Have you ever felt like you were scratching at the surface of a breakthrough? I'm in the middle of what might be something major or might be nothing at all.
Colorful Goldfish - Another watercolor sketch from my newest sketchbook. I'm using Strathmore Mixed Media 300 Series (5.5 in x 8.5 in). It has 40 sheets of 90 lb. vellum surface paper. They cost under $10 and can be used for most anything including wet media (light washes) without the paper falling apart or warping badly. One of the best all purpose sketchbooks I've found and the size makes it easy to toss in a backpack and carry daily. Anyway, just wanted to share my good experience with the group. What's your favorite sketchbook brand/format?
Lino cut print over pastel. The story goes: The bird fell in love with the whale the first time she saw him break through the ocean’s surface, sunlight dancing on his back. From high above, she sang to him, and deep below, he answered with a song as old as the tides.
She longed to dive, to join him in the rolling blue. He wished to rise, to fly beside her in the endless sky. But air and water would not trade places.
So each day, at dawn and dusk, they met at the edge of their worlds—she on the wind, he in the waves—singing a love song carried by the breeze and the tide, never together but never apart.
Acrylic painting, made this while thinking about lighting bugs dancing on the waters surface and fish jumping out of the water trying to catch them during a full moon. It was a good memory; fishing on the lake at night.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk. (Including the "waste" page because I often like it as much/more.)
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day.
I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day.
I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day.
I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
Whenever I’m channel surfing, I often find myself stumbling into a film midway through it’s running time, and tend to stick around if there’s elements that pique my curiosity and just catch my eye etc. My Girl 2, of all films, was one of them this time around.
A line about “barbaric customs” or roundabouts prompted me to pick up my drawing kit...and here we are!
A solitary rowboat drifts across a muted, restless surface, unanchored and unattended. Rendered in charcoal, ink, and subtle white highlights, the vessel exists in a quiet state of motion—moving, yet going nowhere. The surrounding water is suggested through loose, rhythmic lines, emphasizing atmosphere and isolation over realism.
The boat is sharply defined against the hazy background, its dark contours and interior shadows contrasting with the soft, unsettled environment. Oars rest unevenly, implying recent human presence while reinforcing absence. The name Perditas—Latin for “lost”—is affixed to the hull, anchoring the emotional weight of the piece without explanation.
This work explores themes of solitude, uncertainty, and endurance. With no shoreline or destination in sight, Perditas becomes a reflection on drifting—physically, mentally, and emotionally—inviting the viewer to confront their own sense of direction within an undefined space.
A couple of surfboard concepts done for a laser engraving project. It seems to give me extra energy and inspiration when I use different colors to sketch. It's also nice to look at.
Jung here. Done 2022 with Color pencils on 81/2 x 11 comicbook board backing. This is my character that i have created and it is part 2 of the original gas face that i had created. One day I went to my comic book shop and I was looking around and i saw this comicbook board backings,which is a bit larger than regular backings cuz it is for magazine size backing boards when I asked the worker at the comic book shop he said they are not selling those backings so I asked him can I have some and he said yes, so I used one of the backings on the backside to draw this character of mine,but I noticed as i was working on the piece the backing surface of the paper start to peel off and it was not durable at all. As you can see you will see some tiny peeled off spots of the paper in the artwork. Original art is up for sale $20 (shipping fee will apply) USD email me jungmeister4@yahoo.com Also I have my 2023 Wall calendar up for sale $19.95 with my artworks through Artwanted.com art community website. Click or copy / paste the link below and would be appreciated if you can support me on the calendar https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=Calendar
This came about from a doodle. Doodling is a combination of skilled scribbling, mindless direction & abstract tracing. Doodling [For Me] is not sketching someone's portrait or rendering a photo. It's freely skating w a pencil or pen along a drawing surface & searching for discoveries & different unusual paths that some how result in some lovely surprises. So here ye go. And as always, there r some sneaky bonus ideas to be had if u r so willing to take a gander. Enjoy!
