These are the results from a request to create a piece based on a fathers son's nicknames. The older brother is the moon, second the bear, third the bird. Added the stars as the parents.
His first request was of a tattoo of sorts ...but I struggled and my drawings kept turning into children illustrations. I so enjoyed the challenge and it gave me an opportunity to honor the love of family. At the same time, it was hard to associate them into a tattoo:) .
Watercolour crayon, crayon, fineliner and acrylic paint... . . . . . .. ... . ... .. ... . .. ... .. ............ . ... . . The tree is weary crying for some help, its roots are drowning and the taps on full pelt. Its head cant speak the evil, hear the evil, see it. Whilst its occupiers point the fingers at each other and dont even believe it... .. ... . .... . .. .
I first bought some cheap soft pastels back in 2018 and did a couple of sketches. I bought a nice set of Rembrandt pastels a few months later — didn't use them. I bought some pastel pads, none if which seemed right. September 2020, I bought a couple more sets of bargain pastels and tried a couple of pieces — no good, still couldn't bring myself to use them. Jess bought me pastel pencils for Christmas — I was too scared to use them. I even bought a pad of Pastelmat which is supposed to be THE paper to use for pastel paintings in January. I was too scared to use that as well!
FINALLY, after a few unsuccessful attempts at working with watercolour (brush issues), I cast aside my fear and thought I'd mess around with pastels. Some time later, and this was the result. I've finally broken through my pastel fear-barrier.
I've got to say, I love soft pastels and I'm excited about doing more pieces in this medium.
I painted this in Regent's Park, London. A yellow rose at sunset featuring a pink contrail in the sky. I have it available as prints, and prints on products on Redbubble, Society6, Zazzle, and Threadless. All sites are easily accessible via this link: linktr.ee/okhismakingart
After 1-2 week ago i had a lot of work and had a stress.So on this weekend in a evening i went out for relax time with my closefriend and enjoy with jazz song night. Then I come back to sketch with watercolor for my memory.
I have given my students the problem of creating 100 self portraits in 20 days on 5x7 in paper. The challenge is to create something other than an image that depicts a 'dead-pan' stare. When the brain is given a problem, it goes to work immediartely to solve that problem. I have seen some wonderful solutions. This is a tall order for teens who are sensative to judgment and still developing in thier perception. It has generated wonderful discussions of self-awareness, world view, and judgment. Those who engage in the exercise in an authentic manner have only good things to say about the experience. It is not an exercise for everyone. We are on a journey. Be Bold! Be Honest! Draw what you see. Draw what you think. -Peace
Umberto Eco (b. 1932)
Eco says that he is able to be productive during the brief “interstices” in the day. He told The Paris Review’s interviewer: “This morning you rang, but then you had to wait for the elevator, and several seconds elapsed before you showed up at the door. During those seconds, waiting for you, I was thinking of this new piece I’m writing. I can work in the water closet, in the train. While swimming I produce a lot of things, especially in the sea. Less so in the bathtub, but there too.”
- From Daily Rituals: How Artists Work by Mason Currey
“When men stop believing in God, it isn’t that they then believe in nothing: they believe in everything.” ― Umberto Eco
#dailyrituals #inktober #UmbertoEco @masoncurrey
