wallpaper

This design was more or less the mural on the wall of my room at the Reichshof Hilton in Hamburg. It was also in public spaces and I suspect it was wallpaper. It intrigued me so I took a photo of it. This was my second try and more or less depicts what I

I called this 'plant', but think it should be entitled 'wallpaper'!

I also digitally made this into a seamless repeating pattern, so it can be put on fabric, wallpaper, home goods, clothing, etc.

These patterns are all made from drawings pulled from my 2017 sketchbook project. I studied fiber arts in grad school and learned how to do repeat patterns - the old fashioned way by cutting and taping paper together... I haven't done any in 25 years - until this month!

In the Palm of Your Hand, Pen and india ink on paper. playing around with graphic like images inspired from nature, having lots of fun and thinking wallpaper, pillows, tablecloths as well as prints might be interesting

Start of a series of drawings exploring pattern. The more Garish the better :)

BEFORE and AFTER !! "She is a girl" - 2009 (5.8x2.2mt) Shoe polish on Wallpaper

Cave Canem .- ink on wallpaper 100 x 65 cm

Dalmatian dog doodle. A little something before I detox from my phone. This is going to be a major challenge for myself. Wish me luck. :3

big sketch 1,80 x 9,50 mt graphite pastels pencil on paper

In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin. A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.

Graphics on artificially aged paper Reverse side of non-woven wallpaper, ink, 50x70 cm, 2024

This is my first time at creating a wallpaper

Title: The Game Medium: Acrylic Paint on canvas. Size:24” W x 36” H x1” D Year Completed:2026 The first conceptual design for this painting is an ink rendering entitled: The Window of The Soul. The inspiration behind the design is the concept that Christians are supposed to be windows that God’s light can shine through. But the Christian sin nature can block that light from filling a room. The same way window drapes do. In the design the soul is represented as the inside of a house. The stair going down represent Hell. The stair going up to the second floor represent Heaven. The stairs going up to the second floor have no railings, this show that the assentation of the stairs must be made by faith. The Stairs leading down to the basement has a protective railing around it, representing that God is not willing that anyone should perish, but to repent from sin. The Trinity of God is represented by the cultic three Leif flower that is part of the railing that surrounds the subsurface stair well. The second inner railings represent man-controlled descent. No one fall accidently into Hell. People move closer to Hell with every action of rejection toward God they make. The world globe represents, all humanity needs to decide who they are living for. There is no neutral ground. The checked board floor pattern illustrates this reality, the black spaces with the upside-down heart points to Hell. While the white space with the upright heart point to Heaven. The open door with Jesus standing on the outside, represents the need for a savior. Humanity is separated from the direct presence of God, due to their sin nature. God can not stand the presence of anarchy, when Lucifer leaded an armed revolt against God’s Lordships, after he and third of the angel lost the battle, God created Hell , a place of internal punishment, where the enemies of God will dwell. God had warned humanity, that the day they disobey God, they will surely die. So out of compassion God sent His Son to fulfill the righteousness required by God’s Holiness. Jesus lived a life 33 years without sinning, even though He was temped as we are tempted. God’s son was then treated like a criminal, beaten with in an inch of His life, then took the place on the cross as a substitute for a murder and thief named Barabbas. God poured out His wrath on His son, so through faith the unrighteous can be forgiven and made righteous. By putting their faith in God’s savior, and turning from their old rebellious living, and walking in the newness of His Holly Spirit. The second floor is supposed to represent the entrance to the kingdom of Heaven. The lion’s heads in the wallpaper proclaim that Jesus who came the first time as a sacrificial lamb, is now coming as the conquering lion. The open door with the cross on it is the entrance to Heaven. The railing on the second floor with the fish standing on their tail with a cross in the mild of them represent the support of the body of Christ during the Earthly journey toward Heaven. Temptation of the world are represented by the Victorian wooden staircase and fancy rug, the roman columns. The Greek saying on the headier: Eat, Drink, he merry, for tomorrow we die. Stephen J. Vattimo 8/27/2026

Hand drawn repeat pattern design, I used ink and then pencil crayon on top. The idea was to create a realistic scene of what life was like for me in the 80's - as opposed to cutesy images of children playing with puppies etc.

I did this first on regular writing paper, then edited on gimp with just a mouse. It was origionally made as an OC as I use to engage in fantasy roleplay forums, now, its is mostly used as a wallpaper on my computer.