discipline, responsibility) stay with us even after the walls begin to crack. The small pop of blue tape emphasizes the DIY fragility of rules meant to guide us.
This piece stands at the intersection of memory and maintenance — of spaces, of bodies, and of ourselves.
