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Title: Windows to the Soul Medium: Ink on sketch Book Paper Size: 10” X 14” Year: 01/09/2020 This Illustration is a pulmonary design/study for a future painting. Theme was born from a poem I wrote a couple years ago, by the same title. The main massage is that Christians are to be windows that Jesus Christs can shine His light of, Love, truth, mercy, salvation, hope, new life, in to a darkened world by the power of sin. The power of sin is what subjects all creation under destruction, suffer, death, decay. The Devil, and countless fallen angel use these tools to destroy the human race. Christians Have victory, through faith in Christ, from being a salves to sin, they have obtain adoption into God’s family, and removed from the coming damnation that is for the rebellious angels and the humans. Christian still are still temped to commit sin, and still make bad choices. Christian’s sin, hinder their effectiveness to be a witnesses for God’s kingdom, their short comings are like black drapes, that hang in a widow, that hinder the sunlight from brightening and warming a dark cold room. The massage communicated by symbolism The stair well leading down with the railing around it: The railing: The 3 petal flower is a Keltic symbol for the trinity of God. The railing around the stair well: Represents, God’s desire that none should perish but to repent. It also represents that people go to hell by their own choice, through their deliberate rebellious living against God. No ne accidently end up on the wrong side of the railroad tracks. The Stairs going down: Represents sinful humanity that is separated from a holy God. Without a spiritual intervention, we all have one destination that is the lake of fire, which is the finale judgement for sin. The open glass pane door: Represents God wants humanity to except his invitation to commune with Him, receive the new life He offers to provide for them. The stair case without railings: Represents the path to TheHeaven, which must me travailed by faith. The partly open drapes hanging in the Picture widow. Represent sin that try to prevent the light of truth to penetrate the darkness of deception. The railing with the fishes and crosses: This represent the Heavenly destination of Christian. It also stand for Christian being God’s Life guard. While living in the world, their mission is to take the salvation message into all the world. The second Floor open door, the entrance filled with light: This represents the entrance to Heaven. The globe sculpture represents a world needing to be repossessed, from the power of the curse of sin. By the hand of God, it will made new, absent of rebellious angel and humans. Absent from destruction, suffering, death, decay. Stephen J. Vattimo 1/10/2020

Ink wash and metallic watercolor

This picture was put together from deep within, yet, I cannot explain it. This Creation or piece, you can bypass many of times, and still love it the same.

I did this first on regular writing paper, then edited on gimp with just a mouse. It was origionally made as an OC as I use to engage in fantasy roleplay forums, now, its is mostly used as a wallpaper on my computer.

I drew this picture at a restaurant on the kids menu when I was waiting for my meal.

This fun logo was created last November and now I share it with sadness thinking about the wildfires in Australia.

I drew this horse because he was a character in a story that I wrote. I never finished the story, but he’s still an iconic figure to me.

I was in one of those moods where I wanted to paint something majestic. I guess this is what happened. Finished January 6. Please check out some of my other paintings as well! I would also love to hear your opinions!

This was a compilation of poses, 30 second sketches, and a new character body type for a game I want to make. And also a random portrait.

Zoomed in shot of "I'll Sleep When I'm Dead". Created in 2012. Size: 22” x 30” / Micron Pens on Archival Paper. This piece was all drawn freehand - no rulers or measuring tools were used to create this artwork. 2019 kinda looked like this. It had a lot going on. Lots of changes. A close friend of mine predicted 2019 would be "The year of change", and she was right… at least up in my neck of the woods. Anyway, it has been full of good, fun and challenging things – all worth while. Excited to dive into 2020.

An excercise in negative painting with my set of bister inks. I wasn't completely happy with the results - the bister ink was not as transparent as i expected it to be.

This is a painting of my horse. Her name is Brista. It was my first oil painting

Baby Yoda ... Meant to be a quick sketch, but it turned into a drawing while I was at work.

i was messin around with a more "painterly technique"

It’s a flower crown kind of Saturday. If only it wasn’t winter ☹️

Draw the accidental greenhouses you want to see in the world. From Hotel California: http://bit.ly/teenyrobots-hotelca

Emotionally speaking, this is definitely the hardest pieces I've made so far. On July 18th, 2019, an arson attack on Kyoto Animation's Studio 1 left 36 dead and 34 injured, one of the deadliest mass casualty incidents in Japan since the end of WWII. KyoAni has some of the best working conditions in the industry and have made some of the most iconic anime to date, including Clannad, A Silent Voice, and the show that got me started on anime, Violet Evergarden (as seen in this drawing). I sent this drawing to them through their website, and there's a good chance it was displayed along with thousands of other fan submissions in Kyoto this past November as part of a public memorial service. While this was a tragic blow to the company and community, they're healing and getting back to their feet, and I can't wait to see what they create next.

