THE BOOK from Stories for Nighttime and Some for the Day by Ben Loory.
"THE WOMAN RETURNS FROM THE STORE WITH AN armload of books. She reads them quickly, one by one, over the course of the next few weeks. But when she opens the last one, the woman frowns in surprise. All the pages in the book are blank. Every single one. The woman takes the book back to the store, but the manager won’t let her return it. Right there on the cover, the manager says, This book has no words and is non-returnable."
https://www.instagram.com/p/Cf61DnhO1NL/?utm_source=ig_web_copy_link
I modified the challenge a wee bit. I didn't use the same paper for the various drawings since I was using (top row, left to right) hard graphite pencils (3H to HB), watercolor pencils, (bottom row, left to right) brush pens and ballpoint pen. These media work best on very different paper textures and moisture absorbing qualities. The second picture shows the object of my study --- and the apparatus I use to hold botanical subjects. "Third hand" tools are very useful and cheap. This one was under $10 and serves my purposes well. Just FYI. (Each drawing/painting was scanned and composited in Photoshop.)
This drawing, with a bit of watercolour, was done years ago in North Vancouver during a figure drawing session. Probably 15 - 20 minutes. Watercolour, subtly employed, can have wonderful affects. The challenge of working fast forced me to ditch excess thinking. And it's funny, because at first I thought, "Oh, this is terrible." Then the next day, with fresh eyes, or checking out the drawing in a mirror, I think, "Wow! How did I not see how good this is?" Never throw out your artwork immediately after a drawing session. Give them a few days and look at your work with fresh eyes.
One of my botanical abstracts, this one centered around a pond. Though I will be selling the original locally, the print is available on thousands of clothing and home good products across my many websites. Browse them all here: https://linktr.ee/okhismakingart
Vine Charcoal and Oil Pastel make for a messy, smudgy experience. A certain amount of messiness can make a process feel more real and human. When things aren’t perfectly polished, it reflects a genuine effort, imperfections, and growth. In personal life, letting go of the need for everything to be tidy can promote a more authentic existence. The hat is a Stormy Chromer. It also evolved out of a mess. More on that later. Peace.
Pipe Wrench — 16×20, graphite & acrylic accents
The next addition to my growing Tool Series. # 6
A classic pipe wrench rendered with tight line work, layered shading, and subtle grit that brings out every ridge and tooth. I leaned into the industrial personality of the tool—solid, heavy, built for work—and let the shadows do the storytelling. It’s a tribute to the objects that shaped my childhood and still live on in my shop today.
