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the trouble with verbal communication is that individual words can have very different meanings in different contexts to different people.

language is limiting. the problem with communicating is that individual words can have very different meanings in different contexts and to different people.

Emma Stone Poor Things Portrait Fanart by Oz Galeano Instagram: https://www.instagram.com/arte_ozgaleano/ Buy your custom Portrait: https://www.fiverr.com/s/6WzyVL Donations: https://www.paypal.com/paypalme/ozgaleano Youtube: https://www.youtube.com/@OzGaleano/videos Patreon: https://www.patreon.com/Ozgaleano Shop: https://www.inprnt.com/gallery/ozgaleano/ TIK TOK: https://www.tiktok.com/@oz_galeano Behance: https://www.behance.net/ozgaleano

Face Paint Model Portrait Fanart by Oz Galeano Instagram: https://www.instagram.com/arte_ozgaleano/ Buy your custom Portrait: https://www.fiverr.com/s/6WzyVL Donations: https://www.paypal.com/paypalme/ozgaleano Youtube: https://www.youtube.com/@OzGaleano/videos Patreon: https://www.patreon.com/Ozgaleano Shop: https://www.inprnt.com/gallery/ozgaleano/ TIK TOK: https://www.tiktok.com/@oz_galeano Behance: https://www.behance.net/ozgaleano

Done with markers and watercolour in an A5 Daler Rowney Sketchbook

Just some texture

A drawing on texture practice referenced from Alphonso Dunn's book.

Elias Rosenshaw 11/16/2023 Filtered digital collage of photography, digital patterns, pixel art, and pen & pencil on paper. Text paraphrased from my friend Lydia. Drawings are studies of statues I photographed: Horse's Head, The Parthenon Sculptures, The British Museum, London, UK The Bassai Sculptures, The British Museum, London, UK

Because of the texture the sketchbook's paper, I couldn't use my regular mediums of choice. I decided to give crayons another go. It's a rather old piece (older than the other ones I've posted here) so not giving this a watermark.

Hi, completed in pencil. Softest 4B. Layered technique. Without any use of blending tools. Just the silky smooth pencil in hand bringing out the texture of the 300lb Bristol Vellum.

Backgrounds used to be my least favorite part of painting, but now im having fun trying out different textures and patterns. Having a strickt 12 color limit adds to the challenge and makes it feel like a puzzle.

Emperor Palpatine - Egg tempera on panel 9x12. This is my 3rd attempt at egg tempera, and I absolutely love the medium. It is a little tricky to get used too, but it is quite flexible ... despite the textbooks on it that are now over 500 years old.

I love the versatility of acrylic paint. You can change the consistency by adding water or acrylic mediums. These additions enable artists to create transparent glazes or thick impasto textures. The fast-drying nature of acrylics makes it easier to correct mistakes or make alterations during the painting process. This painting is part of a three piece set featuring my favorite plants painted on a soft gradient background.

This is a graphite pencil drawing of a conch shell I found on the beach in Florida. I used this sketch as a base for a intaglio print I made. The sketch features the cool textures and forms of the shell in a harsh contrasting light.

Whether the script in the background is an actual sutra is not the concern, even if it is, would it be readable to most? I question the use of lines in Calligraphy. Without the recognition of the exact words or meaning, can we still appreciate the quality and skills involved? Armed with a Chinese writing foundation, I adapted the use of the eight strokes (the basis of construction to Chinese character). The `writings’ resembles Chinese/Japanese writings but in fact, they are not. I needed a texture. With language as a symbol of culture, by visually adapting these kind of lines endears us to the image.

I drew a London Street Building, source from pinterest using the freehand sketch method. The story behind this sketch is that I drew it with a hesitation feeling, you can feel it when you see how my lines were drawn to create the brick texture.

Painting practice with textures in acrylic

The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “. Some of her work focuses on women, and they incorporate criticism and cultural protest. Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia. Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics. The structural composition of some of the works is influenced also by her many years of working in the architects’ office. Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.

The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “. Some of her work focuses on women, and they incorporate criticism and cultural protest. Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia. Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics. The structural composition of some of the works is influenced also by her many years of working in the architects’ office. Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.

The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “. Some of her work focuses on women, and they incorporate criticism and cultural protest. Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia. Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics. The structural composition of some of the works is influenced also by her many years of working in the architects’ office. Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.

Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes.

:)

Cooked up a lil illo!

"The painting ""The Girl in a Shirt"" is one of the paintings series ""Her"".The artwork is painted in oil on canvas with wide textured strokes of a brush and a palette knife. In the work, we can see the opposition of a gentle female image and deliberately careless aggressive rough strokes of paint. The artist plays of black and white hard contrast against delicate pastel colors. The girl depicted in the painting feels constrained by external conditions, which prevents this painting from having an erotic value. The girl nervously tries to unbutton her shirt in order to get more air and freedom. Her pose is not balanced, which shows even more uncertainty and indecision. That's why this artwork is considered rather dramatic."

AI generated image using text to image, additional attention to detail editing I did myself over a few days. Stay tuned, more coming soon!

Zidane Portrait drawing by Oz Galeano Instagram: https://www.instagram.com/arte_ozgaleano/ Buy your custom Portrait: https://www.fiverr.com/share/67BRlX Donations: https://www.paypal.com/paypalme/ozgaleano

I changed the composition, types of silhouettes, and background texture a few times. I didn't have any expectations about the finished work. It was a creative flow with many changes. I think the creative process looks like this. Don't be afraid to try. If you make your art digitally, it's simple. You can: - create a new layer, - use shortcut Ctrl+Z. In traditional art, it depends on the art supplies you use. Sometimes you can try more times. Sometimes you need to start again. But any attempt is better than giving up.

I'm playing a lot with the background texture. I'm discovering the power of brushes from Krita Software.  I fell in love with the gouache texture effect.  I like the silhouettes in this illustration, but the leaves could be better. I need to find a good brush for drawing leaves faster and with ease. Or maybe I should try some other techniques? Have a creative time!

I feel only positive emotions after drawing this landscape. It's a bit wintery, snowy, and magical. I love the background texture. But I still need to work on the details. Recently, I discovered the miraculous power of gouache. I ordered paints a few days ago (still waiting for the shipment). That's why there are only digital versions for now. I have already purchased a course on the Domestika platform. I'm going to try my skills at traditional painting on paper. It will be a big challenge. Fortunately, I have a great teacher :) Thanks, Ruth Wilshaw, for your Domestika course and daily inspiration to create! Day 6 of #whimsicalByMamaminia art challenge.

The image title was the instruction for a text to image generator (playgroundai). Is this now my doodle or you are not allowed to upload something like that here?