I wanted the eyes to look real and the rest of her to be more abstract. Made of shapes, patterns and colors. Inner shapes and forms that we see if we look at a person closely.
As a child of the 70s, I have very fond memories of sitting on the floor in front of our little colour TV, and watching and adoring Lynda Carter bounce around, kicking ass and fighting crime. I’ve always loved Wonder Woman, and I'm fascinated by the myriad ways she’s been imagined and re-imagined over the years.
For mine I focused on her dualism – the goddess beauty vs warrior strength, combined with the colour and curves of my childhood. In terms of the art, I thought it would be fun to allude to classicism for the subjects association with Greek mythology and form, and balletic contrapposto as a homage to Lynda's classic spin.
Prints available via my website.
May 2019 was a month that I focused on collaging my own handmade paper together to create illustrations. I also started trying out gouache, to mixed results. It's a skill I intend to learn!
An illustrated poem I did as part of my drive to learn Korean. I did this, along with 40 plus other illustrated poems, in my notebook. Here is an English translation of the poem: :
High Pine
Close to the brook I'm looking at a high pine
High pine I want to talk to you
Many questions I have
How many people have you seen?
How many sunny days have you seen?
How many rainy days have you seen?
How many people's voices have you heard?
How many birds' songs have you heard?
High pine can you hear me?
High pine can you hear me?
High pine do you have any good stories?
High pine do you have any good stories
I will listen well
Really
Really
Really
