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Nora Thompson Nora Thompson Plus Member
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Flapper

Charcoal on gessoed sketchbook papet

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Nora Thompson Nora Thompson Plus Member
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Onion Core

Charcoal on gessoed sketchbook paper

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Nora Thompson Nora Thompson Plus Member
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Corr

Charcoal on gessoed sketchbook paper

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Nora Thompson Nora Thompson Plus Member
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Stanley Steamer

Charcoal on gessoed sketchbook paper

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Francisco Toledo Francisco Toledo
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rey gigante V

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Andrea Andrea
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Zelfmedelijden

Zelfmedelijden is Dutch for Self-pity. The person is drowning in their own self-pity. They are depressed and poison themselves with their pity. It hurts, but is hard to stop. Addicted to pain. September 2019, acrylics on canvas

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Tricia Clark Tricia Clark
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Crow

Crow

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Nora Thompson Nora Thompson Plus Member
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Galadriel

Charcoal on gessoed sketchbook paper

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Nora Thompson Nora Thompson Plus Member
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Amanita

Charcoal on gessoed sketchbook paper

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Stephen Stephen
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Victory through   Prayer

Victory Through Prayer Medium: Water Color Markers on Illustration Board Size 2' x 4' Year completed: 1991 This illustration is part of a collection of artwork I did while in the military entitled, "The Army Years", I served in the Army National Guard for 5 years, and the regular Army for 4 years. One of the main reasons I got out of the military is because I didn't have much time to do my artwork. While I was stationed in Germany I did a few posters, and banners for a German/ American Playhouse, and I was in a European art show. This illustration was done during The Desert Shield / Desert Storm, during this war, many soldiers were afraid that our military equipment would fail to function due to the desert sand. While I was stationed in Germany, I attended a Christian hospitality house, that ministered to military personnel, and their families. I knew and heard of soldiers who died or were wounded in the war, we prayed for God's protection for those we knew were in harm's way. I believe the reason the casualties were low for the collision force is that God gave them a swift victory on the battlefield. No one should think that it was just might, and smart bombs, Iraq had the 4th largest military in the world. The Bible teaches that God causes the rise and the fall of nations. Decoding the symbolism : The " v " with lightning bolt shooting out of it =God giving the collision forces victory over Iraq's military. The large bold eagle with the arrows in its right talon, and with it's left talon open to attack, = the U.S. attacking Iraq. The banner made up of the flag of the collision, tie to the eagle's open talon= The U.S. leading the collision nation in the war against Iraq. The necklace with the cross attached to it, around the eagle's neck = God protect around the U.S. forces, the result of intercessory prayer of Christians. The flag of Iraq illustrated in the shape of the geological area mass of country, being shattered by the lighting = God judging Iraq, by giving the collision power to conquer Iraq and occupy her land. The land mass colored red at the bottom corner of Iraq = the country Kuwait, that Iraq invaded, that was the cause of the war. Written by Stephen J. Vattimo October 12, 2008

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Francisco Toledo Francisco Toledo
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rey gigante IV

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Carolyn S. Pio Carolyn S. Pio
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Crows / Reflection update

Work in process

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Carolyn S. Pio Carolyn S. Pio
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Crow tree reflection...process

Idea in process...developing the reflection idea into a larger painting:)

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Tricia Clark Tricia Clark
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Crown
1/2

Gouache, ink and gold acrylic paint :)

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Leanne Sorensen Leanne Sorensen
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My first paid project!!!

Did you guys know you can paint with bubbles?? Theres tons of youtube videos on how to do it, it is so much fun. But watch out for floating paint bubbles, it's very messy... p.s. you dont have to use watercolor, I used acrylic and food coloring annnnd I'll get a clearer picture tomorrow

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Nora Thompson Nora Thompson Plus Member
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Bright Idea

Charcoal on gessoed sketchbook paper

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Nora Thompson Nora Thompson Plus Member
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Dana

Charcoal on gessoed sketchbook paper

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Valkea Valkea
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Light study: St Giles

Today’s urban sketching effort. I tried to capture light coming through windows at St Giles Cathedral in Edinburgh. Posca markers, brush pens and water soluble pencil on brown A4

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Nora Thompson Nora Thompson Plus Member
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Volans

Charcoal on gessoed sketchbook paper

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Nora Thompson Nora Thompson Plus Member
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Jester Mime

Charcoal on gessoed sketchbook paper

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Naomi Griego Naomi Griego
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Flower crown

It’s a flower crown kind of Saturday. If only it wasn’t winter ☹️

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Revenge Sinister Revenge Sinister
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Day 14 - Overgrown

Inktober 2019 Day 14 - Overgrown

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Valkea Valkea
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Best of Inktober 2019, part II (arty/colourful stuff)
1/5

More inktober 2019. From the top: Day 11 (Snow - a tribute to Victoria Crowe), Day 23 (Ancient), Day 13 (Ash - smoke drawn with real ash), Day 12 (Dragon) and Day 6 (Husky)

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Arwen Arwen
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Monster Mug

The first stage of clay is slip. Slip is watery clay; it is most often used to "slip and score", which I used to attach the features of the mug to the mug itself. The second stage of clay is wet. Wet is moist, very plastic clay. Wet is the type of clay I love to use, just because it feels so fresh, and because it is moist enough that I don't have to soften it with water. The third stage of clay is leather hard. Leather hard is the stage my mug was in after being left on the shelf for twenty-four hours or so. It is easier to cut but very difficult to sculpt. The fourth stage of clay is greenware. Greenware is completely dry clay that is fragile and breakable. I would say that greenware is an overdose of leather hard for the clay. In other words, leaving clay out for a longer amount of time can turn leather hard clay into greenware. The fifth stage of clay is bisque. This is the clay after its first firing. If it was grey clay, it is now white in this stage. It is now completely hard and no longer soft in any way. Bisque, luckily, is only one stage away from glaze... The sixth stage of clay is glaze. This is the final firing and results in a smooth texture and a shiny look. I loved the way my glaze came out. While I was painting the mug, it was more of a ruddy red-brown but when it glazed, it turned out to be this beautiful spotted green.

