This is something I'm working on for a project, its part of a template I'm putting together. Its a little off center but I spent most of yesterday morning doodling in my sketch pad until I was happy with the design. I did have to use bat skulls as resource, it was fun.
One of my Swirly Designs, illustrated with different tools such as Graphite, Aquarelle, Ink Pens and Ai & Tablet. Sometimes sheer Vectorillustration/design.
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Urh.-Nr:1811955
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Copyright by Carolina Matthes
One of my Swirly Designs, illustrated with different tools such as Graphite, Aquarelle, Ink Pens and Ai & Tablet. Sometimes sheer Vectorillustration/design.
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Urh.-Nr:1811955
.
Copyright by Carolina Matthes
No one knows where it is or why it exsists, but some believe it is a realm of wonder, where magic lives and evil consumes every inch of its vast desert.
Teaser for the color version coming soon! This is a continuation of the first page of this story, which I posted here: https://www.doodleaddicts.com/uploads/71900/first-page/ I hope you all enjoy reading it! These are a lot of fun to make : )
Just working on drawing Enna . At some point, I want to draw some gritty skull warpaint on this piece but I'm going to have to do some experimentation to get the right look.
a trans skull, bc I'm still a boy when it's not pride month. this isn't part of my big story thing, just something I made for fun since I haven't posted in a while. I'm considering starting a sticker/patch business, so comment if u would be interested in seeing that or not.
I have a little Moleskine (3.5 x 5.5) notebook that I only draw skulls in. I started in November of 2013 and I do one whenever the urge strikes me. It's not like a skull-a-day thing but sometimes I do get into a period where I will draw one every day for a while then I won't draw any for months. I even lost it for a while and was very sad. I think the longest gap between pages has been a year. This is the most recent skull, drawn on 05.28.2018. Most of them are posted on my Instagram but you have to scroll back a ways to get at the bulk of them.
Stripped of skin, status, and story, what remains is the truth beneath it all. Bone Deep is a minimalist skeletal portrait rendered in graphite and ink on canvas, built through cross-hatching, stark contrast, and deliberate restraint. The exaggerated skull and hollow eyes confront the viewer directly — not with fear, but with inevitability.
One of my favorite pieces I did for Inktober a couple of years ago. The prompt was juicy. I went with an NBC Hannibal aesthetic. You would not believe how much fun I had coloring those pomegranates.