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surf

Jennifer Kuhr Jennifer Kuhr
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Reading room at The Nest B&B

The reading room at The Nest B&B, digital pastel and chalk.

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Blu Dubloon Blu Dubloon
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Lil Surf Shack

Done for an 'artist spotlight' greeting card series

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BeastGurl1989 BeastGurl1989
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Shadows (Colored)

There's something creeping beneath the surface.

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Vadim Vadim
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Cablepunk

I love to come up with these mindless but interesting hard surface shapes and technical stuff. It has a meditative effect on me like drawing mandalas ^^ Inspiration comes from Tsutomu Nihei again.

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Ty patmore Ty patmore
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PERDITAS

A solitary rowboat drifts across a muted, restless surface, unanchored and unattended. Rendered in charcoal, ink, and subtle white highlights, the vessel exists in a quiet state of motion—moving, yet going nowhere. The surrounding water is suggested through loose, rhythmic lines, emphasizing atmosphere and isolation over realism. The boat is sharply defined against the hazy background, its dark contours and interior shadows contrasting with the soft, unsettled environment. Oars rest unevenly, implying recent human presence while reinforcing absence. The name Perditas—Latin for “lost”—is affixed to the hull, anchoring the emotional weight of the piece without explanation. This work explores themes of solitude, uncertainty, and endurance. With no shoreline or destination in sight, Perditas becomes a reflection on drifting—physically, mentally, and emotionally—inviting the viewer to confront their own sense of direction within an undefined space.

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mleirum mleirum
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Surfin

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Dean C. Graf Dean C. Graf Plus Member
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Sharing the Love of God – A Quick Contour Sketch

Sometimes the quickest drawings hold the deepest truths. During an after-sermon discussion about understanding the love of God, I found myself listening with one ear and drawing with the other. Frank, seated across the room, made a natural model—relaxed posture, thoughtful presence, and a face full of character. With a pen in hand, I traced his form in a quick contour line, following the folds of his shirt, the tilt of his jaw, the stillness of his hands resting in his lap. Contour drawing asks us to see more than just the surface—it demands patience and presence, a slowing down until the line itself feels like prayer. Frank became more than a subject; he was a reminder that the love of God is often revealed in ordinary moments and everyday people.

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Creative Ardour Creative Ardour
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Oak

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eclectic muse eclectic muse
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Augustine

Water heals and purifies. It also kills and destroys. Few symbols encompass both the life-giving and death-dealing properties of water as the sacrament of baptism, which represents both the passing of the old self and their rebirth as a new creature (Romans 6:3-11). Here, the image of death & rebirth is also reinforced by a dragonfly motif; the dragonfly spends the first years of its life in the deep waters as a nymph, and is completely transformed into a new being as it rises to the surface. Unlike butterflies, a dragonfly undergoes several molting processes after its emergence, showing that, while the creature is already made new, it is not yet perfected, and must grow in its new identity through what is called progressive sanctification. The work's title refers to the Christian daimyo, Konishi Yukinaga, whose baptismal name is Augustine, and is the primary subject of this image.

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Trevor Gallagher Trevor Gallagher
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Replica surfer

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Ogstizul Ogstizul
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Silver Surfer Sketch

Silver Surfer sketch

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Makayla Makayla
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Surfboards

A couple of surfboard concepts done for a laser engraving project. It seems to give me extra energy and inspiration when I use different colors to sketch. It's also nice to look at.

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Ty patmore Ty patmore
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I love lamp, lava lamp.

In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin. A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.

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Kathryn Kathryn
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Surfing on a flower

Surreal flower eye surfing on a flower

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Sara Sara
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Feeding my Fears

This Illustration is a revisited self portrait. The breast on my back feed four pencils/tentacles and the color spread from the female body to the page and "travel" all around the surface. The meaning is to show the reciprocity between the artist and the manufact.

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Dane Mullen Dane Mullen Plus Member
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Deep

What's on the surface can be misleading.

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Sujoy Bera Sujoy Bera
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Sujoy Bera 3D Visualizer Interior Designer

Sujoy Bera 3D Visualizer Interior Designer

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Sujoy Bera Sujoy Bera
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Sujoy Bera 3D Visualizer Interior Designer

Sujoy Bera 3D Visualizer Interior Designer

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Ivan Camilli Ivan Camilli
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Krampus

Brush with black ink and white acrylic paint on 9” X 12” acid free Strathmore Bristol smooth surface paper. The Image dimensions are about 5 1/2” X 8 ½. Signed and dated. (The black ink was used for the character as well as for the background. The acrylic painting was used only for the small shapes in the background)

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Prarthana Thakur Prarthana Thakur
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Picturesque

Painting the environments and destinations the nature offers us. The use of warm colors to depuct the blissful experience along eith the play of nature light and elements.

