I had a passion in painting,pencil sketching,etc.I do post daily art content in my Ig If you guys like my arts please do follow in my ig.I am also ready to learn new things in arts.my Ig id:miss.jeon_mi_hyun.
I think the best time of the weekend is driving home from work on Friday evening and thinking of all the potential of the weekend. Time to draw, paint, hang with family and friends and thank God for blessings.
Whimsical portrait. NO REFERENCE for the face. Reference for the flower “Camellia”. Watercolor. I jave used cheap paper and cheap supplies for years. It has come to my attention that using better quality products produces better results. Well, stay tuned I’m hoping to make even better works!
Last illustration of 2020, represents well my intentions for 2021! Living to the fullest, exploring, staying open and curious, finding joy in the everyday, dedicating to my passions! ✨❤️ May your 2021 be magical in a way you wish for ❤️
My half of the art trade with OptimisticJerk (https://www.deviantart.com/optimisticjerk). The trade was to draw a monster as made up by your counterpart without seeing a reference image, based only on the description. Here is her half (which is awesome): www.deviantart.com/optimisticj…
For mine, I had to draw a monster called a "niter" based off of his description:
"Niters communicate in whispers. Nocturnal. Shy away from light. They’re black and oily and emanate a bluish glow. Large, looming 6 foot shadow things with massive hind legs, clawed for climbing trees and they have ‘maws’ instead of arms, claw-like appendages they stab people with and only one gaping blue eye. Their mouths open up and they swallow their victims whole."
What's funny is that I didn't see the fact that they emanate a bluish glow until now. So, the glow from the eye is purely by coincidence. Figuring out the hind legs of this creature was difficult, and so I sought reference images, and of all things, the koala turned out to be a pretty good reference.
For a while, there, it was looking like Carnage from Spiderman, but I toned down the reddish-hue a bit. The intention was to give the appearance of motor oil.
So, now to find out how badly I failed at drawing this...
This art trade was fun, though, and I would do a similar one, again. But I am le tired.
Hi! I just now created this page because I have a problem!! I love the idea of drawing (digital, graphite, markers, microns you name it), BUT I never actually get anything finished. It's a curse that has haunted me my entire life. Any good advice on how to stay consistent and follow through with your drawings? This one I've been doodling with Sketchable, using the photo to the left as reference just to eyeball off. I worked on it for a few days and was super inspired and now a year has passed from that (!!!) and It's still in this stage of almost done but I'm struggling with getting back into it..
Are you open to others' perspectives? When presented with a difficult or polarizing topic it can be easy to ignore nuance rather than discuss it. Challenge yourself to be thoughtful and attentive in conversation - understanding begins with an open minded attitude.
Originally inspired by the occult fiction of the seventies, this began life as a cover concept for a commercial horror anthology. It later transitioned away and became a personal project, granting me more freedom with its content, and a return to one of my favourite themes – the offsetting of monstrosity with beauty.
These are 5 out of 12 images I did while processing the necessity of healing from life lessons. Heartbreak is prevalent throughout all the levels of tragedies in our lives. At times, the mourning period feels forced-- I never really want my wounds to heal because I feel they're the last of the love I carried for that "thing". The process feels like gold pouring into my gapping heart and I can only scream as it sears through my veins. It hurts to heal. It hurts that it has to happen.
Often times my work is more about a conversation with my anxieties. I have a deep, conflicting relationship with concepts of existentialism. The following works reflect abstract ideas that I simply don’t have words for.
This work entail the idea of Metaverse 1.0, a virtual space created by the convergence of virtually enhanced physical reality and physically persistent virtual space, including the sum of all virtual worlds, augmented reality, and the Internet. This defines YEAR MILLION, where humankind becomes uploaded to a highly saturated smorgasbord of digital realms where we live out our life in any number of possible ways we please.
The second painting in the Egg-istential Crises series. This one took some crazy turns as I was painting including the Air Jordans he's wearing. Small 8 x 8 acrylic painting.
I'm really proud and content with this drawing and the outcome :) considering it took me 4 days to finish and I don't usually draw backgrounds.i finally gave Mevlon a simple yet suitable outfit that matches his personality,he's the only 15-year old office clerk at his acedemy which means he is a meticulous,stern workaholic who never goes to classes with 10th grade students (he usually doesn't leave his office only when it's break time or when's it's time to go home)He is very fond of Vance,he considers him his best friend but he dislikes Morrison and Sidney (Vance's friends)they both share a youthful appearance too mainly Mevlon with having a large head,large eyes and a small stature (4'8,Vance is 5'2) despite being teenagers.
When it comes to painting and art, this is my crises! What am I doing? What am I trying to say? What is the purpose of this painting? Small 4 x 4 inch acrylic painting on masonite board
Vacation. Woke up early in the morning from persistent knocking. Woodpeckers we’re trying to get to carpenter bee’s larvae. https://www.instagram.com/p/CCR0deVBrqz/?utm_source=ig_web_copy_link
