Rough and smudgy. Kind of how I feel. I got frustrated and just put a bunch of pastels on paper. It's not pretty but it's pretty close to being an authentic look inside myself.
For this one, I hate drawing hands so they are awful but mostly I figured out how to make things glow. Recently we had a Worm Full Moon, I layed outside and watched the moon for like a half an hour.
Inspired by a little rabbit I've seen from the car one morning. While I was driving, the little bunny was hopping along the countryside. I was a a very peaceful and happy scene, the little guy living in its own little world, of which I only could get this one quick glimpse. All the other details remain to imagination..... Acrylics and ink on paper, 60x42 cm
It's anime's most favorite son. You can see, in case you did not know, that he is a robot!
The robot side was fun to draw. I based it on some reference but made up a lot and stylized everything quite a bit.
It's crazy to think that we've been in a pandemic for a year or to think we could ever get used to this new way of life. March 13th, 2020 was the day everything stopped for me: it was the last day I went to school and the last day I went to gymnastics for 5 months. The promise of two weeks' time, something I somewhat desperately held onto. Going into this, no one knew what to expect, it was the first time many of us saw life as we know it stop. Quarantine has definitely taught me a lot emotionally, mentally, and how to reach out and work through (and what bad panic attacks feel like :) ). I think it also goes without saying that I got through most of this because of the people around me, and I can't say enough how grateful I am to be surrounded by such amazing people. So, here I am. Life is still pretty rocky, but it's a process. Thank you to everyone who's been along for the ride so far ❤
Another OC redesign along with a new name,she still looks somewhat like her old design except now she has short hair instead of poofy long hair,green eyes,different horns,two lower fangs instead of one and lastly the sharp horns on each side of her face.she also doesn't have a hourglass body shape anymore (I don't want two female characters having the same body type)She is a good friend of Tenebris,they often challenge each other and have fights to see which who is stronger than each other,she is athletic,loud mouthed and mischevious and she is skilled in flying unlike Tenebris.
I started messing about with line and wash. I really enjoyed the speed and looseness of working on this piece. In hindsight, I'm wondering if it would be worth working on a larger, more considered version as there is quite a lot of nice texture that is missing here. Pen & watercolour on watercolour paper (4x6").
One of my early oils from 2017. I was still getting used to the medium. I liked how the oils worked well for the misty distant hills, and I used glazing for the first time on the clouds.
I got a pack of loose watercolour paper from eBay in 2018. The side this was painted on had a really strange pitted texture on it. I thought it might be interesting but I didn't like the way the paint gathered in the pits. I just use it for sketching and testing colours these days.
New Quay is a quaint little seaside town on the Ceredigion coast. This was my second attempt at pen and wash in 2018 and it totally bombed. I'm not sure there's anything I like about this - the colours, the linework, the lack of texture. Nah! Definitely worth trying again at some point.
The reference for this painting was a quick snap I took at the roadside on a trip up to Angelsey. Didn't really manage to capture the scale or the atmosphere.
I know it looks a little sunny, but the reference photo for this one was a winter shot. It's the countryside in the hills surrounding Carreg Cennen castle, Carmarthenshire, Wales
In 2017, I had a short run of finishing acrylic paintings after not painting for many years. Here I was pushing towards a more realistic style despite the very cheap and thin paints.
Class assignment: draw a crowd with layers and overlapping. I took this class because it is my artist heart's desire to capture people in real life action. We did learn a technique for that, but we did it from video. It was so stressful, and I'm considering practicing that 10 min a day for Lent. This one was a compilation from photos my teacher provided. What are your tips for capturing people in action? For me, the challenge was deciding what the action was. I kept changing the action as I saw it because it is SO FAST. I felt like I couldn't "see" fast enough.
I've finally redrawn my profile picture! Except, my actual profile picture will be magenta instead of blue. This design still isn't canon, but I haven't found the motivation to redraw the entirety of the Ringmaster's crew. My last attempt was with the advanced version of Elizabeth, and the unfinhed Preistor, but they take so long to make --- and that's why Preistor goes unfinished. The reason they take so long is because I also sculpt the endo inside of them, in which the 2.5 versions didn't have an endo, and the joints and such were put in after I had drawn ths shell. Drawn with FireAlpaca.
The drawing contrasts what an individual see's and what the general public see's when viewing a particular topic. outside the frame of the glasses everything is plain black and white and has no important information that grabs your attention but inside the frame of the persons glasses there's a personalized idea or version of each person in the corridor. the drawing gives off the idea of seeing the world through another's eyes and using glasses as the medium to display that.
New character I made for Taured. He can phase in and out of shadows: like, if he runs at a wall (or even walks), he can turn into a 2D shadow, which can travel at high speeds, morph into different shapes, and when he's done, he can just pop out whenever he wants to. His mouth is way bigger than normal; but for the sake of the rest of Taured's population, the government has sealed his mouth shut, side from a small section in the middle. The scars on his neck are not open and bleeding; they're just opening up to reveal a vibrant red energy within. Drawn with FireAlpaca.