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Ninara Ninara
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Happy foxo

Another little fox drawing. I loved the reference picture and wanted draw a smiling fox. Even was the first time I tried to draw the nice fure... red, orange, yellow, brown, mahogany makes the wonderful red fure which I do love.

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Just Another Monster Just Another Monster
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Small Mistakes

I use to draw to create. Now, when I do, it's to speak to myself. To relieve some tension. To say something I can't say out loud. I'm not looking for anything here. I just hope that throwing these things out into the world will somehow take them off of my mind. Sorry, and thank you.

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ESS22 ESS22
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St. Hysteria

Nothing changes but the name they call it...

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Stephen Stephen
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Fed by a Miracle of Compassion

Fed by a Miracle of Compassion Medium: Acrylic on canvas Size: 11”x14” Year: 2019 Artist: Stephen J. Vattimo Matthew 14:13-21 New American Standard Bible (NASB) Five Thousand Fed 13 Now when Jesus heard about John, He withdrew from there in a boat to a secluded place by Himself; and when the [a]people heard of this, they followed Him on foot from the cities. 14 When He went [b]ashore, He saw a large crowd, and felt compassion for them and healed their sick. 15 When it was evening, the disciples came to Him and said, “This place is desolate and the hour is already [c]late; so send the crowds away, that they may go into the villages and buy food for themselves.” 16 But Jesus said to them, “They do not need to go away; you give them something to eat!” 17 They *said to Him, “We have here only five loaves and two fish.” 18 And He said, “Bring them here to Me.” 19 Ordering the [d]people to [e]sit down on the grass, He took the five loaves and the two fish, and looking up toward heaven, He blessed the food, and breaking the loaves He gave them to the disciples, and the disciples gave them to the crowds, 20 and they all ate and were satisfied. They picked up what was left over of the broken pieces, twelve full baskets. 21 There were about five thousand men who ate, besides women and children. This illustration is part of a mural about the ministry of Jesus of Nazareth. The mural consists 9 images that depict the Miracles of Compassion Christ worked that are recorded in the Bible and He continues to perform in the world today. Understanding the symbolism in the painting. The basket of to fish and bread sits in the grass; Jesus had instructed His disciples to have the people sit down in the grass. Dead grass: the event took place in a desolate place. Historical and cultural illustration. Basket design: In the first century in the middle east people traveled on foot and when on a long journey they carried food with them. The common lunch pal during this time period was most likely a small wicker style basket with a removable lid, and a leather strap attached to it. So, a person can sling it across their shoulder for comfortable transportation. The basket would most likely be lined with a cloth wrap around the food to protect it from dust and bugs. The fish and bread: In John 6:1-15 which mentions the same event, tell us the 2 fish and five loaves of bread belong to boy, so most likely his meal was that of a poor person. The common fish that was eaten by the poor in this region and time period, were sardines. The five loaves of bread: Were most likely a type of flat bread which is commonly consumed by middle eastern people. The Bible verse that best communicates the message of this illustration is: Matthew 6:25-33 New American Standard Bible (NASB) The Cure for Anxiety 25 “For this reason I say to you, [n]do not be worried about your [o]life, as to what you will eat or what you will drink; nor for your body, as to what you will put on. Is not life more than food, and the body more than clothing? 26 Look at the birds of the [p]air, that they do not sow, nor reap nor gather into barns, and yet your heavenly Father feeds them. Are you not worth much more than they? 27 And who of you by being worried can add a single [q]hour to his [r]life? 28 And why are you worried about clothing? Observe how the lilies of the field grow; they do not toil nor do they spin, 29 yet I say to you that not even Solomon in all his glory clothed himself like one of these. 30 But if God so clothes the grass of the field, which is alive today and tomorrow is thrown into the furnace, will He not much more clothe you? You of little faith! 31 Do not worry then, saying, ‘What will we eat?’ or ‘What will we drink?’ or ‘What will we wear for clothing?’ 32 For the Gentiles eagerly seek all these things; for your heavenly Father knows that you need all these things. 33 But [s]seek first [t]His kingdom and His righteousness, and all these things will be [u]added to you. Written by Stephen J. Vattimo 3/25/2019

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Stephen Stephen
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The Heart

Medium: Ink on Sketch Book Paper Size: 15” x 25” Year: 10/04/2019 This Illustration is my Pumpkin carve design for the Great Pumpkin Carve, sponsored by The Chad’s Ford Pa. Historical Society. I have been participating in this event since 2006. I designed this picture to illustrate the human heart toward God. Understanding the symbolism in the design Human heart: A Fortress God’s Communion with Man Kind: Irish trinity flowers, with the crown, cross, dove God the Father, God the Son, God the Holy Spirit The two doors: the diverse ways mankind communes with God. The door with the thorny flower design: A religious person who live with out power. They refuse to allow God to sit on the throne in their lives. The door with the Grape Vine design: A follower of Jesus, who summit their lives to God’s lordship. John 15:5 New King James Version (NKJV) 5 “I am the vine, you are the branches. He who abides in Me, and I in him, bears much fruit; for without Me you can do nothing. Stephen J. Vattimo 10/04/2019

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ESS22 ESS22
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Gamblers Dillemna Finished and Framed!

Available on my Etsy store @loveandloathing art.

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