Both Jingles and Shimp don't actually speak, Jingles makes literal jingles while Shimp,a shadow demon imp hybrid is mute.both are genderless,they both love fun and both of them love causing mischief.they mean no harm and just want to play especially Shimp since they are from Hell.
My name is Yasia Kagan (Tsarevski) - i'm artist, painter and teacher. I was born in a family of architects and painters, in a special atmosphere imbued with creation and art, love for aesthetics ...
Since I remember myself I was painting, this was always part of me. It wasn’t be me without painting. But I have paved a long way to where I am now - today I paint every day by teaching people and open their eyes to the amazing world around and within them. I started drawing black and white graphics, but since than I evolved my style by adding colors. Now I have found a combination that can express best what I want to see and feel.
I am director of a painting and creation studio "The Magic of the Brush" in the growth of the network of experience in Carmiel. I was born into a family of architects and artists, painting and a passion for art have fascinated me all my life, I started with black and white graphics like a forest of books and slowly rolled into color painting. The creation of all work makes me alive - I feel, I think, I understand.
I believe that art is a way of life. I Want to bring it to as many people as possible in order to make our world a better place.
Jabbit is mainly a status Pokémon, but its special ability, Tick Off, allows it to do damage when using status moves. Its other ability, Infuriate, taunts the opposing Pokémon whenever it doesn't attack. The left is its normal colors, and the right is its shiny. It does not evolve. Drawn with FireAlpaca.
An animatronic especially designed for a particular individual to climb into it, only for them to get impaled by a variety of steel bits. However, this particular individual was never captured, for their execution was performed only several days after the finishing of this product... so it sits, motionless, in the unused areas of Ringmaster's Pizza Hall. Drawn with FireAlpaca. (Why does this animatronic have eyes while the rest don't? Wouldn't you like to know, weather boy? (quote Jester during an interview.))
Scykoh is one of my favorite YouTubers. He plays Pokemon a lot, and his videos about Pokémon Glitches are very entertaining. Like his Gen 1 Glitch Quest, or his collab with A+Start on catching a Celebi via glitches. His sense of humor is so immature, and I love it. Drawn with FireAlpaca. (Scykoh, if you see this, hey, dude! Love your videos, especially your Sword playthrough! Keep it up!)
My first Pokémon related post! I actually love Pokémon, and I've played every generation but the third one. I've beaten ORAS, SM, USUM, Sheild, RGBY, and GSC. I also love glitches (especially in the first generation), and that's why I made this. It was taken from an old story I made a while ago, when I made my own evil team, and stuff. My favorite Pokémon is Latios! Drawn with FireAlpaca.
Happy Solemnity of the Nativity of St. John the Baptist! He who prophesied the Christ in the Womb! Our Church is called St. John the Baptist so it is a particular special feast for us. It was also the name one of the Churches that St. Benedict started. Why? Because St. John the Baptist (along with Elijah and Moses) is a type or model of the Monk. Jesus of course is himself the Ideal Monk to follow, in whom all true monks follow the example of. Of course I'm talking Christian Catholic Monks. St. John the Baptist, Pray for Us!
Sometimes have difficulty expressing how I feel in word but I'm finding art to be a way in which I can open up a lot more. It's really hard to describe Anxiety, especially because a lot of times (at least with things like GAD) it's hard to know where it comes from. Anyone who has ever had an attack can relate. Also Spiritual Desolation can often accompany it which makes it confusing and people experience it differently. Nothing has ever made me feel more in union with Our Lord in the Agony of the Garden. There is also that sense of abbandonment on the cross, and for me the crown of thorns because of migranes which are connected with it. But there is hope, you can see the light in the heart... in the soul... Often times it feels like a dark cloud and no magic formula of words or advice will do the trick, we know the logic, we understand the solutions but in the moment one just has to experience the Cross. An artist shows beauty, soul, personality, emotion, life. This transcends language, boundaries, cultures and connects humanity. This unity is what brings us closer in solidariety, fraternity and love, and this is what again, leads to joy, joy even in the midst of sorrow. And so even if I express sorrow or anxiousness, let this help you know that you are not alone, have joy in your heart even if you don't feel like smiling. Never give up, I know it can seem lonely but know that people really do love you. Peace be with you
Appropriationnisme ou le « Remake » Édouard Manet : le déjeuner sur l’herbe
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
Most of the time, i use art (especially in my sketchbooks) to deal with feelings & experiences, especially when they're "negative" & i need some way to work through them. One way i've found of doing this that really helps is by making comics. Not only can
