A penguin. Digital watercolor base with oils overtop. I wanted to try to paint it like those traditional animal paintings from ages ago. I gave them an ear piercing for the challenge and kept it at that. They're stuck up; they don't need much. ;P
This is a scanned pencil sketch of a picture that I still want to work out. The whole thing is supposed to be a kind of fantasy landscape. The castle depicted does not have to be historically correct either. I will try to work it out in Procreate. It's a great programme, but unfortunately I'm not yet as proficient as I'd like to be ... As soon as there's any progress, I'll post it here!
Regards
Christian
In this drawing, I was striving to capture the spirit of contemplation and reflection, a sort of spiritual sojourn, an ancient practice of pilgrimage, focusing on subjects of transcendent nature, and exploring destinations of spiritual significance. (words taken from scholarlysojourns.com). It is a self-portrait (me as a 14-year-old boy). We had just moved from Mequon to Rhinelander. It was then that I began to romanticize the natural beauty of Mequon. But at the same time, I was falling in love with the beauty of Rhinelander. In this picture, I am walking through the countryside of Mequon. The stringed musical instruments symbolize my love for the progressive classical and folk-tinged acoustic and orchestral music that was coming out of England in the late 60s and early 70s, specifically the quieter pieces of music performed by the Moody Blues, Emerson Lake and Palmer, Yes, and Jethro Tull. A song called Reasons for Waiting by Jethro Tull is a good accompanying piece for this drawing.
Fun fact:it's a little cartoon idea of mine,it's definitely not the first but it has a pretty simple plot I will share:it's Al Heyman, living as a parent and as a magician, juggling both with his children.he often gets in shenanigans especially with his friends!but the evil varzar wants his magic to take over the ghost world.his magician outfit is quite difficult to draw due to the rainbows especially the hat.another fun fact is that the ghosts in the ghost world have 80s and 90s technology.ill share more about this in my WordPress account
One of my Swirly Designs, illustrated with different tools such as Graphite, Aquarelle, Ink Pens and Ai & Tablet. Sometimes sheer Vectorillustration/design.
.
Urh.-Nr:1811955
.
Copyright by Carolina Matthes
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
Eldritch is another wonderful word that I get no chance to use in regular life. That is probably good?
https://www.instagram.com/p/CqbBaM9pgJu/?utm_source=ig_web_copy_link
When one day ends another starts, don't allow yourself to think about the day when it's the end, because, at the beginning of tomorrow, there is always a start.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
Often I am given to making marks on paper that reflect the objects I see coming towards me as I gaze out the front car window. I do this exercise as a passenger of course. The goal is not the end product, but the process of connecting what I see with motor control. The product is an indication of movement and energy. Give it a try!
