(I had gotten some new fine-point pens last week, and I figured this was a good way to test them out.) Two very different things have been on my mind lately, maybe there's a connection? I think it's interesting how it's taken me 4 years to figure something out, become comfortable enough to open up to others about it, and then embrace it. Yet it's like living a double life, being authentic to some and keeping secrets from others. On the other hand, to the person receiving this drawing, I know I can't do anything to change the situation even though I wish I could. All I can say is I'm forever grateful for all you do, and I truly hope you decide to take advantage of all the opportunities coming your way.
I started messing about with line and wash. I really enjoyed the speed and looseness of working on this piece. In hindsight, I'm wondering if it would be worth working on a larger, more considered version as there is quite a lot of nice texture that is missing here. Pen & watercolour on watercolour paper (4x6").
Ive always thought Goudrix is an aesthetically pleasing roller coaster, regardless of how it might feel when you ride it. I love roller coasters and design layouts in No Limits 2, but I've never composed one. This is my attempt using oil brushes in Rebelle. I wanted it to have a traditional vibe. This is not AI, nor is any part of this AI.
I was working on nighttime or dark themes and trying to get more contrast than the last piece I made. I wanted to also work on atmospheric perspective and depth with the clouds. Overall, I am pretty happy with the outcome. This is from a reference picture my husband took from our backyard. Painted with Rebelle 6 Pro.
I love the show Breaking Bad, and rewatch watch it a lot. I noticed the other night Saul said this to Walt and I immediately got out my iPad and started in on the letters.
A little o' this, a little o' that. All on 8.5X11 heavy white card stock. Some colored pencil. Using photoshop only to render contrast, no other manipulation.
Louise Bourgeois (1911–2010)
“My life has been regulated by insomnia,” Bourgeois told an interviewer in 1993. “It’s something that I have never been able to understand, but I accept it.” Bourgeois learned to use these sleepless hours productively, propped up in bed with her “drawing diary,” listening to music or the hum of traffic on the streets.
“Each day is new, so each drawing—with words written on the back—lets me know how I’m doing,” she said. “I now have 110 drawing-diary pages, but I’ll probably destroy some.
- From Daily Rituals: How Artists Work by Mason Currey
“I am not what I am, I am what I do with my hands...”
― Louise Bourgeois
“Every day you have to abandon your past or accept it, and then, if you cannot accept it, you become a sculptor.”
― Louise Bourgeois
#dailyrituals #inktober #LouiseBourgeois @masoncurrey
Halloween mini comic featuring my dog Louis, and is homage to the sign man from the old "Sesame Street" days.
https://youtu.be/1VTX53tDkIE - hear it being read.
Every couple of months, I turn a bunch of my doodles or rough mini sketches into stickers. I draw them directly onto sticker paper and seal them with bookbinding foil. These foxes will be Christmas presents.
A full-body illustration of Ace. I think he might be my favorite out of the two. I imagine Bowie to be just slightly a little more naive than Ace. Drawn with FireAlpaca.
This started off as a black ink drawing, but after scanning into my computer, I played around in Pixelmator to add the background and some effects to achieve the final result. This was going to be my first attempt at either Inktober ot Artober. Many thanks for looking !