Throughout this doodle I was thinking of graffiti, and how today’s world tries to mask its pure urban roots.

Random doodle, I was obviously a little hungry.

This watercolour painting was inspired by another artists brilliant work (I'm afraid I don't know the name). Absolutely loved doing this piece. My mother asks why I always do sad paintings and thinks I should do more happy ones. What do you think? Comment Below

Last month, on Artefact Challenge, I was the one choosing the theme. After what I got them, I think it'll be the last XD These were two characters meant for Okhong, for an eventual PONIES event, so I keep them for myself. To the left, Fi, the unicorn centaur, on the right, Tak, the draft-horse centaur. One of them is a mean killing machine, and it's not the draft-horse. Fi: What did you say about my WIFE? Tak: Dear: No. --- Le mois dernier, pour Artefact, c’était moi qui devait choisir le thème… Je me demande si ce sera pas la dernière vu ce que je leur ai sorti XD Il s’agissait de deux personnages que je voulais sortir pour un éventuel évent PONIES d’Okhong, du coup, je les ais gardé pour moi. A gauche, Fi le licorne centaure, à droite, Tak, la percheronne centaure. L’un des deux est une machine à tuer, et c’est pas la percheronne. Fi: Qu'est ce que tu viens de dire sur ma FEMME? Tak: Chéri: Non.

This artwork was made from blobs of paint

Ink on sketchbook paper subject: illustration for the national paper Size :11" x 14" Date: 10/20/2017 Artist: Stephen J. Vattimo This ink illustration was created for a pumpkin design for a carving contest. The hands grasped tightly in prayer. The national flag in tatters, representing all the trials and tribulation the nation is going through, The compass represents seeking direction. The who illustration making the statement, The need for a nation to look to God for direction, and healing of our land. God made a promise to the nation Of Israel, which I believe is offered to any nation. 2 Chronicles 7:14 and My people who are called by My name humble themselves and pray and seek My face and turn from their wicked ways, then I will hear from heaven, will forgive their sin and will heal their land. Written by Stephen J. Vattimo

The first stage of clay is slip. Slip is watery clay; it is most often used to "slip and score", which I used to attach the features of the mug to the mug itself. The second stage of clay is wet. Wet is moist, very plastic clay. Wet is the type of clay I love to use, just because it feels so fresh, and because it is moist enough that I don't have to soften it with water. The third stage of clay is leather hard. Leather hard is the stage my mug was in after being left on the shelf for twenty-four hours or so. It is easier to cut but very difficult to sculpt. The fourth stage of clay is greenware. Greenware is completely dry clay that is fragile and breakable. I would say that greenware is an overdose of leather hard for the clay. In other words, leaving clay out for a longer amount of time can turn leather hard clay into greenware. The fifth stage of clay is bisque. This is the clay after its first firing. If it was grey clay, it is now white in this stage. It is now completely hard and no longer soft in any way. Bisque, luckily, is only one stage away from glaze... The sixth stage of clay is glaze. This is the final firing and results in a smooth texture and a shiny look. I loved the way my glaze came out. While I was painting the mug, it was more of a ruddy red-brown but when it glazed, it turned out to be this beautiful spotted green.

Another little fox drawing. I loved the reference picture and wanted draw a smiling fox. Even was the first time I tried to draw the nice fure... red, orange, yellow, brown, mahogany makes the wonderful red fure which I do love.

most recent piece. Its a redraw. last time i wasnt able to upload so hoping i can now.

frame was drawn digitally with procreate :)

