This is part of a sequence inspired by @moonchildillustrations and her #moontoberweekends prompts (this one is apple!). This was fun, I want to start incorporating more animation/ sequences on what I create. I got inspired by my mother, when she was little she was scared of eating seeds because she thought they would grow out of her ears. With that in mind, have a great October!
Golden acrylic on canvas. This is the second abstract I've attempted. It's not fully finished but it's looking pretty cool so far. I used the palette knife to create texture and metallic paints in my color mixes
I initially wanted to draw a mandala but after outlining the big circles, I thought "why not add some texture?" and there you go. Experimenting with different shapes and shades always pays off.
My idea was to make a textile pattern for fabric printing. Drawn on paper with a micron pen .005, colored with pens then put into Photoshop for some color manipulation, blurring of lines and pattern arrangement.
This is a 19 in by 24 in oil painting on Bristol paper. I love this piece because of the textures and the bright but muted colors. I did this in 2019 in the spring at the Fashion Institute of Technology. The professor always pronounced "fruit" in a very bazaar way. It was a great class overall.
Quick 1 hour sketch working with a limited palette for a moody, gritty atmosphere. I always like to think of the story behind a piece before I start, and this one was a reflection of where I see the world going - a dystopian world in which many parts of the city have been abandoned, taken over by urban foliage, and left to ruin as people flee.
During this Quarantine I have had so much fun exploring what else I can create. Using this opportunity I am creating patterns & textures and trying to sell them on a few websites.
PLaying in the studio with watercolour paints and inks - created a planetarium of textural ideas - had great fun doing this and now plan to use some these effects in my next piece.
This sketchbook is all about triangle patterns! Each page starts with a base layer of connecting triangles. From there, I fill in different patterns on each page, challenging myself to come up with new ideas for each page.
