This piece was done with watercolour crayons, crayons, fineliner, acrylic paint and a touch of posca. I was showing that love can be blind and sometimes almost arrogant and selfish, the arrow has hit the spot on the second attempt but the scars are still to be seen. Although the person playing cupid aint always an outside force. I enjoy playing with the titles and am constantly changing and thinking of what it will be called when doing the piece, but i do like my wordplay. this one was a play on horticulture and felt it all tied in to the final design :))
This is available as an a3 sized print.
Often times my work is more about a conversation with my anxieties. I have a deep, conflicting relationship with concepts of existentialism. The following works reflect abstract ideas that I simply don’t have words for.
Cute peaceful fox drinking coffee, wearing a scarf. Trying gouache for the first time. It's a really nice medium. I am definitely going to keep at it and make some more gouache paintings.
I suppose this was just a tester/practice piece? My first actual still life from observation and my first time actually using charcoal (yes, I've never truly used charcoal before. Charcoal and pastels are two things I avoid. Their looseness and freeness scare me, considering how rigid I can be). Not sure how to feel about this one. I'm my worst critic, and I've known that for a long time now. There's a lot of practice and progress to be made, but it turned out half-way decent.
It was supposed to be a blooming cherry tree but somewhere in the proccess it turned toward a scary dead tree like from Sleepy Hollow of Tim Robbins ;)
Acrylic on canvas 41x33 de cm - “Today, we are still fascinated by space and the idea of space travel. Space continues to represent a new frontier for mankind, fascinating and scaring us in equal measure. We continue to push the boundaries of our knowledge, awaiting the day when travel into space is as open and accessible as air travel.“
Winter strikes Stoke Newington and the scarves come out along Church Street. Pops of colour and man's best friend help get us through the most trying of seasons
Howcome ghosts only wear white sheets? A group of whimsical, colorful ghosts fills the space, Each figure is unique, featuring different patterns and hues that provide a playful and vibrant contrast. The overall effect is lively and imaginative, evoking a sense of fun and mystery.
These are 5 out of 12 images I did while processing the necessity of healing from life lessons. Heartbreak is prevalent throughout all the levels of tragedies in our lives. At times, the mourning period feels forced-- I never really want my wounds to heal because I feel they're the last of the love I carried for that "thing". The process feels like gold pouring into my gapping heart and I can only scream as it sears through my veins. It hurts to heal. It hurts that it has to happen.
This is another way of working that I really like. Fine liners and chalk (colour) pencils were predominantly used, with a quick smothering of acrylics for her scarf and coarse posca pen marks for the jumper :). About the subject, Handmaid's Tale was one of those rare books that I read more than once growing up and it stayed with me, hence why I decided to draw Margaret Atwood (not seen the series yet though but I hear good things!). I accidentally had her hand cut out while penning the figure - still working on my scale and composition!
