One of my favourite series. I'm trying to strike the right balance between the abstract and the realism, and I think I try to do that through my use of colours. It's the most rewarding feeling when you use unexpected colours and they come together somehow! Acrylics, watercolour pens and posca markers.
Watercolour and coloured pencil on watercolour paper. Usually I paint on watercolour paper that costs about 3$ for a pad with 10 sheets. This was the first time I painted on paper that costs about 1$ per sheet. And yes, it DOES make a difference. :D
My painted interpretation of a large quilt my grandma made and stitched by hand decades ago using upcycled shirts. It’s gotten a lot of use and is showing the wear and tear that a well loved quilt will show on a long enough timeline. Still, I can’t bring myself to put it away for long. While a piece of me thinks I should keep it safe and preserved, my grandma is a practical woman that likes knowing something she made is getting good use. A sentiment I can appreciate. And so, maybe I can extend it’s life through watercolor.
Once again playing with shapes, colours, marks, and loads of squiggly, smudgy ink lines. No pressure. Just trying to get back into splashing around with paint and seeing what emerges.
I made a mess! And it makes me happy! Because I finally 'did' something after what seems like a too-long period of very little art. This is a 'no pressure' piece, playing with shapes, colours, just making marks, doodles, and just allowing things to emerge. Brilliantly therapeutic.
Doodling will give you ideas for projects that you didn't expect. The characters for my book, Flight of the Silk, came from sketches. This picture is one illustration for the book.
Brown ink and watercolour on paper, 4x6". Reference photo from Deviant Art. This is probably the closest I've come yet to the style I'm trying so hard to learn. Being self-taught, I'm very much open to suggestions and advice.
Impalla, Wart Hog and Topi is a strange painting of a young doll like female puppet head with large intimidating eyes. The scary doll head puppet looks like a frozen predator. Her expression almost ferrel but still oddly innocent at the same time. I chose the vintage storybook background based on the mottled rich tones of the paper itself and the fact that the title refers to prey and predators in Africa. It is an excerpt from an old African adventure story. I love the arresting expression and bright colours of this painting. She has great stopping power and evokes all kinds of emotions.
