A watercolor painting about Seashore. We sit and enjoy the Sweet sounds of sea waves and birds chirping. They are soo much relaxing. It is a Watercolor painting.
Anya Taylor Joy Portrait drawing Oz Galeano
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Some endoskeletons I made a while back. The one on the left is spring-safe, which means it can be openly used as a costume. The one on the right is not spring-safe, and has a much higher chance of springlock failure. If you aren't familiar with the concept, springlock failure is basically where, while wearing a suit such as one of these (which are typically inside of mascot suits), the metal parts and such which pull in while a human wears it jolt back into position (which are there so they can operate on stage without a human in them) and dig themselves into your flesh. This normally kills the person inside the suit. Don't worry, though! Not like this is likely to happen. You usually have a 50% chance or higher to live... or less. ;) Drawn with FireAlpaca.
To be perfectly honest, the latest lockdown announcement here in Scotland was bound to influence my art in some form or another...
Needless to say this is going to be one looooong winter, one that’ll have me blasting “Here Comes The Sun” by The Beatles once it ends, or at the very least stabilises.
Reflecting on the current pandemic, only to realise things this time last year gave plenty of us something to gripe about too...
How times seemed simpler then.
(Gel Fineliner on A5 paper) There are four of these. Done as if imitating a crude AI. You can probably guess what the next one and the other two are like.
I had some 2x2 inch stickers made up over the holidays and feel like sharing them with fellow Doodle Addicts. To get some, go to my Instagram (see link on my Doodle Addict profile page) and DM me an address to mail them to. They are available while I have them. Happy 2022 Doodle Addicts!
Originally inspired by the occult fiction of the seventies, this began life as a cover concept for a commercial horror anthology. It later transitioned away and became a personal project, granting me more freedom with its content, and a return to one of my favourite themes – the offsetting of monstrosity with beauty.
