The guy who revived Jack, Dave, and Henry (DSaF 4 fan stuff) wears the Chica mascot suit, because he knew nobody else would wear it. Here he is, up on stage. Not while the pizzeria was open, of course --- the children would go nuts. He isn't wearing his mask he usually wears out-of-suit because it would be hard to keep the Chica head down. Uh, if you know what I mean. Two masks on at the same time = bad. Drawn with FireAlpaca. Also, the big says "Let's Cry", which is just for laughs. Something like that would work in a DSaF game.
"Parts Unknown," Acrylic on Canvas, 18x24 Some actions we will never know the reason behind, and, quite honestly, we don't always need to know the answer. Anthony Bourdain committed suicide on June 8th, 2018, news that was shocking for most to hear. People continue to speculate what could have caused him to commit suicide, some feel he had more to do, to say before he died. Personally, I find there's some feeling of closure or completeness to his death. I don't know what the feeling is exactly, but it's there. It feels like he left on his own terms, decided it was time. I wouldn't consider his death as him waving a white flag to addiction and depression. He said his shows were intended to tell other's stories, tell them frankly and truthfully. It's interesting how blunt and honest he could seem to be about himself, though he kept so many layers held within. Although we'd love to have a clear cut answer, explanation, reason, what would knowing that information change?
New character I made for Taured. He can phase in and out of shadows: like, if he runs at a wall (or even walks), he can turn into a 2D shadow, which can travel at high speeds, morph into different shapes, and when he's done, he can just pop out whenever he wants to. His mouth is way bigger than normal; but for the sake of the rest of Taured's population, the government has sealed his mouth shut, side from a small section in the middle. The scars on his neck are not open and bleeding; they're just opening up to reveal a vibrant red energy within. Drawn with FireAlpaca.
A cartographic representation of the experience of moving to a new city in a foreign land. This work, dubbed as 'Introspectionism', provides the viewer with a snapshot over time of the inner workings of the process of the strange becoming slowly more familiar and the foreign becoming Home.
Face homework. This was following a couple of super uncomfortable hours trying to draw people moving in videos, which was such a struggle for me (and my deepest art desire right now!).
Yesterday I saw my good friend and I went to the park(I see her all the time but this time our mom and little siblings came) and it was just like old times we played laser tag with the littles, and talked, and swung on swings and climbed trees and it was so fun so I drew us afterwards. I also drew our masks halfway on so we could see our faces. I HATE COVID! I also really dislike wearing masks and distancing and stuff so this is a way of getting around that. Idk if that makes sense.
Late night on Google I came across a creepy vintage photo. And I decided to draw it my art style . I used Watercolours and a fine point black sharpie .
Okay, I understand that comparing any real-life animatronic bands to FNaF is practically a sin, but I made this doodle subconsciously and I'm in love with it. Introducing Rock-afire Freddy. FNaF animatronics have many differences to real life animatronics, like how FNaF animatronics are made of segments, while real animatronics consist of one big fur piece, much more flexible. And that many of the animatronics from FNaF are completely able to walk around --- but in real life, the animatronics only have moving parts that are essential to their performance. This sort of also leads to another difference; FNaF animatronics from a specific generation all have the same endo, while real endoskeletons for animatronics have their own endoskeleton --- which have several differences from FNaF endos, like having upper jaws (which real endos don't), having teeth (real endos just have a plate which can move the mask jaw), being very bare and with few wires (real endos are very complex, and unlike FNaF where the animtronics are probably powered by electricity, real animatronics usually run on pneumatics). Anyways, enough of me rambling.
I think the best time of the weekend is driving home from work on Friday evening and thinking of all the potential of the weekend. Time to draw, paint, hang with family and friends and thank God for blessings.
When I lived in Victoria, B.C. I ran a figure drawing session for the local illustrator's society. Often I would head over to other drawing sessions. This is one run by a local gallery.
I tried coming up with a color palette from a color wheel. Trying to learn more about color theory. I'm actually 100% self taught, if you don't count the plethora of YouTube videos I've watched over the years. Drawn with FireAlpaca.
I did this artwork for a public art exhibition called "Home is where the Art is". Initially the drawing was supposed to just be a open mouth with a snake coming out of it but I felt that it lacked a story and a strong enough message so I drew the other snakes on and added the 2 other faces. The story behind this image is entirely up to the viewer but my take on it was that different people react differently to certain information, my main focus was the distribution of secrets and since many teenager refer to people that let their secrets loose as snakes I thought why not depict it in that form. The drawing displays three reactions to learning another's secret, one passes the secret on to another, the other defends it ferociously in your face but lets it slip loose when nobodies looking and the other receives the information and holds onto it
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