An article/rant/annotation to an illustration. A #Hackney bar and its flies.
This picture is not as sad and blue as it might at first seem, I promise.
It is early in the week and the pub becomes the territory of the most outspoken drinkers. Raised somewhere between Churchill and Harold MacMillan, a night such as this is time for them to spin out a yarn of nostalgic fantasy. Encouraged by the lack of a crowd and with space to fill, statements start to fly.
In the opening rounds the barman athletically hits back with factual blocks and reality-check haymakers; statistics and personal experiences are given. Two histories cross examined, one where 1982 means Thatcher and the Falklands, the other renders Reagan and the AIDS crisis. Stoicism and national pride vs mental health and realism.
In the latter rounds the barman is fatigued, swaying on the backbar, glasses begin to stack up as form begins to drop. The older men seem stronger than ever.
The barflies come in close now, they scrutinise his generations work ethic and make wild political comments on poverty, immigrants and the minimum wage.
The barman is close to sheer bloody despair, he maintains his defence and focuses on breathing while maintaining his professional stance.
But at the end of the night the barman knows HE will ring that bell, they will politely leave and they will return again in a week and maybe, just maybe there will be a change, common ground or maybe at least polite silence.
But what these interactions have given despite the salt in the eye is community and an exchange between generations, culture and class of those participating. No home is ever straight forward, no relative without their good and bad traits and in a world where we often slide into echo chambers online or in our physical environments, the pub is still a place where society is family, face to face, pint to pint. Or maybe it's just a room with alcohol on tap?
There is a theory that Universe is a consciousness. To find what is out there we have to find what is in our own consciousness. So thats a zoomed in eye and the interstellar spaceship going in the space that exist within us.
#14 Inktober 2023 Prompt number 26 "Remove" - I drew this picture during the #inktober event for an individual's artspace on magma.com (the word prompt to draw was "remove" for day 26). I came up with the idea to draw an RPG warrior battling a giant mosquito during his adventure. He is using OFF brand mosquito repellent spray to remove the enemy from this path (but he took damage and later is removing a Band-Aid from his arm). Drawn directly on magma.com live using an iPad pro (no pressure sensitivity and no Ai).
This is Space Doughnut, from Cookie Run: Ovenbreak, it's an alien donut from an unknown planet, and former ruler of it. How did it end up in the Cookie World? We may never know but, it seems to like it here! Prrrp prrrp!
A week on from Artemis II coming back to Earth from the moon and only now do I do a proper lunar themed tribute to it all! It also gave me an excuse to buy another Palm Pals plush, so happy days to that :-)
A more recent work of mine from a series of pieces I made revolving around an original character who was a political prisoner of a dystopian space-faring setting.
So I am making a little animation (as part of my art training) and this is the first frame. It's to a song, so I put the words on the screen, so that's why the word is there
My drawings creating with a fine liner, pencil or color pencils and brush pen.
Sometimes they are also different collages.
They are a figment of my imagination
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
This was a project I did and totally forgot about. It's a Notan style dragon I did for a 2d composition class. I kinda like out it turned out. This was my first major foray into illustrator. Time: 3 hours Medium: Illustrator on Mac
