What happens when I keep trying to capture that spiritual image seen from the mind's eye? A shapeshifting abstract that is anchored merely by symbols. Sometimes I really just want to convey a consistent image that the world can see, which is really, really hard...
Another OC of mine whom I love dearly, I need to draw her more honestly. What do you guys think??? My 4yo told me to name her Princess so that's the title of this one. She's also for sale if you're interested! $60 USD (cashapp only)
The photo captures a shimmering, festive Christmas moment with a beautiful young woman posing in front of a lavishly decorated Christmas tree. She is wearing a glamorous outfit consisting of a sparkling butterfly-shaped crop top and a short white skirt, paired with elegant high heels. The surrounding space exudes a warm, cozy atmosphere with wooden walls, vibrant red ornaments, and green-and-red pennant banners hanging above, creating a lively holiday scene. A black chair nearby, along with festive decorations like a fabric Santa Claus and candy canes, enhances the Christmas spirit. The woman in the image radiates a gentle yet captivating beauty, with her long, flowing black hair and a charming sideways gaze. The combination of modern fashion and a classic holiday setting creates a stunning composition, evoking a sense of warmth and romance.
This image is copyrighted and DMCA registered. I strictly prohibit all of you from posting this image on other online forums. If I discover it, you will receive some reports from me. Contact me via: thichminhbaovn@gmail.com
A quick doodle. I want to get into landscape drawings as well. I bought a Staedtler Mars Technico lead holder. It feels cheap in my hand. I've been using Nic Pro lead holders from amazon - they feel solid. The hexagon shape sits well in my hand. The leads that come with them - they lay down well.
Normally i start w an idea or whim & doodle away trying to capture my thots. On this one i simply scribbled onto a page & then looked hard for shapes, animals, faces & any other unorthodox item. Then i simply added some color. I plan to do more of these mostly as a gr8 exercise for fresh runaway doodles hot off the press!
I drew this girl to keep my creative juices flowing, and I love how it turned out! Not a lot of technique involved, mostly just drawing shapes. I LOOOOVE colorful things.
This is my first attempt at traditional egg tempera painting. The panel is a Masonite board from Michaels, but I need to use true gesso because the egg tempera will not adhere to acrylic gesso. Some of my favorite artists used egg tempera. Andrew Wyeth, Robert Vickrey, and Colin Fraser are all masters of this ancient and archival medium. I have been self studying this technique for months and I was very excited to start experiencing the medium. Egg tempera is like layering stained glass on top of stained glass. the painter can expect a luminous glow to take shape as the colors blend visually through the layers of paint - assisted by the chalk of the true gesso. Egg tempera has been described as the closest painting technique to drawing, hence my draw to this medium.
Some works were born to be prodigious. Once the preliminary lines were laid within the first minute, the quality of the shapes, the diagonal composition and the weight were balanced out.
With the black mass as the hood, a face, hidden underneath, is unveiled. With the addition of the black fingers and the white hand, the full figure surfaced naturally.
The black fingers are the minimal suggestions to add character. The title `Remorse’ came about because of the bowed head and the pose.
utube clip: https://youtu.be/mb48rCx-lYI
Soft Pastel. My studio is in a converted church with big GotHic windows. In the morning the sunlight streams in createing beautiful shapes on the studio furniture rolls of paper and general studio detritus.
For some reason I tried some floral drawings, of different shapes, and I also used mixtures of different colors to produce hues of green. The first page - it’s a mix of the cobalt blue (PB 28) and cadmium yellow medium (PY 35). On the second one there is ultramarine (PB 29) for the blue color and the same yellow paint. To me, it seems the difference is very little but I’ve got the color closest to the ‘normal’ green using Cobalt rather than ultramarines. The latter gave either to yellowish to olive hues or too blueysh
"Ups & Downs" explores the nature of basic shapes/colors and how they interact to tell a story. This piece focuses on an infinite recycled energy, meaning there is no end point to its structure. The aim was to keep it simple yet structurally complex to the eye.
The nearby pine tree has dropped quite a few pine cones, all in different states of decay. I enjoy looking at the different shapes, sizes and colours of each cone, each with its unknown story.