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Beresford Beresford
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Industrial Art Project

What was created? A concept exerciser (aka: homemade workout machine) made mostly out of wood components, that was a contraption full of hinges, pulleys, weights, and grips (see pin 1). With my system, a person could perform both the butterfly and lat pull down exercises and transition between them with minimal effort. The unit stood about 8 feet tall and was about 6 ft wide when the butterfly arms were connected to it. Why was it created? I have always been fascinated with weight training machine design. I had a bench press weight set at home that did not come with a butterfly attachment, so I decided to make one of my own. I was able to get a steady supply of material (scrap wood) from a local source and constructed a workout routine by stacking columns of weight (instead of accumulating weight plates) in a moving grid generating even or uneven resistance (see pin 3). I also consider what I made could be a benefit to others since it does: (1) represent an extension of DIY culture (i.e. advancing individual knowledge, learning new skills, and the feeling of satisfaction that comes from building from your own ideas), (2) how to apply simple machine principles (i.e. pulleys, leverage, changing the direction or amount of force, etc.) in making a project and, (3) promote woodworking (which allows a person to be creative and is a wonderful medium for artistic expression). What makes it special? What makes my work distinctive concerns the butterfly arms and the weight container. Butterfly Attachment The butterfly attachment arms can be quick disconnected and re-mounted easily. The jackknife motion that the butterfly arms travel in as they flex forward and return to their starting position is an original conception. Weight Grid (see pin 3) Unlike traditional stacked weight plate machines, a person is allowed to make a variety of pattern configurations on the grid (X,□, /,\, —, etc.) by using cup shaped ballast inserts (up to 24) that changes the amount of force a user exerts for each repetition (see figure 2). An individual can position the weights in organized horizontal/vertical patterns or treat them more as random objects in the load basket. In their current form my system’s weight supplements are ½ pound each (about 2 ¾ inches long and 1 14/16 inches in diameter): making them easy to manage. If solid roll stock were used in their construction, they would be estimated to weigh 2 ½ to 2 ¾ pounds (see pin 2). When not in use, weights can be placed in the grid case for compact storage. As a point of fact, the sight holes cut into the drop tubes were drilled by hand with a fixture and not with the use of a drill press. At one point, I contemplated that one could focus on certain muscle groups in the upper body by placing inserts on the weight grid in particular patterns (X,□, /,\, —, etc.). This may have been beneficial for those in need of rehabilitation (through segregation of muscle areas that needed treatment) in such disciplines as Kinesiology or Physical Therapy. What was learned creating it? I learned how much ideas on paper can change drastically when fabricated physically. I learned how challenging it was to develop removable butterfly arms that hang and pivot in mid air. The exerciser’s weight box glides up and down on a vertical guide. I researched various ways of how to make that move while keeping the friction between the connectors on the weight box and the track surface it to a minimum. This was in order to make the climb and drop motion as fluid and controlled as possible. I considered using various sprays, waxes, greases, lacquers, covers, wheels, and even ball bearings to accomplish that. I ended up sanding the inside of the track extensively and then mounted small furniture mover inserts to the weight box on its four corners for a successful connection. Therefore, I learned here how important considering a variety of ideas provides solution to a problem. If I were to start over and do things again? I probably would have done some more background research in the areas of Fluid Dynamics or Biomechanics. I figure, if I had consulted with people in those areas, the time it took to design and redesign the overall unit as well as the weight box might not have taken about 3 years to fully complete. Miscellaneous In the back the machine was a counterweight of tube sand (60 lbs.). Without that, the whole thing would have toppled forward when trying to use it. Thank you for your time. Best Regards. Matthew Link: https://www.pinterest.com/meb206/industrial-art-project/

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Melanie A.M. Wilson Melanie A.M. Wilson
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I touched him without thinking and the surface of his skin was smooth and cool

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Roger Warn Roger Warn
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Jack

Nic Pro 2 mm graphite lead holders (4h - 4B) on Strathmore medium surface drawing paper (9"x12"). This was my first attempt at using a proportional divider.

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Jannett Peña Jannett Peña
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The Eggo as Well

Yes, continuing with gouache paint set and still Stranger Things surfaces.

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Ogstizul Ogstizul
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Silver Surfer

Silver Surfer drawing by Marshall Rogers

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erik cheung erik cheung
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Remorse

Some works were born to be prodigious. Once the preliminary lines were laid within the first minute, the quality of the shapes, the diagonal composition and the weight were balanced out. With the black mass as the hood, a face, hidden underneath, is unveiled. With the addition of the black fingers and the white hand, the full figure surfaced naturally. The black fingers are the minimal suggestions to add character. The title `Remorse’ came about because of the bowed head and the pose. utube clip: https://youtu.be/mb48rCx-lYI

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Andrea Andrea
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I am composed

I am composed. I am more than just a label. Sometimes I'm happy, sometimes anxious (well more than just sometimes), sometimes playful, sometimes sad, sometimes brace, sometimes even too brave, sometimes creative, sometimes numb, sometimes... Oh by the way, I got a bipolar II diagnosis, for context. March 2020. Pastel on Canson cotton, honeycomb surface paper (32cmx24cm).

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Sujoy Bera Sujoy Bera
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Sujoy Bera 3D Visualizer Interior Designer

Sujoy Bera 3D Visualizer Interior Designer

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Jack Jasper Jack Jasper
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Surfer 1

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Sandra Kluge Sandra Kluge
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Restructuring My Reality

Restructuring My Reality // Colored pencil and ink on paper // 7 x 10 in // 2021

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