Sketch of a painting I'm thinking about. I think as adults, we have our own ambitions about living on the moon. However, once we have children, we can only yearn to be able to live on the moon with them.
"Facade" depicts the duality between constructed appearance and natural image. The old woman manifests societal idealization of beauty within her headpiece, burdened by the intricacy. Aesthetically pleasing symbols around her echo the notions of her manifested identity. This facade subconsciously contributes to continuing superficial values.
When I was a kid, I used to draw nonstop. As I got older, I got harder on myself. Now I only draw when I think I can make something big of whatever I'm doodling. I want to go back to the way I was before,
Watercolor plein air painting but my painting subject of decorative flourishes portray the vibe of this park:
Relaxing ASMR sounds of barking dogs, screaming children, and screeching parrots.
One of my first landscape experiments in Photoshop. Whereas I previously was working in GIMP. I just wanted to experiment with values and distance and fog and mist, etc. The female figure adds some story to the scene.
In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin.
A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.
"Nowhere Fast" is a compelling still life that blends mundane domesticity with surreal, slightly ominous undertones. The scene is anchored by a wooden table where a spilled glass, a pack of matches, and an ashtray with a smoldering cigarette suggest a moment of interrupted pause or quiet, long-term stagnation. Dominating the foreground is an oversized, weathered cigarette carton boldly labeled "WARNING", its subtle but unsettling presence hinting at a consumption that leads nowhere.
In the background, a vintage RCA television set displays a stylized amanita mushroom, a recurring symbolic motif that adds a layer of psychedelia and altered perception to the otherwise drab setting. The earthy, muted color palette and soft lighting create a feeling of weary introspection, capturing a sense of being perpetually stuck in a cycle. The piece masterfully uses everyday objects to explore themes of vice, time, and the quiet, slow march toward an uncertain destination.
A whimsical yet reflective scene blending humor and nostalgia. Ty Patmore transforms an ordinary tavern tabletop into a surreal narrative—where a whiskey bottle doubles as a rocket, a lighthouse watches over the horizon, and every object hums with quiet irony. Mixing ink and graphite with storytelling detail, this piece captures the playful spirit of escapism and the bittersweet comfort found in small rituals.
