David Lynch (1946-2025)
I like things to be orderly,” Lynch told a reporter in 1990. For seven years I ate at Bob’s Big Boy. I would go at 2:30, after the lunch rush. I ate a chocolate shake and four, five, six, seven cups of coffee—with lots of sugar. And there’s lots of sugar in that chocolate shake. It’s a thick shake. In a silver goblet. I would get a rush from all this sugar, and I would get so many ideas! I would write them on these napkins. It was like I had a desk with paper. “
- From Daily Rituals: How Artists Work by Mason Currey
“I don't think it was pain that made [Vincent Van Gogh] great - I think his painting brought him whatever happiness he had.”
― David Lynch
Thank you for all your amazing art!
#dailyrituals #inktober #DavidLynch #goals @masoncurrey
This one was for a friend of mine from highschool. She wanted me to change the dragon to black and white. I complied with her request, but I'm posting the original here. I think the classic red is best for the legendary creature.
Inspired by Ruth Wilshaw and her book "Creative Gouache" I tried to get a gouache effect in my digital illustration. I think I did it. I'm nicely surprised with the final look.
That's why experimenting is so astonishing.
My name is Yasia Kagan (Tsarevski) - i'm artist, painter and teacher. I was born in a family of architects and painters, in a special atmosphere imbued with creation and art, love for aesthetics ...
Since I remember myself I was painting, this was always part of me. It wasn’t be me without painting. But I have paved a long way to where I am now - today I paint every day by teaching people and open their eyes to the amazing world around and within them. I started drawing black and white graphics, but since than I evolved my style by adding colors. Now I have found a combination that can express best what I want to see and feel.
I am director of a painting and creation studio "The Magic of the Brush" in the growth of the network of experience in Carmiel. I was born into a family of architects and artists, painting and a passion for art have fascinated me all my life, I started with black and white graphics like a forest of books and slowly rolled into color painting. The creation of all work makes me alive - I feel, I think, I understand.
I believe that art is a way of life. I Want to bring it to as many people as possible in order to make our world a better place.
Here are two of my paintings that are some sort of combination of graphics and color.
Hebrew:
אני יאסיה קגן (צרבסקי) ציירת, אמנית ומורה לציור. מנהלת סטודיו לציור ויצירה "קסם המכחול" בצמיחת רשת המתנסים בכרמיאל. נולדתי במישפחה של אדריכלים ואמנים, ציור ותשוקה לאמנות ליבו אותי כל החיים, התחלתי בגרפיקה בשחור לבן כמיערת ספרים ולאט לאט התגלגלתי לציור בצבע. מצירת כל משאני מרגישה, מש אני חושבת, מש אני מבינה.
ציירת, אמנית יאסיה קגן צרבסקי.
צייר ו מורה לציור מאמינה ש אומנות היא דרך חיים. רוצה להקיר אותו לכמה שיותר אנשים בשביל להפוך את העולם שלנו לטוב יותר.
מציגה כאן שני ציורים שלי שהם איזה שהוא שילוב של גרפיקה וצבע.
Even though The Squid Game was released in the fall, it is still in the top 10 of Netflix! We think it’s well-deserved because this series has made a real breakthrough in Korean drama history.
These are just some random paintings I had done a while ago when I was experimenting a lot with watercolor and I wasn't too thrilled about them at first. I have since looked back on them and actually think they are quite nice.
It's been a while since I upload something here. I have been trying so many different things; for example, I try to think with other art elements other than lines. I am doing a self-exploration project #1111daysofart since July 1st, where I will do something art-related every day, which inspired me, big or small. It is a long way, and I hope I will make it :D
Spring has sprung and Peter is enjoying the warm weather. How have you been enjoying the break from winter? Any activity suggestions for Peter and his friends? They’re thinking picnics and lawn games...
This year is my first time participating in the global drawing challenge called INKTOBER!
Fact, I haven't been sharing with you all my entries from the official inktober prompt list from the beginning. Even so I still would like to show you some of them anyway :) So here it is my interpretation on the prompt 'RADIO' Enjoy :)
A page from my sketchbook during my Foundation Diploma in Art & Design in London. Diluted ink is a great medium. It always gives this authentic look. I think I used colouring pencils below to give it a strong colourful look. Love this one.
Drawing the tattoos gave me fits, but I think it turned out ok. Feedback? Critiques??
Bic4 Ballpoint Pen, Sanrio Novelty 10 Colour Ballpoint Pen on Archival 8.5" x 11" paper. Model: Amy_D
Mixed media (pencil, markers, brush pens, collage) on A3. This is based on some old doodles from around 2003 (I think). I glued the old thing on a bigger paper and completed it this Christmas/New Year 2019.
I travelled around Uzbekistan for two weeks during easter. It is definitely one of the most interesting and beautiful countries I have travelled in. These are some of the urban sketches from my travel sketchbook, of some of the most famous buildings in the different cities of Uzbekistan. I would LOVE to hear what you guys think.
I've been experimenting doodling on fabric with Sharpies an turning that fabric into pencil cases...I'm getting a good response from people so I think I'll get good quality fabric pens and create some unique items with doodles....
In the Palm of Your Hand, Pen and india ink on paper. playing around with graphic like images inspired from nature, having lots of fun and thinking wallpaper, pillows, tablecloths as well as prints might be interesting
There’s a lot of waiting in life.
Waiting in lobbies.
Waiting on answers.
Waiting for braces to tighten, kids to grow, hearts to heal, or prayers to be answered.
I sat at the orthodontist, watching dollars tighten on tiny wires, and made this sketch. A tree. A house. A street. Color helped the moment breathe.
I remember once hearing a chess master say, “There is no waiting in chess.”
It confused me—wasn’t there always a turn to wait for?
But he explained: “There’s no waiting. Only planning. Plotting. Analyzing. You’re always thinking.”
I once repeated that to a FIDE master. He got mad.
Maybe because waiting and patience aren’t the same thing.
We can be still and deeply active inside.
We can pause without being passive.
And then there’s Lindsey’s voice in the back of my head:
“That sounds like a first-world problem.”
“Speak life.”
“Be thankful. Rejoice always.”
And she’s right.
So here’s to filling waiting time with something creative.
Something kind.
Something that turns a delay into a doorway.
Take it how you want. You either give everything to social media, or it takes everything from you. In the end, you are left naked and hollow. I wanted to make this a simple composition at its core. The image is more about the message.
Times Square took forever to put together, I think the perspective is off just a bit. Overall, I think I did well with shading and depth. I am also improving on drawing/painting the human form. I wish I could trust in shapes and form and go a bit more abstract, but I think that will come with experience.
Digital is great -- for composition and color. But for line art? I don't think I can ever give up the fountain pen. This was drawn with a Sailor King of Pen (M) and Sailor 1911L (EF) fountain pens using Pilot Black ink. Yes, sacrilege. Pilot ink in a Sailor. But I have some Kiwa Guro arriving soon!
#24 Anime girl doodles - I think I drew this sometime last year 2025 - I just never bothered to upload it. Most of it was sketched on Magma.com and part of the inking process was finished in Ibis Paint, with only minor adjustments in photoshop. I do all my digital inking on an iPad pro, and I use those hollow aluminum capacitive styluses that you can get very cheap just about anywhere. I prefer them over the apple pencil because the apple pencil is too slippery and heavy. More uploads coming soon...
A little while back I started doing little triptych cartoons, something I could have fun with and zip off pretty quickly. Then I expanded them to four panels when it felt necessary. Some people think too deeply about my little toons and are confused about what's happening. I just tell them to look at it more simply, and not to overthink it. Like this one.
