Fobbles used to be afraid of pumpkins, until he learned that you can carve faces and other shapes into said gourds to make jack-o-lanterns. And thus, he now raises pumpkins for a living.
Normally i start w an idea or whim & doodle away trying to capture my thots. On this one i simply scribbled onto a page & then looked hard for shapes, animals, faces & any other unorthodox item. Then i simply added some color. I plan to do more of these mostly as a gr8 exercise for fresh runaway doodles hot off the press!
New character I made for Taured. He can phase in and out of shadows: like, if he runs at a wall (or even walks), he can turn into a 2D shadow, which can travel at high speeds, morph into different shapes, and when he's done, he can just pop out whenever he wants to. His mouth is way bigger than normal; but for the sake of the rest of Taured's population, the government has sealed his mouth shut, side from a small section in the middle. The scars on his neck are not open and bleeding; they're just opening up to reveal a vibrant red energy within. Drawn with FireAlpaca.
Soft Pastel. My studio is in a converted church with big GotHic windows. In the morning the sunlight streams in createing beautiful shapes on the studio furniture rolls of paper and general studio detritus.
I initially wanted to draw a mandala but after outlining the big circles, I thought "why not add some texture?" and there you go. Experimenting with different shapes and shades always pays off.
I used Batarang shapes to make the mouth and hair and eyes. Let me know what you think, or just don't. but, hey, sometimes negative feedback is the only fuel i need for my fires.
Brush with black ink and white acrylic paint on 9” X 12” acid free Strathmore Bristol smooth surface paper. The Image dimensions are about 5 1/2” X 8 ½. Signed and dated.
(The black ink was used for the character as well as for the background. The acrylic painting was used only for the small shapes in the background)
For some reason I tried some floral drawings, of different shapes, and I also used mixtures of different colors to produce hues of green. The first page - it’s a mix of the cobalt blue (PB 28) and cadmium yellow medium (PY 35). On the second one there is ultramarine (PB 29) for the blue color and the same yellow paint. To me, it seems the difference is very little but I’ve got the color closest to the ‘normal’ green using Cobalt rather than ultramarines. The latter gave either to yellowish to olive hues or too blueysh
"Ups & Downs" explores the nature of basic shapes/colors and how they interact to tell a story. This piece focuses on an infinite recycled energy, meaning there is no end point to its structure. The aim was to keep it simple yet structurally complex to the eye.
This is watercolor using the negative painting technique where you paint around your subject using multiple layers which creates depth. This has greater than 8 layers of watercolor washed around the tree shapes
New sketchbook time…
Literally started the previous one on the second day of last month and finished it earlier today, I’m a very speedy sheepy as opposed to sleepy it seems!