I painted this illustration to publicly proclaim the biblical account of a six (literal) days creation by the Holy Trinity to be the true account of the origin of all things that have been, are now, and will exist. I believe the evolution theories have many holes in them and lack sound evidence to declare evolution as the true account of the origin of all matter. I believe schools should teach both theories, and let the student decide which is truth for themselves. The three figures of light that are holding the hourglass represent the Trinity—the Father, the Son, the Holy Spirit—Who together created all things. The background of the painting is supposed to illustrate that the Trinity created all things from nothing. The hourglass is supposed to appear to be made of pure gold, representing a creation without corruption and decay, which would later be part of the curse the creation would be subjected to because of man’s sin. The top and bottom bases of the hourglass have the icon of the moon and sun six times to represent the six days of creation. The six spheres floating inside the hourglass represent the six (literal) days and what was created on each day. The first day, God separated the darkness from the light. This sphere is placed at the bottom of the hourglass because sand in an hourglass always flows down. The second day, God separated the sky from the sea. This is represented in the sphere located at the bottom right of the hourglass. The third day, God separated the land from the waters, represented in the top half of the sphere. The bottom part represents the plant life that was created on the same day. The fourth day, God created outer space: every star and planet. God mentions the sun was created to light the earth by day and the moon to light the earth by night. This is represented in the sphere located at the top middle of the hourglass. 1514 The fifth day, God created the creatures of the air and the creatures of the water. This is represented in the sphere located in the top right of the hourglass. The sixth day, God created both the land creatures and man. This sphere is located in the top left of the hourglass. (October 28, 2017)

Fed by a Miracle of Compassion Medium: Acrylic on canvas Size: 11”x14” Year: 2019 Artist: Stephen J. Vattimo Matthew 14:13-21 New American Standard Bible (NASB) Five Thousand Fed 13 Now when Jesus heard about John, He withdrew from there in a boat to a secluded place by Himself; and when the [a]people heard of this, they followed Him on foot from the cities. 14 When He went [b]ashore, He saw a large crowd, and felt compassion for them and healed their sick. 15 When it was evening, the disciples came to Him and said, “This place is desolate and the hour is already [c]late; so send the crowds away, that they may go into the villages and buy food for themselves.” 16 But Jesus said to them, “They do not need to go away; you give them something to eat!” 17 They *said to Him, “We have here only five loaves and two fish.” 18 And He said, “Bring them here to Me.” 19 Ordering the [d]people to [e]sit down on the grass, He took the five loaves and the two fish, and looking up toward heaven, He blessed the food, and breaking the loaves He gave them to the disciples, and the disciples gave them to the crowds, 20 and they all ate and were satisfied. They picked up what was left over of the broken pieces, twelve full baskets. 21 There were about five thousand men who ate, besides women and children. This illustration is part of a mural about the ministry of Jesus of Nazareth. The mural consists 9 images that depict the Miracles of Compassion Christ worked that are recorded in the Bible and He continues to perform in the world today. Understanding the symbolism in the painting. The basket of to fish and bread sits in the grass; Jesus had instructed His disciples to have the people sit down in the grass. Dead grass: the event took place in a desolate place. Historical and cultural illustration. Basket design: In the first century in the middle east people traveled on foot and when on a long journey they carried food with them. The common lunch pal during this time period was most likely a small wicker style basket with a removable lid, and a leather strap attached to it. So, a person can sling it across their shoulder for comfortable transportation. The basket would most likely be lined with a cloth wrap around the food to protect it from dust and bugs. The fish and bread: In John 6:1-15 which mentions the same event, tell us the 2 fish and five loaves of bread belong to boy, so most likely his meal was that of a poor person. The common fish that was eaten by the poor in this region and time period, were sardines. The five loaves of bread: Were most likely a type of flat bread which is commonly consumed by middle eastern people. The Bible verse that best communicates the message of this illustration is: Matthew 6:25-33 New American Standard Bible (NASB) The Cure for Anxiety 25 “For this reason I say to you, [n]do not be worried about your [o]life, as to what you will eat or what you will drink; nor for your body, as to what you will put on. Is not life more than food, and the body more than clothing? 26 Look at the birds of the [p]air, that they do not sow, nor reap nor gather into barns, and yet your heavenly Father feeds them. Are you not worth much more than they? 27 And who of you by being worried can add a single [q]hour to his [r]life? 28 And why are you worried about clothing? Observe how the lilies of the field grow; they do not toil nor do they spin, 29 yet I say to you that not even Solomon in all his glory clothed himself like one of these. 30 But if God so clothes the grass of the field, which is alive today and tomorrow is thrown into the furnace, will He not much more clothe you? You of little faith! 31 Do not worry then, saying, ‘What will we eat?’ or ‘What will we drink?’ or ‘What will we wear for clothing?’ 32 For the Gentiles eagerly seek all these things; for your heavenly Father knows that you need all these things. 33 But [s]seek first [t]His kingdom and His righteousness, and all these things will be [u]added to you. Written by Stephen J. Vattimo 3/25/2019

Pen and Ink, watercolor wash in my sketchbook. Another daily drawing.