Starring Django Django: Marble Skies (2018). Let me tell you a story about chasing dreams and overcoming obstacles. About the recurring feeling of "rain following marble skies". About success and frustration. About fascination and mania. Tricolor linoprint using one lino plate. September, 2020.
I think Art is the only good thing came out of religion. Maybe centuries from now when science will only be the thing people believe in, we will finally appreaciate the art we've created out of religious competency.
At that time we are living out there in space because of the nuclear disaster we've made on earth making it inhabitable for us to live. Because somebody thought that his god is better than somebody else's.
So now revisiting after centuries, looking at the marvels our ancestors have created make us hope that always good things come out of bad things. We just have to search for it.
A horizon of chalk—black sky heavy with silence, gold earth glowing with embered breath.
Between them, a thin line of turquoise, the pause where one world ends and another begins.
It is not sky, nor sea, nor sand alone. It is the threshold—a doorway, where silence teaches and light remembers.
Stand here long enough, and you may hear it breathe.
inking and seeing for better being — https://forming20.com/
This was one of dozens of daily sketches I did in a small book for my daughter's Christmas present a couple of years ago. Love the wacky gulls. So many in my area.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
This is my first holiday card of the year. I paint them and get them printed on 5x7 folded cardstock. I sell them $5 a piece of $4 a piece when you buy 2 or more. I do take online orders so let me know if you would like to purchase one.
It was the first time I tried using a Fabriano 200 gsm cold pressed watercolor paper. And I had learned different techniques in watercolors through the process of creating this painting. It was also fun painting the waves. Thank you, Maria Raczynska.
From Sketch to Final Water Coloring Stages, this is a spread from Tide Day! A lot goes into making a good composition, taking into account the center of the image where the binding is, and how to play with size and negative space. One of my favorite things to do is explore contrasting expressions between characters and highlight their emotions through physical stances and expressions. This was a tough challenge with the lack of limbs and the watery context, but Pearl's stubbornness and attitude shines through!
This is no landscape you could ever stand in.
No observational drawing, no safe horizon line.
This chalk experiment is a dream unfolding in color: a golden field lit from within, a scarlet seam of fire at its edge, and a storm-heavy sky pressing down with ancient weight.
It feels like a place between worlds—where the conscious and unconscious meet, where memory and imagination blur. Some might see a battlefield, others a meadow after rain, and still others a veil between life and death. That is the beauty: the painting does not tell you what it is; it invites you to confess what you see.
Psychologists say we project ourselves onto images like these. So—what do you notice first? The light? The darkness? The burning red?
Perhaps that is not about the drawing at all, but about you.
I have been listening to astrophysicist's broadcasts a lot this days. Few I like the most are Joe Rogans's with Neil deGrasse Tyson, Brian Cox, Sean Carroll. They talk about obviously space, extra terrestrial life but also religion, people, psychology. I realised that when you think at cosmos level or at subatomic level, the things we worry about in day to day life feel very less compared to the vastness out there or in us. So I think it is very important to get out of the city, to find clear sky and look at the stars up there. It gives a surprising energy which I don't know how to describe but feels powerful.
my first *official* painting titled "Winter Solace". I painted this one of my OC when I was feeling down. We all know how it feels during the winter months... dark, gloomy, and a good portion of us suffer from seasonal depression. But sometimes, we just have to take it in and be thankful for how far we've come, and how much we have yet to experience. I painted this to remind myself and others that there's always the calm after the storm, no matter how intense your storm may be. It's okay to not be okay.
Re-watching the series now. Really liked the general concept, visual character design and the action scenes. It even inspired me to make an AMV about Korra >> https://www.youtube.com/watch?v=-TIidatQrw8
It was nice and refreshing to see a (physically) strong rebellious female character, something different from a usual portrayal of female characters. However something went down the hill and I'm struggling to go past the 1st season hehe.
I know, Korra and the whole series are quite controversial and I understand why, but as a female myself I was inspired by this badass female character (well, as I explained, until some point, but nonetheless). Anyways, hope you enjoy my drawing ^^
Program used: Paint Tool SAI
