This piece continues my ongoing tool series, focusing on objects shaped by use, precision, and repetition. The speed square—an essential instrument of measurement and accuracy—is rendered with attention to wear, markings, and subtle imperfections left by time and handling.
Isolated against a minimal background, the tool becomes both subject and symbol: a quiet reflection on structure, angles, and the human need to measure and make sense of the physical world. Like the others in this series, it honors everyday labor and the overlooked beauty found in functional objects.
“Revising the Future” captures the exact moment creation becomes correction. Using my own drawing hand as the model, I built this piece through a cycle of sketch, pause, observe, and refine — letting the act of drawing guide the artwork itself. The eraser actively lifts portions of the page, symbolizing the choices we adjust as we grow, the mistakes we confront, and the quiet courage it takes to reshape the path ahead.
I love to come up with these mindless but interesting hard surface shapes and technical stuff. It has a meditative effect on me like drawing mandalas ^^ Inspiration comes from Tsutomu Nihei again.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
To help pass time and keep my creativity at the front of my brain, I keep a half sheet handy and challenge myself to fill the page with lines, shapes and shadows before the shift is over. Never a theme planned I let the pen take me on its own adventure. I’m just a passenger.
"This digital artwork represents two snakes coiled in a helix, symbolizing the indissoluble union between physical and mystical life. The intertwined shapes evoke the structure of DNA, reflecting the fusion of science and spirituality and inviting reflection on how these dimensions are woven into the fabric of life."
One of my oc's. I love her lots. I would upload 2 different pieces of her if I had the premium version of this but....ya know..... this one's for sale though! $60 usd, Cashapp only. DM me or however that works, and I can send her to your email for digital download! Payment upfront required for any and all purchases.
This time I designed a logo using a special style of Arabic calligraphy called "Al-Diwani". This style is distinguished by its flexibility and beauty. Besides its capability to represent and any shape that I want using any words; so I can illustrate and draw anything using this style.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
By utilizing the beauty and flexibility of the Kufi writing style, the word "FATMA" is illustrated in a triangular shape. The word is sculpted on wood via simple tools and was colored with pencils and markers. For my beloved Mom.
This is watercolor using the negative painting technique where you paint around your subject using multiple layers which creates depth. This has greater than 8 layers of watercolor washed around the tree shapes
